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Amazon.ca First Novel Award - 6 Canadian Novels Make the Shortlist



Product Details

  • Paperback: 560 pages
  • Publisher: Penguin Books (Dec 1 1998)
  • Language: English
  • ISBN-10: 0140274987
  • ISBN-13: 978-0140274981
  • Product Dimensions: 12.9 x 2.5 x 19.6 cm
  • Shipping Weight: 386 g
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Bestsellers Rank: #13,077 in Books (See Top 100 in Books)
  • See Complete Table of Contents

Product Description

About the Author

Don DeLillo published his first short story when he was twenty-three years old. He has since written twelve novels, including White Noise (1985) which won the National Book Award. It was followed by Libra (1988), his novel about the assassination of President Kennedy, and by Mao II, which won the PEN/Faulkner Award for Fiction.

In 1997, he published the bestselling Underworld, and in 1999 he was awarded the Jerusalem Prize, given to a writer whose work expresses the theme of the freedom of the individual in society; he was the first American author to receive it. He is also a member of the American Academy of Arts and Letters.

Excerpt. © Reprinted by permission. All rights reserved.

Table of Contents

 

Title Page

Copyright Page

Dedication

 

I - Waves and Radiation

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

 

II - The Airborne Toxic Event

Chapter 21

 

III - Dylarama

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

 

FOR THE BEST IN PAPERBACKS, LOOK FOR THE

FOR THE BEST IN PAPERBACKS, LOOK FOR THE

Penguin Great Books of the 20 th Century

SAUL BELLOW, The Adventures of Augie March (1953)

WILLA CATHER, My Ántonia (1918)

J. M. COETZEE, Waiting for the Barbarians (1980)

JOSEPH CONRAD, Heart of Darkness (1902)

DON DELILLO, White Noise (1985)

FORD MADOX FORD, The Good Soldier (1915)

GABRIEL GARCÍA MÁRQUEZ, Love in the Time of Cholera (1985)

WILLIAM GOLDING, Lord of the Flies (1954)

GRAHAM GREENE, The Heart of the Matter (1948)

JAMES JOYCE, A Portrait of the Artist as a Young Man (1916)

FRANZ KAFKA, The Metamorphosis and Other Stories (1915)

JACK KEROUAC, On the Road (1957)

KEN KESEY, One Flew Over the Cuckoo’s Nest (1962)

D. H. LAWRENCE, Women in Love (1920)

TONI MORRISON, Beloved (1987)

MARCEL PROUST, Swann’s Way (1913)

THOMAS PYNCHON, Gravity’s Rainbow (1973)

SALMAN RUSHDIE, Midnight’s Children (1980)

JOHN STEINBECK. The Grapes of Wrath (1939)

EDITH WHARTON, The Age of Innocence (1920)

PENGUIN BOOKS
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Penguin Books Ltd, Registered Offices: 80 Strand, London WCzR oRL, England

First published in the United States of America by Viking Penguin Inc. 1985
Published in Penguin Books 1986
This edition published in Penguin Books 1999

1920

Copyright © Don DeLillo, 1984, 1985 All rights reserved

A portion of this book appeared originally in Vanity Fair.

eISBN : 978-1-440-67447-1

The scanning, uploading and distribution of this book via the Internet or via any
other means without the permission of the publisher is illegal and punishable
by law. Please purchase only authorized electronic editions, and do not
participate in or encourage electronic piracy of copyrighted materials.
Your support of the author’s rights is appreciated.

To Sue Buck and to Lois Wallace

I

Waves and Radiation

1

THE STATION WAGONS arrived at noon, a long shining line that coursed through the west campus. In single file they eased around the orange I-beam sculpture and moved toward the dormitories. The roofs of the station wagons were loaded down with carefully secured suitcases full of light and heavy clothing; with boxes of blankets, boots and shoes, stationery and books, sheets, pillows, quilts; with rolled-up rugs and sleeping bags; with bicycles, skis, rucksacks, English and Western saddles, inflated rafts. As cars slowed to a crawl and stopped, students sprang out and raced to the rear doors to begin removing the objects inside; the stereo sets, radios, personal computers; small refrigerators and table ranges; the cartons of phonograph records and cassettes; the hairdryers and styling irons; the tennis rackets, soccer balls, hockey and lacrosse sticks, bows and arrows; the controlled substances, the birth control pills and devices; the junk food still in shopping bags—onion-and-garlic chips, nacho thins, peanut creme patties, Waffelos and Kabooms, fruit chews and toffee popcorn; the Dum-Dum pops, the Mystic mints.

