48 of 48 people found the following review helpful
4.0 out of 5 stars
Searching to improve creativity, April 7 2005
By Evelyn D. Cruze "evwings" - Published on Amazon.com
This review is from: What We Ache For: Creativity and the Unfolding of Your Soul (Hardcover)
In her latest book, the author of "The Invitation" encourages readers - no matter their form of creativity - to look deep into themselves to do what they ache to really accomplish. She proposes by searching our soul, our creativity improves, freeing us.
Each chapter shows the reader how Oriah came to these things herself. At the end there are three types of exercises. There is thinking, how, and doing. Some of these I have seen in other books on writing, but the author acknowledges each of us has our own path to unfolding our souls. By doing so, we are able to delve deep within, create, and share.
I really would have loved to give this book the top rating, but I couldn't. To be honest, I felt the author spent too much time discussing her own journey into searching for what she aches for rather than concentrating on helping the reader discover their own way. As a reader if you are wanting a spiritual book on how creative work unfolds the soul - as the title implies - you may wish to look elsewhere. On the other hand, if you are looking for ways to think and work on your creativity to accomplish goals, this might be the book for you and I recommend it highly.
23 of 23 people found the following review helpful
4.0 out of 5 stars
Great Concept and Exercises, but Difficult to "Translate", Jan 13 2006
By BetterPhotoJim "Author of 'The BetterPhoto Gu... - Published on Amazon.com
This review is from: What We Ache For: Creativity and the Unfolding of Your Soul (Hardcover)
As someone who is lucky enough to make my creative work my life's work, I was very interested to see what this book had to say. The concept of being true to one's creative process is important to me and I liked the idea of this book, but the execution was somewhat lacking. The narrative was interesting, but often I had a hard time connecting with her experiences and translating them to my life. The exercises at the end of each chapter, however, were very useful and thought-provoking. A good book to help restart or rejuvenate anyone's creative process, and an interesting way to look at what creativity means in a person's life.
17 of 18 people found the following review helpful
5.0 out of 5 stars
Muse, July 18 2006
By Conrad J. Obregon - Published on Amazon.com
This review is from: What We Ache For: Creativity and the Unfolding of Your Soul (Hardcover)
One of the problems for an artist who wants to develop his or her creativity is knowing what creativity is. Some hope to lure a bolt from the blue that will change their view of the world. What they are probably looking for is inspiration.
Most of the books on creativity don't even notice the difference between creativity and inspiration. Add to that that many of the creativity books seem to believe that artists are not creative because of psychological hang-ups and you begin to see the problems an artist may have in working on creativity.
Oriah Mountain Dreamer is a writer who also has spent time as a facilitator and workshop instructor. I was a little reluctant to read this book because the title sounded so mystical. Well, the book is a bit mystical because the author believes in the strong connections between our sexuality, spirituality and creativity. But, surprisingly to me, the book is filled with practical information to help artists explore their creativity.
To the author creativity is finding the way to look at what we know from a new direction or without our preconceived notions. Or to quote a wonderful expression that overuse has turned trite, "thinking outside the box." It means trying to expand the way we see the world, by exploring our experiences at a deeper level, or even more playfully. For example she describes seeing a sign saying "Angels Flight Railway" and wondering where angels would flee and what they would be fleeing from. The author doesn't give us a key to a door in our mind but suggests that we may be able to find a lever.
The book is full of good practical advice, like telling the artist to find a special place to do his or her work, or learning to put aside time that is unscheduled. Some of these elements seem obvious but for me it was useful to hear her suggestions.
Each chapter includes exercises to do. The reader may shy away from them, but they are worth trying. Thinking about which year of your life you would wipe out and why and what the effects would be can provide you with an insight into yourself that can help you shape your art.
This is not a great book, but it is full of useful, practical advice. The artist in search of improved creativity will benefit from reading it.