9 1/ 2 Weeks (Original Uncut version) [Blu-ray] (Bilingual)
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9 1/2 Weeks (Uncut version) (BD)
Frequently given short shrift as a blue movie (which it is) and as mindless (which it isn't), director Adrian Lyne's follow-up to Flashdance (insert own joke here) is a thoughtful, smutty film about a bad sexual relationship. It follows the two-month affair between Elizabeth, an art-gallery dealer, and John, a Wall Street exec. The relationship spirals downward into raunchier sex (filmed, by the way, quite nicely) but principally is about two adults doing adult things but not acting anything like real adults. Attempts at actual human connection, about the longing to be "good," are present here and make this an above-average erotic film. Rourke is just honing his scumbag, bad-boy persona; but it doesn't overwhelm. Lots and lots of Kim Basinger. --Keith Simanton --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
If your own sexual world isn't aware there's something other than the missionary position, chances are you'll see this as a vulgar, disgusting film. The world that John draws Elizabeth into is a very psychologically complicated and sophisticated one. If you can't identify with lifestyles like that, you can't understand how or why they exist.
Personally, I found this film a masterpiece, not so much from the story line, but the mechanics of it. The cinematography is nothing short of breathtaking. Subject matter debates aside, this is a beautifully photographed film. Camera angles, lens choices, it's obvious the director worked very closely with the cinematographer in capturing on film exactly the image he had in his head. I can't say enough about the beauty of this film.
I thought both of the principals turned in exceptional performances, even though I view Rourke as a below-average actor. This film is easily his best, which actually could be said of Basinger as well. The Casting Dept. did a good job on this one.
Bar none, Basinger's strip tease (done with very little nudity) goes on my "All-Time Best Scenes List". The music choice, Joe Cocker's "You Can Leave Your Hat On" was a stroke of genius!
Alas, years after it's debut it's the subject matter that is remembered, and I find it still holds up. I'd suggest this film highly. Careful though, you may get more than you bargain for if you make it a "first date" flick to watch!
The plot is disturbing and yet common. I was turned on, infuriated, and -worst of all- familiar with the subject matter. Notice the subtle things that change as Elizabeth falls deeper into this sadistic union. (the darkening clothing and make-up for instance)
This nothing short of an American classic and one of the only films I want to own.
I also recommend the novel of the same name!!!!
When this came out in 1986, it was considered shocking; today one can see almost this much sensuality on TV and certainly in many movies, so its impact has diminished. The steamy, dangerous, erotic night scenes are balanced by the cold, sterile day scenes of Elizabeth's work. The photography is striking with costumes and sets in shades of black and white and close-ups designed to heighten our sensory awareness. Bassinger and Rourke are well-cast but I didn't care about or like either of them. Their situation seemed improbable and repellent.
The movie could certainly be titillating, but I found it upsetting and scary and sometimes even boring.
I imagine that the familiar dominance/submissive psychology at the heart of this visually stunning movie--and it really is beautifully shot--comes from the novel by Elizabeth MacNeil. I say that, not having read the novel, because the seduction of Manhattan art dealer Elizabeth (Kim Basinger) by the smooth and supremely confident financier John (Mickey Rourke) is so very well done with the expensive presents, the well-timed flower deliveries, little endearments, etc., that it amounts to a woman's fantasy. The partial debasement of Elizabeth and her eventual triumph over her darker instincts and her realization that there is a difference between love and submission is also something that one might expect to find in a woman's point-of-view novel.
However when we get to the actual sexuality and how it is acted out, it is unclear who dreamed up the scenes, MacNeil or director Adrian Lyne or the scriptwriters. I say this because the scenes were so predictable and so ordinary, and when not ordinary and predictable, were bordering on the just plain dumb. Making love in the rain, at the top of a tall building (inside the clock tower), blindfolding the woman, making her crawl, feeding her strawberries, etc., bring nothing new to eroticism. And the scene requiring some imagination--[...]--was not realistically done. Why directors insist on allowing a man holding onto the hand of woman to outrun the men chasing them never ceases to amaze me. And then to have Elizabeth and John stop in the middle of the street to allow the bashers they have outrun to catch up was just plain stupid, not to mention the phony fight that followed.Read more ›
Most recent customer reviews
saw it 30 years ago,forgot some parts of it, and how slow it is at first.Published 7 months ago by frank berry
This movie is a classic erotic movie and I liked some scenes and music. The DVD has good quality and we enjoy itPublished 20 months ago by Ricardo A. Chavez
I saw this film when it first came out and it really made me think of how easy it is for men to control your every thought and even emotions especially when you are in love with... Read morePublished 21 months ago by michelle sutherland
Very intriguing combination of erotica & storytelling. Does make one contemplate the fine line between pleasure & abuse. Read morePublished 21 months ago by Dianne Cohen
Intersting story line and often curious about what it is all about since it first came out years ago! A young man's wild fantasy indeed!Published on Jan. 30 2013 by David Tsang