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Welcome to the Pleasuredome (Deluxe Edition)

Frankie Goes To Hollywood Audio CD

Price: CDN$ 20.08 & FREE Shipping on orders over CDN$ 25. Details
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Welcome to the Pleasuredome (Deluxe Edition) + Liverpool (2CD deluxe edition)
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Product Description

Product Description

Digitally remastered and expanded 25th Anniversary two CD edition of this classic album from the controversial Liverpudlians including 13 bonus tracks. One of the biggest British LPs of the '80s, Welcome To The Pleasuredome features Frankie's four biggest hits: 'Relax', 'Two Tribes', 'The Power Of Love' and the title track. For this 25th anniversary, the Salvo label has taken great pride in giving this classic album the definitive reissue treatment that it has long deserved. The 13 bonus tracks include non-album cuts plus different mixes of the album's big hits. If you already own this album, time to upgrade to this ultimate edition. If you haven't heard it, then there's no better place to start! Salvo.

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.6 out of 5 stars  30 reviews
18 of 18 people found the following review helpful
4.0 out of 5 stars Their star shined briefly but it was a heck of a ride Sept. 9 2006
By John Alapick - Published on Amazon.com
Format:Audio CD
Welcome to the Pleasuredome is the first of two albums from Frankie Goes to Hollywood, an outfit that was to the U.K. what Vanilla Ice was to the U.S., in the fact that their time in the spotlight was both brief and unforgettable. The band wasn't just popular in 1984, they were downright gigantic. Upon being banned from the BBC, their first single, "Relax", would spend several weeks at # 1, only to be followed by their next single, "Two Tribes", which would become one of the biggest singles in U.K. history. Both of these songs would eventually become popular in the U.S., with "Relax" becoming a Top 10 hit. Then after their following album, Liverpool, hit the charts for about a cup of coffee, they were gone. Also like Vanilla Ice's hit album, To the Extreme, Welcome to the Pleasuredome was pretty much a studio creation, in this case masterminded by former Yes member and producer Trevor Horn. The production is very impressive for its era; it's perhaps the best sounding `80s album that you'll ever hear. However, unlike To the Extreme, Welcome to the Pleasuredome, while clearly reminiscent of the era with its heavy synth and the Ronald Reagan impersonator, still holds up well. Also worth noting is that their frontman, Holly Johnson, was a very charismatic lead vocalist who probably would have had a decent career if he didn't decide to become a recluse.

Having said all of this, Welcome to the Pleasuredome is a classic release for its first half before becoming hit and miss the rest of the way. The tribal title track, all 13 minutes and 40 seconds of it, is fantastic, and a video would later gain some MTV airplay albeit in a much shorter version. "Relax" is a classic, one of the catchiest and most risqué songs of the 80's. "Two Tribes" is even better. Led by its kinetic bass line and a manic energetic beat, it is simply one of the most exciting songs to hit the charts. And the video, which features Ronald Reagan and Konstantin Chernenko (thanks for the correction, Patrick) battling it out in a sand pit with the band and other world leaders looking on, has to be seen to be believed. While not on the level of the original versions, covers of Edwin Starr's "War" and Bruce Springsteen's "Born to Run" are also very good. The moody instrumental "The Ballad of 32" and the ballad "The Power of Love", which would also hit #1 in the U.K., are strong tracks and add some diversity. However, songs like "Krisco Kisses", "Wish the Lads Were Here", and "The Only Star In Heaven", while maintaining the energy of "Relax" and "Two Tribes", are decent at best. The versions of "Ferry across the Mersey" and "San Jose" also don't stand out. All told, Welcome to the Pleasuredome is a very good album from a band that would shine like the sun for just a moment but would not be forgotten.
17 of 18 people found the following review helpful
4.0 out of 5 stars A 1980s Classic And Must-Own Sept. 24 2001
By Bjorn Clasen - Published on Amazon.com
Format:Audio CD
A graffiti written on the main entrance road to my school (the European School of Luxembourg) back in 1984 read »Welcome To The Pleasuredome«. Back then, I did not quite understand it. Later I learned to, though. For this debut album of Frankie Goes To Hollywood certainly is a Pleasuredome, in an everything but sarcastically meant way. It's a classic, one of the greatest albums (not just of the 1980s but) ever!
What a courage it must have demanded to issue a concept album, a long story split into songs, as a debut. Why don't these bands ever last longer? »Welcome To The Pleasuredome« has it all: One of the most beautiful ballads ever performed, »The Power Of Love«; great covers: »Born To Run«, »San José«, »Fury«, »War«; the sexy experimental »The Ballad Of 32«... plus, of course, the outstanding hit classics »Two Tribes« and »Relax«.
Furthermore, this import CD contains two interviews which were included on maxi(vinyl)singles.
So... »Welcome To The Pleasuredome«!! Frankie say... no more.
[A little remark for amazon.com: Your computer predicted I'd give this great album one star... based on the fact that I've given Madonna's »Music« one star!! Well, what's the comparison!??!?!]
16 of 17 people found the following review helpful
5.0 out of 5 stars Be very, very careful in purchasing this title! May 12 2005
By ZTT Fan - Published on Amazon.com
Format:Audio CD|Verified Purchase
This edition SHOULD contain the nine minute long version of "Two Tribes" along with a track entitled "The Last Voice."

