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4.0 out of 5 stars
A Woman Before Her Time., Nov 28 2009
Washington Square by Henry James is a very well-written novel depicting the story of a woman caught in a time period where she is conflicted and tormented by both her father, a wealthy doctor, and her suitor, a good-looking man with little means of his own. The main character, Catherine, is dominated and treated poorly her whole life by her cold and distant father, who has little value and respect for his "plain-looking and dull" daughter. When Catherine meets her suitor Morris, she is immediately taken with the man and all of his charms and wit. Catherine's father however, sees beyond the good looks and charm of this man, and, realizes instantly that Morris is only after his daughter for her money. What ensues is an attempt by Catherine's father to do whatever is possible to make sure that his daughter does not marry this man. Catherine is pulled in two different directions throughout the novel, but, in the end, what prevails is a strong woman lurking under the subservient exterior in a time where women were valued very little for their opinions, intelligence and independence. A good classic novel.
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5.0 out of 5 stars
Compelling and depressing., July 16 2004
"Washington Square" is a story bursting with pain, sorrow, egotism, and shattered dreams. Having seen the movies "The Heiress" (1949) and "Washington Square" (1997), I possessed emotions and images going into the book, that others may not feel. Nonetheless, I came to many conclusions. Dr. Sloper, the father who emotionally-starved his only daughter, Catherine, used his money to pit his daughter into her own private Hell. The same money Dr. Sloper thought Morris, Catherine's beau, would use frivolously. He had no qualms about hurting his daughter in any form, and viewed Catherine as the object that took away all of his happiness. Catherine, the plain heiress who was said to lack beauty, intelligence, wit, and anything worthwhile, fears, but loves her father. She thinks he is magnificent, even when he spurts hatred towards her. She falls in love with Morris Townsend, who is said to only want her for her money, and this is when the trials and tribulations begin. Aunt Lavinia, Dr. Sloper's sister and Catherine's Aunt, is a young girl at heart, and only worsens things by her imaginative involvement. Although it must be so, I did not get a full impression that Morris was only after Catherine's money. The story is heart wrenching and you'll feel disgust for the characters, but will also feel shame for them. As a side note, the 1997 movie "Washington Square" is the most faithful of the two movies, excluding the ending, and in my opinion, much more fulfilling than "The Heiress." The latter is dramatic, but does not delve into the main parts of the story. I recommend.
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4.0 out of 5 stars
Uncomplicated with cinematic appeal, Oct 3 2002
The introduction to this paperback edition, by Peter Conn, (I always read introductions after I finish a book)- places WS in the pantheon of American letters. Of itself, it does not belong. But by its birthright, it does. It was James' last American novel, a product of his distinguished NY childhood. James fled the states for Europe soon after its publication. NY, he explained had too little social conflict and diversity, (how's that for irony.) Pre Civil War New York was, at least to the middle classes who make up the characters, a tranquil, unhurried and well- mannered, society. The same manners, from a glamorous, if not tragic slant were drawn in The Age of Innocence and other (to me) more intoxicating tales by his friend Edith Wharton. Hawthorne, we are told, was one of James' masters, his influence is felt in W.S. On its own, the story is middling. As an evocation of another time, without any real connection to what New York was soon to become, it lures the reader into a forgotten past. Any American lit student or NY city buff will cherish it for its august parentage. The plot lacks surprises or unexpected twists. It centers on the maneuverings of a gold digging scoundrel in pursuit of a plain and unsophisticated heiress. Her father, a self-made, well-off physician, adamantly and sadistically condemns the match- he is right about the man's motives, but his methods are cruel. The comic and sometimes despicable aunt, Lavinia, living completely on her brother's charity, is turned into a divisive fool, so enamored of Townsend, the fox, that she allows herself to be manipulated against her niece and brother. During a trip abroad, where father and daughter hoped to resolve the division, Lavinia opened the door to the doctor's own office, drinking the doc's finest wine and puffing his cigars, we see the true soul of the pretender as though looking into the future. Of the main characters, only Catherine, the heiress is sympathetic, and more so as she displays her resolve and honor. The others are ensconced in their own past beliefs and devious plottings, reducing Catherine to a symbol, without life. Her father's position and the strength of his objections, after all, are based less on feelings for his daughter than his mortification that Morris Townsend, a rogue and layabout would live off his estate. The story has appealed to stage writers and filmmakers since it was written 120 years ago. Catherine was played by Olivia de Haviland to Montgomery Clift's Townsend; directed by William Wyler in 1949. In 1997, it was made into a film again starring Jennifer Jason Leigh and Albert Finney as the doctor, Maggie Smith as Lavinia. With the strength of those players and the cinematographers to vivify the otherwise pale story, I can imagine the results would bear watching. NY, before the great migrations seems closer to the antebellum south than what it has so magnificently and tragically come to represent.
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