At last, Hafner and Lyon have written a well-researched story of the origins of the Internet substantiated by extensive interviews with its creators who delve into many interesting details such as the controversy surrounding the adoption of our now beloved "@" sign as the separator of usernames and machine addresses. Essential reading for anyone interested in the past -- and the future -- of the Net specifically, and telecommunications generally.
From Publishers Weekly
Copyright 1996 Reed Business Information, Inc.
From Library Journal
-?Joe J. Accardi, Northeastern Illinois Univ. Lib., Chicago
Copyright 1996 Reed Business Information, Inc.
From Kirkus Reviews
Daniel Akst Los Angeles Times Important...meticulous...admirably straightforward.
Lars Eighner The Texas Observer In all the dreck and dross of Internet books, here is a brilliant gem...remarkably well written.
Mark Baechtel The Washington Post Excellent...makes for crackling entertainment...reawakens a sense of wonder in readers jaded by too much Internet hype.
Richard Bernstein The New York Times Book Review If you always wanted to know who put the 'at' sign in your E-mail address, then Where Wizards Stay Up Late is the book for you. --This text refers to an out of print or unavailable edition of this title.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Bob Taylor usually drove to work, thirty minutes through the rolling countryside northeast of Washington, over the Potomac River to the Pentagon. There, in the morning, he'd pull into one of the vast parking lots and try to put his most-prized possession, a BMW 503, someplace he could remember. There were few if any security checkpoints at the entrances to the Pentagon in 1966. Taylor breezed in wearing his usual attire: sport coat, tie, button-down short-sleeve shirt, and slacks. Thirty thousand other people swarmed through the concourse level daily, in uniform and mufti alike, past the shops and up into the warrens of the enormous building.
Taylor's office was on the third floor, the most prestigious level in the Pentagon, near the offices of the secretary of defense and the director of the Advanced Research Projects Agency (ARPA). The offices of the highest-ranking officials in the Pentagon were in the outer, or E-ring. Their suites had views of the river and national monuments. Taylor's boss, Charles Herzfeld, the head of ARPA, was among those with a view, in room 3E160. The ARPA director rated the highest symbols of power meted out by the Department of Defense (DOD), right down to the official flags beside his desk. Taylor was director of the Information Processing Techniques Office (IPTO), just a corridor away, an unusually independent section of ARPA charged with supporting the nation's most advanced computer research-and-development projects.
The IPTO director's suite, where Taylor hung his coat from 1965 to 1969, was located in the D-ring. What his office lacked in a view was compensated for by its comfort and size. It was a plushly carpeted and richly furnished room with a big desk, a heavy oak conference table, glass-fronted bookcases, comfortable leather chairs, and all the other trappings of rank, which the Pentagon carefully measured out even down to the quality of the ashtrays. (Traveling on military business, Taylor carried the rank of one-star general.) On one wall of his office was a large map of the world; a framed temple rubbing from Thailand hung prominently on another.
Inside the suite, beside Taylor's office, was another door leading to a small space referred to as the terminal room. There, side by side, sat three computer terminals, each a different make, each connected to a separate mainframe computer running at three separate sites. There was a modified IBM Selectric typewriter terminal connected to a computer at the Massachusetts Institute of Technology in Cambridge. A Model 33 Teletype terminal, resembling a metal desk with a large noisy typewriter embedded in it, was linked to a computer at the University of California in Berkeley. And another Teletype terminal, a Model 35, was dedicated to a computer in Santa Monica, California, called, cryptically enough, the AN/FSQ 32XD1A, nicknamed the Q-32, a hulking machine built by IBM for the Strategic Air Command. Each of the terminals in Taylor's suite was an extension of a different computing environmentdifferent programming languages, operating systems, and the like within each of the distant mainframes. Each had a different log-in procedure; Taylor knew them all. But he found it irksome to have to remember which log-in procedure to use for which computer. And it was still more irksome, after he logged in, to be forced to remember which commands belonged to which computing environment. This was a particularly frustrating routine when he was in a hurry, which was most of the time.
The presence of three different computer terminals in Taylor's Pentagon office reflected IPTO's strong connection to the leading edge of the computer research community, resident in a few of the nation's top universities and technical centers. In all, there were some twenty principal investigators, supporting dozens of graduate students, working on numerous projects, all of them funded by Taylor's small office, which consisted of just Taylor and a secretary. Most of IPTO's $19 million budget was being sent to campus laboratories in Boston and Cambridge, or out to California, to support work that held the promise of making revolutionary advances in computing. Under ARPA's umbrella, a growing sense of community was emerging in computer research in the mid-1960s. Despite the wide variety of projects and computer systems, tight bonds were beginning to form among members of the computer community. Researchers saw each other at technical conferences and talked by phone; as early as 1964 some had even begun using a form of electronic mail to trade comments, within the very limited proximity of their mainframe computers.
Communicating with that community from the terminal room next to Taylor's office was a tedious process. The equipment was state of the art, but having a room cluttered with assorted computer terminals was like having a den cluttered with several television sets, each dedicated to a different channel. "It became obvious," Taylor said many years later, "that we ought to find a way to connect all these different machines."
Copyright © 1996 by Katie Hafner and Matthew Lyon --This text refers to an out of print or unavailable edition of this title.