From Publishers Weekly
An epic in verse, the story of Castillo's chicana Everywoman—referred to alternately as "She" and "Ella"—begins life in the rough-and-tumble world of California's migrant farm community. Ella's childhood is spent in
los files, or the fields, and she is told early on by Mama Grande that "all men are the same." Rebellious aunt Renata brings her niece to Chicago, where she works a string of blue-collar jobs and attempts to better herself through college classes. After an attempted rape by a biology teacher and harsh words from an art history professor, she trades in college for marriage and baby, but eventually loses interest in her "dutiful husband" and turns to a female cop she meets in a bar. Things sour quickly, but involvement with the "Water Goddess/ Patroness of the Sea/ Governess of the Subconscious" empowers Ella. As the perspective shifts to the first person, Ella, describing herself as "Part Medusa/ Part Mother Goose/ and part Xochiquetzal," draws on all of her personal and cultural resources to raise her son to be different from all the "opaque" men she sees around them. The story and the verse itself offer few surprises, but Castillo (
So Far from God) delivers a solid narrative of personal development.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* There is a renaissance in the novel in verse, thanks to poets as diverse as Anne Carson and Kevin Young. Now Castillo, revered for both her fiction and poetry, makes powerful use of the form as she tells the story of an invincible and independent Chicana who raises her son on her own, cleans condos and offices for a living, reads poetry and philosophy, takes male and female lovers, and paints. Ella, or She, remembers her migrant-worker parents and the free-spirited woman who brought her from Mexico to Chicago in the 1970s. Then, moving forward in time, Ella vividly and often caustically portrays adversaries and allies and charts the waves that rock the zeitgeist while hard truths such as misogyny and prejudice persist. Castillo is breathtaking in her scorn for outsiders who commercialize Mexico's traditions while holding Mexican people in contempt and is bracingly candid in her take on sexual politics and the furor over illegal aliens. Castillo's novel in verse is mythic, earthy, sardonic, and unsparing in its outrage and compassion as she joins story and poetry, past and present, and love and valor.
Donna SeamanCopyright © American Library Association. All rights reserved