|1. Feather Moon|
|3. Hope on Fire|
|5. Mission Street|
|6. My Medea|
|7. Shasta (Carrie's Song)|
|8. Homecoming (Walter's Song)|
|9. Anna Rose|
|11. The Atheist Christmas Carol|
|12. [Untitled Hidden Track]|
By the time San Francisco-based singer/songwriter/pianist Vienna Teng, 26, quit her full-time software engineering job at Cisco Systems in 2002, she had signed with independent label Virt Records and was preparing for her full-length CD release, "Waking Hour." She was soon opening for such artists as Shawn Colvin and Joan Osborne. With her graceful melodies and evocative lyrics, Vienna has garnered critical acclaim and a rapidly growing legion of fans throughout the world. Her days are now filled with interviews and sold-out performances. Needless to say, it has been an abrupt shift from her cubicle days.
Vienna began taking piano lessons at age 5, studying classical composers like Bach and Chopin. Far from being pressured into studying music, however, Vienna asked for piano lessons on her own. While she delved fully into classical works, leading her to even take on the name of Vienna after the Austrian city of composers, she was drawn more to the act of improvisation, and in expressing the ideas that were emerging in her own imagination. She wrote her first song at age 6, and had an albums worth of instrumentals composed by age 16.
Vienna has returned with her sophomore release, "Warm Strangers," a diverse collection of lush, melodic songs, incorporating Vienna's classical background and folk sensibilities within a contemporary pop framework. Whereas "Waking Hour," written during the high school and college years, was mostly autobiographical, "Warm Strangers" marks Vienna's bold leap into fiction. Orchestral and acoustic landscapes, using everything from string quartets to slide guitars, provide an inviting sonic backdrop for her short stories of love, death, struggle and hope. In describing "Warm Strangers," Vienna notes, "We pass through each other's lives so briefly that it's easy to think of the people around us as mere objects, cold and removed. Writing songs is my way of breathing warmth into them. Attempting to tell their stories, however fictitious the results, reminds me of our common humanity."