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Waiting for Godot - English: A Tragicomedy in Two Acts [Paperback]

Samuel Beckett
4.1 out of 5 stars  See all reviews (129 customer reviews)

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Paperback, Jan 18 1994 --  

Book Description

Jan 18 1994
A classic of modern theatre and perennial favorite of colleges and high schools. "One of the most noble and moving plays of our generation . . . suffused with tenderness for the whole human perplexity . . . like a sharp stab of beauty and pain."--The London Times.

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About the Author

Samuel Beckett was born on April 13, 1906, in Ireland. Best known for the classic <I>Waiting for Godot</I>, he was awarded the Nobel Prize for literature in 1969. He spent most of his life in Paris and died there in 1989.

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Most helpful customer reviews
3 of 3 people found the following review helpful
By Toby
Format:Paperback
Waiting for Godot centers around two bums: Estragon and Vladimir. Estragon has an incredibly short memory and relies on Vladimir to remember for him. As a result, Estragon is extremely impatient and constantly suggests that the two would be better off if they parted. However, Estragon needs Vladimir and Vladimir needs Estragon, so they never do part. Vladimir, due to Estragon's lack of memory, is unsure of his own memory. Vladimir enjoys the company of Estragon, for it allows him to recall past events. Together, they spend their time devising ways to pass the time until 'Godot' arrives. Neither Estragon and Vladimir or the reader surely know what Godot is or looks like or whether he will ever arrive. On two occasions, they meet Pozzo and Lucky. Pozzo is Lucky's master and decides to stop and talk to Estragon and Vladimir for a bit of company. Pozzo hardly listens to what the other characters in the play say and frequently launches into melodramatic prose. Lucky is Pozzo's slave, tied to Pozzo via a rope around his neck. Lucky only speaks twice during the entire play. His monologue, which is delivered upon Pozzo's order of 'Think', is completely incoherent - a mix of half-finished words and sentences. Lucky is very obedient to Pozzo and rather violent and hostile to strangers, especially Estragon, who he bites. In the second act, Pozzo and Lucky return again, this time Pozzo is blind and Lucky is mute. They have no memory of ever having met Estragon and Vladimir. The play ends in the same way Act One ends - Estragon and Vladimir are still dependent on eachother and remain waiting for Godot.

Waiting for Godot is a classic text of existentialism and Absurdist literature. The very ambiguous nature of these two strands of thought and literature makes Waiting for Godot extremely difficult to understand and extract. However the questions, confusion, anger and melancholy that arise from the lack of explanation, meaning and answers is one of the very themes of the play. The large amount of speculation people have made upon Godot (the most popular one being that Godot symbolizes God) is entirely misdirected and a waste of energy. Beckett himself ignored such claims and interpretations, stating that the emphasis should be upon the 'Waiting for...' section of the title. Religious interpretations see Estragon and Vladimir as humanity waiting for the return of the messiah (Godot). Pozzo represents the Pope and Lucky is the faithful. Marxist interpretations see the relationship between Pozzo and Lucky as that between a bourgeosie and a proleteriat - Pozzo being blind to the injustice he causes and Lucky unable to protest against his treatment. Another interpretation claims that Lucky is granted his name because, in the context of the play, he is unduly lucky. This is because the other characters of the play are constantly searching for ways to pass the time, while Lucky's actions are fully determined by Pozzo. Other interpretations posit Estragon as the body without the intellect and Vladimir as the intellect without the body.

Overall, Waiting for Godot is a superb and though-provoking play. It should not be shunned for its ambiguity - for that is the very beauty and theme of it. Despite all this, it certainly calls for multiple readings. It is a remarkable insight into the nature of the individual and society in a meaningless, unexplainable world. Waiting for Godot does not propose any solutions or consolations - rather it paints a picture of the current predicament and man's reaction. Nearly every human being is waiting for their Godot and is employing some means of wasting the time until its arrival. I highly recommend this classic - it cannot and will not be ignored.

