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Whispers and Lies [Unbound]

Joy Fielding
2.8 out of 5 stars  See all reviews (6 customer reviews)
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Book Description

July 29 2003
A suspenseful tale of a woman who rents out the small cottage behind her house to a mysterious young stranger, Joy Fielding’s latest novel is about trusting and not trusting one’s instincts. A New York Times best-selling author, Fielding has a well-deserved reputation as a writer who knows how to get the reader hooked. From the first page, you can’t put it down.

In the same way, Terry Painter is hooked from the very first meeting with her prospective new tenant. Forty and single, Terry has a quiet and ordered life in picturesque Delray, Florida. A nurse at Mission Care private hospital for the elderly and disabled, loved by her patients for her kindness and thoughtfulness, she lives alone in the comfortable house she inherited from her mother five years ago, and rents out the cottage behind it. Alison Simms spots the rental notice posted in the hospital, and blows into Terry’s life like a tropical storm. In her twenties, tall and slim, full of open charm and infectiously enthusiastic, Alison is impossible not to like. “It would be nice having someone around who made me laugh,” thinks Terry.

Alison loves the cottage, right down to the colour combination, and moves in immediately. Terry, usually responsible and pragmatic, surprises herself for failing even to ask for references, but she is drawn instinctively to Alison, and realises she wants her to stay. Alison fills a gap in her life, bringing friendship and warmth. With her sweet tooth and ravenous appetite, the young woman gratefully devours Terry’s home cooking and buys her generous gifts. She even gives her a makeover and a flattering new haircut, helping Terry charm the handsome son of one of her dear, ailing patients. Alison, full of life, brightens the days that are usually spent caring for the old and the sick. Despite the difference in their ages, the two women are comfortable together; it feels like they’ve been friends forever.

Yet almost simultaneously, Terry begins to have suspicions about Alison. How much does she know about her, really? Alison has some strange habits and stranger friends. She has a limitless supply of cash in her purse, and knows the house so well it’s as if she’s been in it before. Her reasons for coming to Delray don’t quite add up, and she won’t talk about her parents: “We weren’t on the best of terms.” Moreover, Terry notices a shadowy figure lurking around her house, and starts to receive disturbing phone calls. Snippets of overheard conversation, surreptitious glances in Alison’s diary, and her mother’s nagging voice in her head make Terry paranoid that her tenant may want to do her harm.

Should Terry have been more suspicious, or at least wary, especially after the experience with her last tenant? And yet, as Alison says of the neighbour’s pet dogs, “How could anything that sweet be destructive?” And who is hiding more, Alison -- or Terry?

Diving deeply into the psyches of her most captivating characters to date, Joy Fielding has created a riveting tale that challenges our most basic assumptions regarding love, friendship, and obsession. It leaves the reader guessing at where the truth really lies until the final shocking twist that Publishers Weekly has called “an ending worthy of Hitchcock”. Fielding delivers an intelligent, tight plot full of psychological complexity, without sacrificing the simple prose and page-turning suspense she is known for around the world.


From the Hardcover edition.

Product Details


Product Description

From Amazon

It begins placidly enough. Terry Painter, a single, 40-year-old nurse in Florida, takes in a young tenant, the vivacious Alison Simms. A friendship quickly develops between the two women, but disturbing hints of trouble in paradise start to appear. Just what secrets from her past is Alison hiding? Is Terry perhaps not the caring yet lonely soul she appears to be? Their volatile relationship lies at the core of Whispers and Lies, the latest psychological thriller from Joy Fielding. Those who have enjoyed Fielding's previous works, including the bestselling novels Grand Avenue, The First Time, Kiss Mommy Goodbye, and The Other Woman, are in for a definite treat with Whispers and Lies.

Before turning to writing, Fielding was an actress, and that may help account for the strongly theatrical flourishes in her prose style. Occasionally she comes close to falling prey to the flaws of the romantic novel, but generally her well-turned phrases help keep the suspense building inexorably. Here's one vivid example: "I tiptoed toward the bedroom, the handle of the large butcher knife clutched tightly in the palm of my hand, the blade protruding from my body like the thorn of a giant rose." The Toronto-born author now spends much of her time in Florida, and the Sunshine State proves a fitting backdrop for the evil that she skilfully evokes. As she writes early on in Whispers and Lies, "Look a little closer, and you'll see the deadly alligator lurking just below the water's smooth surface." There are whispers and lies aplenty here, not to mention undercurrents of incest, lesbianism, and murderous violence, which make Whispers and Lies a genuine page-turner indeed. --Kerry Doole --This text refers to the Hardcover edition.

