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War and Peace
 
 

War and Peace [Hardcover]

Leo Tolstoy , Constance Garnett
4.5 out of 5 stars  See all reviews (240 customer reviews)
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Product Description

From Publishers Weekly

British scholar Briggs unveils his lucid new translation of Tolstoy's masterpiece-the first in almost 40 years-to a slightly anxious audience, from first-timers who, balking at the amount of time required by this massive yet startlingly intricate work, want to ensure they are reading the best translation available, to purists who worry that clunky modern prose will replace the cadences of earlier translations. But these concerns melt away after the first 100 pages of this volume. Briggs's descriptions are crisper and the dialogue is sharper, with fewer "shall's," "shan't's" and "I say!'s" than the Garnett, Maude, or Edmonds translations, leaving readers free to enjoy the rich and complex plot, vivid characters and profound insights into war and the nature of power. There are some awkward spots: Briggs claims his earthy rendering of soldierly banter is more realistic than earlier, genteel translators', but it reads distractingly stagy: "Give 'im a right thumpin', we did." It's also a shame to have lost Tolstoy's use of French, not only in the mouths of his characters, but also in the essays, as when he plays with Napoleon's famous "sublime to the ridiculous" quote. Briggs will face competition next year when Pevear and Volokhonsky release their new translation, but for now, this is the most readable translation on the market.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

From Library Journal

Thanks to British narrator Frederick Davidson's performance, it is safe to say that there will not be a better recording of Tolstoy's masterpiece for some time. The heart of this drama is the metamorphosis of five familiesAsome peasant, some aristocraticAamid the backdrop of the Napoleonic Wars. Each individual is immersed in experiences and conversations elucidating Tolstoy's themes of self-sacrifice and self-indulgence, anguish and ecstasy, diplomacy and deception, and religion and perdition. The complexities of character and plot are sometimes enigmatic, and names are often exhausting to recollect, but the genius of this book is everlasting. The impressive dialog sparkles with humor and wit, and the vivid scenes of battle are riveting. An entire universe is created by one of the foremost thinkers of the 19th century, and Davidson's exquisite narration heightens the perfection of this novel, regarded as one of the greatest in literature. Highly recommended for all collections.ABarbara Mann, Adelphi Univ., Garden City, NY
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

240 Reviews
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4.5 out of 5 stars (240 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
3.0 out of 5 stars Skinning a whale, April 11 2001
It isn't enough. That's my starting point. It isn't enough to say this is the greatest novel ever written. Or: this is not the greatest novel ever written. Certainly when I'm told that size matters, I disagree. The great artists - the people I regard as great artists - aspire to brevity. Great artists don't say everything. Or rather, great artists don't feel the need to use fifty gazillion words to get the point across. Great artists (I'm labouring this, I know, but: think Beckett, think Kundera, think Borges) aspire to brevity because in brevity you have the pure unadulterated moment. Think Keats. The kiss that never was. You with me?

Second thing. Actually no. The second thing can wait. Because, importantly, this is "War & Peace". This isn't a walk in the park. This is one of the towering novelistic achievements. This isn't regarded as one of the great books of the century. This is regarded as one of the greatest books ever. If you don't start reading with open eyes and an open mind, you might just let that trick you. You might just let that convince you that any - gulp - failing you chance across is your fault and not Tolstoy's. Before that second thing. An obvious thing. Tolstoy was only a man. All Tolstoy did was write a huge book. Okay? Don't be afraid. Just look out for the others.

Because that's the second thing. Reading "War & Peace" - getting all the way through from page one to page fourteen hundred and whatever (excuse me, I'm not going to get up, take the book down and look, there are more than fourteen hundred pages, that's all you need to know) - is an accomplishment. Unfortunately that accomplishment can be a little like climbing Everest without oxygen. By the time you're done, you think all life is here. You've been holding the book up against your face so long, you can no longer understand what you're seeing, you can no longer be critical. Be critical. Start the book critical. Read the book critical. Finish the book critical. Think about the book critical. Do all that. Make up your own mind and be strong.

The point being, I think, that nothing so vast can inspire such honest devotion. Treating "War & Peace" like a natural wonder - treating "War & Peace" like the Grand Canyon or something - is a mistake.

The book itself. In sixteen words. The travails of a group of people against a backdrop of the Napoleonic invasion of Russia. Importantly, those sixteen words also illustrate something vital about the experience of reading "War & Peace". You're reading about a group of people within an enormous historical context. (I'm making an effort to simplify here because the book is difficult and awkward. Bear with me.) The group of people make up the novel. The enormous historical context is something else altogether. As the book proceeds, the influence of Tolstoy (enemy of the historical reinvention of the past by historians, despite the fact that - yes - "War & Peace" is also one of those historical reinventions of the past by a historian) exerts itself to a greater and greater extent. As the book proceeds, Tolstoy goes to war on historians (and diatribe goes to war on novel).

In lots of ways, the experience of reading "War & Peace" is akin to that of reading Melville's "Moby Dick". The novel is fine, the novel is good, the characters are engaging, you are interested, you want to know more but - uh-oh, here comes another 180-page digression explaining how to skin a whale.

If "War & Peace" was just a novel, then perhaps you would merely concern yourself with the impetuous young Nikolai Rostov and his on-off love affair with the house-cat that is Sonya. If "War & Peace" was just a novel, it could be you would spend time asking yourself whether Pierre was right to duel with Dolohov over Helene or whether Prince Andrei should have forgiven Natasha and not gone off to war. Of course, "War & Peace" is not just a novel. These people act out their tiny business against a backdrop of the Napoleonic invasion of Russia, and the Napoleonic invasion of Russia intrudes upon the action of the novel in much the same way that documentary film-footage intrudes upon the action of a romantic comedy. Not that the fictive action of "War & Peace" is in anyway similar to the action of a romantic comedy. (You see how difficult this is?)

