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Watching Rape: Film and Television in Postfeminist Culture
 
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Watching Rape: Film and Television in Postfeminist Culture (Paperback)

by Sarah Projansky (Author)
5.0 out of 5 stars  See all reviews (1 customer review)
Price: CDN$ 23.56 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Description

Product Description

Looking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In "Watching Rape", Projansky undermines this complacent view in her analysis of depictions of rape in US film, televsion, and independent video. Through a cultural studies analysis of such films as "Thelma and Louise", "Daughters of the Dust" and "She's Gotta Have It", and television shows like "ER", "Ally McBeal", "Beverly Hills 90210", and various made-for-TV movies, Projansky challenges the reader to see popular culture as part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? This study addresses the relationship between rape and postfeminism.


About the Author

Sarah Projansky is assistant professor of Women and Gender Studies at the University of California, Davis and is co-editor of Enterprise Zones: Critical Positions on Star Trek.

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5.0 out of 5 stars Watching Rape, May 19 2003
I first saw Sarah Projansky present this book at the women's center of UC Davis. Her presentation was articulate, comprehensive, sensitive, and compelling. Her thoughts, ideas, and observations were enlightening.

I have since read her book, "Watching Rape", and it is incredibly well done, comprehensive, fresh, and informative on many levels. This book was appealing to me as a survivor of sexual violence, an activist for ending sexual violence, and a writer. I especially appreciated the in-depth attention she paid to racism and/or the absence of race awareness in the media and sexual violence publications. I was also interested in her book to read her insights about the violence of spectators who do not intervene during a rape (and often hurt women [or children] further), and for her discussion of rape prevention and educational films and videos.

I highly recommend this book to people who are interested in studying film representations of sexual violence and it's implications on our journey towards a less violent world, or to people who are interested in understanding and dispelling rape myths and the present state of feminism.

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