From Publishers Weekly

An ending worthy of Hitchcock rewards readers able to weather the false clues and emotional angst of Fielding's latest page-turner. Once again, the bestselling author (Grand Avenue; The First Time; Missing Pieces; etc.) tests the complex ties that bind friends and family, and keeps readers wondering when those same ties might turn deadly. Since Terry Painter's mother died five years before, the single 40-year-old nurse has been renting out the cottage behind her Florida home. When an appealing young woman calling herself Alison Simms arrives from out of town, Terry offers her not only the cottage but also her friendship. Alison pries into Terry's personal belongings, brings home rude young men, tells lies about her job and family and pops up everywhere unexpectedly and uninvited, while Terry's inner critic, in a voice sounding much like her mother's, fuels her suspicions. Threatening phone calls from a man who seems to know a lot about Terry and the tenant who occupied the cottage before Alison add to her growing paranoia. Despite these worries, Terry finds time to get involved with the son of one of her patients, an elderly woman named Myra. Careless, friendly Alison and responsible, guarded Terry are a study in contrasts, but as the novel progresses, Fielding makes it clear that they both have secrets to hide. The brutal denouement will shake readers lulled by the tale's cozy trappings, but those familiar with Patricia Highsmith's particular brand of sinister storytelling will recognize the mayhem Fielding so cunningly unleashes.
Copyright 2002 Cahners Business Information, Inc. --This text refers to the Hardcover edition.

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Customer Reviews

Most helpful customer reviews
4.0 out of 5 stars Intriguing plot Sep 15 2006
Format:Unbound
This novel by Joy Fielding is an interesting read. On the surface Terry Painter seems to be an impulsive irrascible nurse who rents out a cottage on her property to scatter-brained Allison Simms of no fixed address or job.For most of the novel it appears that Ms Simms is taking advantage of the older Ms Painter but as the novel advances the plot thickens. There are some confusing diversions along the way but the ending is dynamite!
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2.0 out of 5 stars A BIG dissapointment! Sep 14 2005
By A Customer
Format:Unbound
Usually Joy Fielding's books keep me intersted and on the edge of my seat. But this one was horrible. The ending is what really ruined it for me. I found the plot to be farfetched and often nonsensical which leads up to an ending that is just ridiculous and made me feel like I had wasted my time plodding through the entire book to get to the dumb ending. I would say skip this one, it isn't worth your time to try it.
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1.0 out of 5 stars A Complete Waste Oct 23 2004
By A Customer
Format:Hardcover
I didn't like this book at all. The protagonist, Terry, rents her cottage to a young woman named Alison Simms. Terry has been unlucky in love, unlucky in childhood and unlucky with tenants. Alison offers fun and friendship and introduces Terry to a rather questionable crowd.

Terry is not a likable character. A bitter nurse, she pins her hopes on having a romantic relationship with the son of one of her geriatric patients on the terminal ward. This starts off promising, but ends up a bust.

Parts of the story made no sense. Alison and her friends are a bizarre, eclectic bunch. A Thanksgiving celebration with them and Terry takes on a surreal tone; when they meet Terry at her job for New Year's, that is just too unrealistic. The sequence of events that take place near the ocean are stupid and implausible. In fact, all of the holiday scenes and beach scenes are ludicrous to the point of surreal.

Masks come off and villains change roles and places. The questions are is Alison who and what she claims to be, a newcomer to Florida in need of a place to stay and friends? Is Terry what she claims to be, a bitter, lonely nurse? And what of Alison's friends and Terry's former borders?

There are no winners here. My favorite part was when Terry sang "She Loves You" along with the Beatles when she heard the song on the radio. If that's the best this work has to offer...The ending is a bust and is a major disappointment. Skip this one. You'll find a plethora of better selections, yeah, yeah, yeah.

This one's a bust.
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