However, when US production of this CD started, the CD booklet and even the silk screen printing on the disc remained the same, but the actual CONTENT of the disc was replaced by the US version of the album, which instead has a 3:27 version of "Two Tribes" and which replaces the song "Happy Hi" with "San Jose" as track 10.

There is literally NO WAY that I know of to tell if the disc is the correct one without putting the disc in a player and playing track 10 to see if it is "San Jose" or not.

I have purchased and have had to return more than one copy of this disc for this reason; sellers CANNOT TELL if their copy is the correct one solely by looking at the CD packaging and disc itself.
9 of 9 people found the following review helpful
5.0 out of 5 stars Welcome To The Pleasuredome! Jan. 31 2012
By Vin M - Published on Amazon.com
Format:Audio CD|Verified Purchase
This 25th Anniversary Edition reissue contains a remastered version of the original album plus a bonus CD containing rare and previously unreleased material/remixes. The bonus CD is nice, but the real gem here is the remastered album. For owners of the original (vinyl) release of this record, this has the exact track listing and identical versions of the songs contained on that LP release. They don't have the altered track line-ups or alternate mixes as was the case on previous CD releases of Welcome To The Pleasuredome. This IS the CD you are looking for!
The audio on this remastered edition is simply amazing, especially compared to the flat sound of the original CD release(s). You really get to appreciate the amazing production on this album now, with higher highs and lower lows. The audio has really been cleaned-up and is now crisp and clear. Play it loud, or pop on a good pair of headphones and enjoy!
As for the album itself, what can be said? It has much more to offer than just its well-known single releases (Relax, Two Tribes, The Power Of Love). It's a true 80's classic, and an enduring tribute to the talents of the band and their producer, Trevor Horn. For audiophiles, this a true masterpiece (and master class) of recording and production from the pre-digital era. Glad to see it finally get the CD release/remaster treatment it deserves.
9 of 9 people found the following review helpful
4.0 out of 5 stars Memorable Musical Excess June 24 2009
By Gary F. Taylor - Published on Amazon.com
Format:Audio CD|Verified Purchase
With the band's name referencing Frank Sinatra's decision to make films, FRANKIE GOES TO HOLLYWOOD consisted of five men from Liverpool's punk scene who suddenly found themselves on the cutting edge of New Wave: Holly Johnson, Paul Rutherford, Peter Gill, Mark O'Toole and Brian Nash, a club band that attracted the attention of record producer Trevor Horn with the blantantly sexual song "Relax."

The result was WELCOME TO THE PLEASURE DOME, and released with tremendous hype the record leaped to the top of the English charts with the singles "Relax," "When Two Tribes Go To War," and "The Power of Love." The band was soon popular in the USA as well, and t-shirts proclaiming "Frankie Says Relax" were suddenly ubiquitious.

FRANKIE's time in the public eye equated to Warhol's fifteen minutes of fame; their second release was a flop, singer Holly Johnson left, and the band fell apart. But somewhat oddly, WELCOME TO THE PLEASURE DOME has left an unexpected afterglow: both singles and remixes have remained very popular in dance clubs, and remixes of "Relax" and "The Power of Love" actually returned to the English charts in 1993--nine years after the songs first debuted.

In many ways the recording is indicative of 1980s excess. At least two of the band members were openly gay and the band tended to present itself as an exercise in homosexual hedonism; the lyrics to "Relax" were so explicit that it was among the most often banned-from-radio songs of it era, and the video that accompanied it was so hot that it too was banned and a much tamer substitute video was created in order to get MTV airplay. Listening to PLEASURE DOME today one finds it no less explicit than it was twenty years ago. One also finds just as strange as it was when it first exploded onto the charts.

Much of the recording might best be described as musical collage. One song seques into another with odd bits and pieces coloring in the lines between each cut; there are bird sounds; narrative readings; and a host of other oddities. "Well," "The World Is My Oyster," "Snatch of Fury," and the title "Welcome To The Pleasure Dome" feel like one extend piece, bouncing from blunt to sharp. "Relax," the song for which FRANKIE was and is still best known, remains as intense, pulsing, and sexually hot as ever; and "Two Tribes" has considerable power and sharpness. "The Power of Love," one of the few ballad-like pieces the band did, is also very memorable.

The album as a whole--well, let's put it this way. You really have to be in the mood. Holly Johnson does nice covers of "Ferry Cross The Mersey," "Born to Run," and "Do You Know The Way to San Jose," but I wouldn't describe any of these as besting the originals so much as being new takes on old favorites. Some of the pieces are basically fluff filler expertly performed, with "Krisco Kisses," "Black Night White Light," and "The Only Star in Heaven" cases in point. Even so, it is hard to dismiss FRANKIE GOES TO HOLLYWOOD as purely style over substance, as some have done; in many ways, it is as fresh today as it was when it first came out.

There are two versions of WELCOME TO THE PLEASURE DOME. This particular edition includes seventeen tracks and is essentially the recording as it was first released; a later version includes expanded tracks but, at least according to friends who have heard it, does so at the expense of the "bleed" between tracks. Both, however, seem to include what most people think of the essential three: "Relax," "Two Tribes," and "The Power of Love."

It's an odd recording, glitchy, strange, and one people seem to either really like or completely loathe. But the musicianship, production, and Holly Johnson's vocals are uniquely powerful and appealing. Flawed, absolutely; recommended just the same.

GFT, Amazon Reviewer
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