From Publishers Weekly
In 12th-century France, religion suffuses society. Relics, attributed with great power, are (almost) universally venerated and trade in religious objects is a lucrative, often dangerous business. After losing their first child at birth, ex-novice Catherine Le Vendeur and her English husband, Edgar, last encountered in The Devil's Door, are drawn into this perilous world when Edgar agrees to pose as a masterless craftsman and infiltrate the group suspected of refashioning stolen religious goods. Also at stake is the future of Catherine's relatives, Jews living near the Abbey of St. Denis on sufferance of King Louis VII. Natan ben Judah, whose unsavory reputation may endanger his people, has been murdered; and the relic of the arm of Saint Aldhelm of England, which figures in the dynastic struggles between England's King Stephen and his cousin Matilda, widow of the Holy Roman Emperor, has disappeared. Newman displays a sure hand with the period and her affecting cast in this deftly crafted tale.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Newman (The Devil's Door, Forge, 1994) offers lively and credible historical fiction as she depicts 12th-century Paris and environs. She centers her tale around 19-year-old Catherine Le Vendeur, a Christian of Jewish blood, and her Saxon husband, Edgar. Edgar, posing as an out-of-luck metalworker, and Catherine, portraying his wife, attempt to discover who has been stealing English church objects, melting them down, and reworking them?a practice blamed in part on a murdered Jew. Intriguing plot, realistic depictions of contemporary culture, and a spunky young heroine. Highly recommended.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.