Afterwards - having got to the other side and clasped my hands over my head like a champion - it occurs to me that novel is not the place for an extended rant about history. History, the art of history and the artfulness of the historian. Especially when, paradoxically, that's what you are doing. Tolstoy's feelings about the Napoleonic invasion of Russia, Tolstoy's feelings about Napoleon, Tolstoy's feelings about historical versions of Napoleon intrudes upon the action of the novel in much the same way that Brecht hoped his actors changing on stage would intrude upon the action of a play. Except Brecht hoped to alienate his audience, wanting to constantly reaffirm the fact that the audience was in a theatre watching a play (hoping that the alienation technique would allow the critical faculty to remain engaged). I truly believe that is not Tolstoy's intention. Tolstoy just gets worked up enough to let his rants intrude.

Still. To be brief. "War & Peace" does not provide (or does not provide me) with the thrill that Dickens does, or Dostoefski does. "War & Peace" is hard. It's a challenge. It sits there on your shelf saying come and have a go if you think you're hard enough. Reading it is, in places, a little like waging a military campaign yourself. I feel like the blasted bombshook individuals making their shaky way back to the burnt out Moscow at the book's climax (well, in the last three hundred pages). It's an experience. I can say that I did it. It took me just a little over four weeks, but I did it. Which feels good. (And makes me some kind of dilletante probably but, hey, what are you gonna do?)

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11 of 12 people found the following review helpful
5.0 out of 5 stars Yes, the Greatest Novel Ever Written, Jun 30 2004
By 
Bruce Hutton (Spokane, Washington) - See all my reviews
This review is from: War and Peace (Hardcover)
I have read a lot of books and so I've scrabbled together a fairly intelligent idea of what a great book is; the definition has always been complicated and hard to explain, but I really needn't have bothered. The concept can be summed up in only three words: "War and Peace".
This is, simply, what all novels want to be when they grow up. The novel format is as varied as the writers who attempt it---to call "War and Peace" and "Ulysses" examples of the same art form seems ridiculous, but it's true---but ultimately a novel is a story about humans that explains what humanity is, or might be, or could have been; through these characters whose adventures you're following, you might learn something about what it means to be a human being. Every art form is about this experience, but only the novel can really hunker down and explore humanity in all its billions of shapes. You can learn not only facts and feelings but you can learn TIME by spending it in these pages. You can learn GROWTH. You can learn LIFE.
The main characters in "War and Peace" are Pierre Bezuhov, Prince Andrey Bolkonsky, and Natasha Rostov, three Russians caught in the middle of the war between their country and France in the years 1805 to 1813. Through them we meet dozens if not hundreds more characters, and through those dozens or hundreds we simply meet humanity itself. There's no other way to express it. The way Tolstoy tells us about his characters shows us ourselves; the identification is that strong. When a character falls, in battle or from old age, we feel that someone we know personally is gone, and we mourn them as though we couldn't simply flip back a few pages and resurrect them. The mass of life in this book is overwhelming: the story, like the title, is so big it seems impossible that you could find a moment of intimacy, but in fact there are hours here, even days. There is so much contained in the book, battles and weddings, parties and firestorms, evacuations and reunions, military history and moral philosophy, yet Tolstoy never loses track of his characters and how they are evolving while they watch the world tear itself apart and try, almost pitifully, to put itself back together again. It's an absolutely superhuman performance, one no writer could have dared hope for. Only one writer in history ever did it, and no writer ever will again.
"War and Peace" gets its reputation not from dusty old college professors, but from the sheer power of its story and the awesome scope of its understanding, and its ability to impart that understanding to the reader in the guise of a riveting tale of adventure and romance. The novel survives not because it's A CLASSIC, but because it is impossible to pick it up and not be sucked into its hurricane of humanity.
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5.0 out of 5 stars A deep and profound classic, Dec 4 2005
This review is from: War and Peace (Paperback)
WAR AND PEACE successfully captured life's promises, challenges, joys, triumphs, and losses in a way that no other novels has done before and after. In this novel with more characters than any other I can imagine; the main characters are Pierre Bezuhov, Prince Andrey Bolkonsky, and Natasha Rostov, who are all affected by the destabilization of the war Napoleon brought upon Russia in the early nineteenth century. It is around them that the other characters revolve. Even though the sheer size of this novel of over a million words may discourage readers to pick it up, the consuming nature of the story keeps a reader glued to the book from the opening pages. The sheer power of this romantic and adventurous story made this classic story to survive as perhaps the best of all times.

The essence of Power, which is what leads individuals to move nations is the ultimate question of War and Peace. And this individuals or great men of history, are in reality the slave of history. That underlying fact can be found in other Russian stories. UNION MOUJIK, TARAS BULBA, CRIME AND PUNISHMENT,MASTER AND MAN feature that concept. The war part of the story features remarkable military campaigns such as those by Napoleon and his Russian counterpart, Emperor Aleksandr, as they employed their different strategies in the quest for victory on the lands of Russia.

War and Peace is entertaining as well as enlightening and is considered by many to be the master of all Russian novels. Its overview of Russian life and culture involving peasants and the aristocracy gives a true to life portrayal of humanity. You can find glimpses of other Great Russian novels in this story. In short, this epic cannot be forgotten after you have read it.

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