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1 of 1 people found the following review helpful
5.0 out of 5 stars What is there to get from Waiting for Godot Jun 9 2004
By A Customer
Format:Paperback
I thought the play beautifully expressed in laconic dialogue how some individuals deny reality, the human condition, and mortality by distracting themselves with meaningless activies. I don't know if Beckett saw life as meaningless. The mystery of life makes all of us story tellers. It's our responsiblity to find a story, activity, purpose, gift, belief that gives our lives fullness as opposed to emptyness.
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1 of 1 people found the following review helpful
5.0 out of 5 stars I never decided to leave while reading this play April 13 2004
Format:Paperback
Apparently, people have made much of the "fact" that Godot is god. While hardly being a fact (and in fact, being outwardly denied by Beckett himself), people who search too desperately for the specific personage Godot represents miss the point. One can say that Godot is god, especially if one is a New Critic and therefore ignores whatever the author may have said about his work. And while at one point Vladimir exclaims (and I'm just paraphrasing): "Godot is here! We are saved," this does not explicitly explain who Godot is. He could just as easily be bringing money to Vladimir and Estragon as he could be bearing salvation for them. The point is, that Beckett was an essentially existential writer, and saw that all of life was just waiting for the terminal breath. Furthermore, in the act of waiting for an ending, Vladimir and Estragon constantly make the existential choice: whether or not to keep on waiting. Several times they contemplate committing suicide; several times Estragon threatens to leave. In the end, they confirm their existence (yes, only one existence--they seem to be as one person in the dialogue: this is no mistake) by deciding, if offhandishly, to remain living; living, and waiting.
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Most recent customer reviews
4.0 out of 5 stars "Nothing happens, twice"
"Nothing happens, nobody comes, nobody goes, it's awful!". That phrase, said by one of the main characters of "Waiting for Godot", somehow sums up the whole plot of this short... Read more
Published on Jan 10 2007 by M. B. Alcat
4.0 out of 5 stars Reading this play without fitting it into boxes
I believe all you need to know is that the characters all wear melon hats and suits... And that the play is written originally in French (Beckett's first play in French, and a... Read more
Published on May 24 2004 by listost
5.0 out of 5 stars The Absurdist Drama
Along with Chekhov's "Uncle Vanya," this play is very likely the best play ever written. Like the one mentioned above, it is not the most dinamic thing you'll ever... Read more
Published on May 10 2004 by Vladimir Miletic
5.0 out of 5 stars Godot is not God
Beckett wrote this play in French, and it was first staged in Paris. The name Godot is an actual surname in France, and Beckett may have gotten the name from a series of novels... Read more
Published on Mar 9 2004
4.0 out of 5 stars Let's go. We can't. Why? We're waiting for Godot.
"Waiting for Godot" is a very interesting play indeed. Throughout the play, there are only five characters: Vladimir, Estragon(the two main characters), Pozzo, Lucky and... Read more
Published on Mar 1 2004
3.0 out of 5 stars Interesting...
I would like to see this play live.... after reading it, I am intrigued to see actors bring it to life. Read more
Published on Nov 17 2003 by T. Thompson
2.0 out of 5 stars The End Is In The Middle
Okay, I know that everyone loves Beckett, that he is an artist, more than he is a writer, but that's the problem. Read more
Published on Oct 29 2003 by Jimmy Chen
5.0 out of 5 stars The epitome of Existentialist Literature
An existentialist tragicomedy in two acts. I loved this play-- definitely the epitome of a tragicomedy. Read more
Published on Oct 5 2003 by "fictionandprose"
5.0 out of 5 stars But He'll Surely Come Tomorrow
"Nothing to be done" "I'm coming round to that opinion myself. For years I've tried to put it away from me, saying Vladimir, be reasonable, you haven't yet tried... Read more
Published on Sep 1 2003 by Jaqueline Blah
4.0 out of 5 stars It's the waiting that's important
A lot of reviewers have tried to extrapolate that Godot is God and that Vladimir and Estragon are seeking religious meaning. Read more
Published on April 20 2003 by Digital Puer
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