From Publishers Weekly
Howe, working in a style that is just as realistic as Locker's (see above), highlights the comic gifts of Irving's story: his Rip waves jauntily to a scarecrow, sneaks away from the house unaware that a stern Dame Van Winkle looks on and, in one frame, is seen scrambling out the door away from the shrewish, pointing finger of his wife (the rest of her is offstage). Henry Hudson's crew are a wild-eyed, caricatured bunch; Rip, upon awakening, has ivy and brambles clinging to his hat and pants, and his beard sails down past his knees. He returns to his village and is mistaken for a soldier of the American revolution; but soon settles into a serene life with his daughter and is lastly shown carving from wood the figures of the small men from his "night" on the mountain. This is a vivid piece of storytelling, which takes full advantage of the atmospheric Catskill setting. Howe good-spiritedly taps the elements of the tale that make it an American favorite. Ages 4-8.
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Kindergarten-Grade 5 Irving's complete text, with unsurpassed pictures by N. C. Wyeth, is still in print (Morrow, 1987). Although Howe's abridgement makes the story available to younger readers, it is debatable whether too much of the mystery and historythe sense of the passing of time and of political changehas been sacrificed in the shortening. Irving's plot has been respected, and although little of his style remains, the narrative line is clear and (except for several pages of uninterrupted text near the end) well-paced to the pictures. Howe works in the ``classic'' Brandywine/Rackham vein, but the pictures skip around seasonally, even though Irving specifies an autumn setting. His interests lie in portraiture and period detail, and while the latter may be lost on a young audience, the wonderful faces of the Half Moon crew, featured on the cover, will grab browsers. If there is a profound side to the tale of Rip's 20-year escapist nap (RIP?), it isn't apparent in this humorous retelling or in the luminous paintings. Patricia Dooley, University of Washington, Seattle
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.