2 of 2 people found the following review helpful:
4.0 out of 5 stars
A lyrical treatment of love and loss, Feb 10 2004
This review is from: Water Wings (Hardcover)
Water Wings is this author's lyrical second novel, fashioned into an exquisite story of two sisters, Hannah and Vivian, and their cousin Wren. A terrible disappointment to her mother, Wren is born imperfect, with deformed hands, but has a soul filled with light, her world one of grace and acceptance that she often doesn't receive from the world. All of the girls remember their earliest years in rural Canada vividly, the lush countryside the backdrop for their adventures and life lessons.
Soon after the final divorce decree from his wife, Darlene, Mick dies in a freak accident. The beautiful, Darlene and her husband make a striking couple and the girls cannot comprehend how their once loving parents could fall out of love. Years later, Darlene makes a decision to remarry, this time to a local shoe storeowner and the sisters must come home for the wedding.
Upon their return, long-forgotten memories surface and they are drawn back, moment by moment, into a past filled with both the joy of discovery and the permanent etching of loss. We see the past as it evolves, slowly, measured through the eyes of the little girls, Hannah, Vivian and Wren. The children's hearts are exposed, their innocence shattered by their parent's separation and eventual divorce. The chapters about Wren are particularly insightful, because of the small tortures visited upon a girl who is different than her peers. The cruelties she endures, each a challenge to a fragile young ego, make her a stronger person.
Before the wedding, Hannah and Vivian reconnect, thinking of the irony of Darlene's marriage. Mick and Darlene's emotional connections have been destroyed by Darlene's incessant need for attention, which precipitates the end of the marriage. Yet she continues collecting men, because they allow an escape and comfort in the moment. Darlene's substance is in her beauty; that is her only legacy to her daughters. Using their own resources, Hannah and Vivian discover another path toward self-definition, accessing memories of a loving father, scattered like so many jewels, as they move farther away from the green-painted house. Their cousin, the wise Wren, with her own little daughter, is the mainstay of the girlhood triad.
These are females who have somehow lost their center and Mick's untimely death changes everything. Mick leaves a legacy, however, an abundance of love to guide his daughters, a presence to help navigate the difficult years ahead. Unfortunately, Darlene squanders the affection and natural beauty she takes for granted and is unable to do much else with her life. Unlike their mother, the girls find meaning in their memories, their history, each a part of the fabric of the present and necessary to the whole, where even loss relinquishes its bitterness. Luan Gaines/2004.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Beautifully Written, Sep 20 2006
This is a wonderfully observed novel that takes us gently into the heart of a family and a town. No, there isn't a hugely dramatic plot, so if you're looking for a thriller, look elsewhere. What there is is an invitation to sit at the breakfast table with den Hartog's characters and to share in their lives. I was more profoundly affected by the novel the deeper I was drawn into the distinct perspectives of each character and their memories.
Rarely do we get to see inside a family so intimately. I highly recommend this novel.
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1 of 4 people found the following review helpful:
1.0 out of 5 stars
Flaccid, Mar 7 2004
This review is from: Water Wings (Hardcover)
Overall, I think this book is flaccid. While not terrible, it is too MFA'd for my taste. Regardless if the writer is a graduate of one doesn't matter- the writing is still like that of an MFA course. I'll begin by saying that I didn't get very far in this book, because I found the passive tone in the speaker's voice unnerving. This book is all tell, tell, tell & no show. I wouldn't say this is a bad book, just mediocre & not memorable. Why is it that women writers always feel that they have to write about women, and family, and childhood? Where are all the LeGuin's of the world who are not afraid to take the POV of a male chararacter? This book reminded me too much of Anne Tyler meets Fitch's White Oleander. Get this from the library if you want to read it. The cover, however, is nice. I'm glad to see my one star went somewhere.
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