I’ve witnessed this spectacle every September for twenty-one years. It is a brilliant event, invariably. The students greet each other with comic cries and gestures of sodden collapse. Their summer has been bloated with criminal pleasures, as always. The parents stand sun-dazed near their automobiles, seeing images of themselves in every direction. The conscientious suntans. The well-made faces and wry looks. They feel a sense of renewal, of communal recognition. The women crisp and alert, in diet trim, knowing people’s names. Their husbands content to measure out the time, distant but ungrudging, accomplished in parenthood, something about them suggesting massive insurance coverage. This assembly of station wagons, as much as anything they might do in the course of the year, more than formal liturgies or laws, tells the parents they are a collection of the like-minded and the spiritually akin, a people, a nation.

I left my office and walked down the hill and into town. There are houses in town with turrets and two-story porches where people sit in the shade of ancient maples. There are Greek revival and Gothic churches. There is an insane asylum with an elongated portico, ornamented dormers and a steeply pitched roof topped by a pineapple finial. Babette and I and our children by previous marriages live at the end of a quiet street in what was once a wooded area with deep ravines. There is an expressway beyond the backyard now, well below us, and at night as we settle into our brass bed the sparse traffic washes past, a remote and steady murmur around our sleep, as of dead souls babbling at the edge of a dream.

I am chairman of the department of Hitler studies at the College-on-the-Hill. I invented Hitler studies in North America in March of 1968. It was a cold bright day with intermittent winds out of the east. When I suggested to the chancellor that we might build a whole department around Hitler’s life and work, he was quick to see the possibilities. It was an immediate and electrifying success. The chancellor went on to serve as adviser to Nixon, Ford and Carter before his death on a ski lift in Austria.

At Fourth and Elm, cars turn left for the supermarket. A policewoman crouched inside a boxlike vehicle patrols the area looking for cars parked illegally, for meter violations, lapsed inspection stickers. On telephone poles all over town there are homemade signs concerning lost dogs and cats, sometimes in the handwriting of a child.

2

BABETTE IS TALL and fairly ample; there is a girth and heft to her. Her hair is a fanatical blond mop, a particular tawny hue that used to be called dirty blond. If she were a petite woman, the hair would be too cute, too mischievous and contrived. Size gives her tousled aspect a certain seriousness. Ample women do not plan such things. They lack the guile for conspiracies of the body.

“You should have been there,” I said to her.

“Where?”

“It’s the day of the station wagons.”

“Did I miss it again? You’re supposed to remind me.”

“They stretched all the way down past the music library and onto the interstate. Blue, green, burgundy, brown. They gleamed in the sun like a desert caravan.”

“You know I need reminding, Jack.”

Babette, disheveled, has the careless dignity of someone too preoccupied with serious matters to know or care what she looks like. Not that she is a gift-bearer of great things as the world generally reckons them. She gathers and tends the children, teaches a course in an adult education program, belongs to a group of volunteers who read to the blind. Once a week she reads to an elderly man named Treadwell who lives on the edge of town. He is known as Old Man Treadwell, as if he were a landmark, a rock formation or brooding swamp. She reads to him from the National Enquirer, the National Examiner, the National Express, the Globe, the World, the Star. The old fellow demands his weekly dose of cult mysteries. Why deny him? The point is that Babette, whatever she is doing, makes me feel sweetly rewarded, bound up with a full-souled woman, a lover of daylight and dense life, the miscellaneous swarming air of families. I watch her all the time doing things in measured sequence, skillfully, with seeming ease, unlike my former wives, who had a tendency to feel estranged from the objective world—a self-absorbed and high-strung bunch, with ties to the intelligence community.

“It’s not the station wagons I wanted to see. What are the people like? Do the women wear plaid skirts, cable-knit sweaters? Are the men in hacking jackets? What’s a hacking jacket?”

“They’ve grown comfortable with their money,” I said. “They genuinely believe they’re entitled to it. This conviction gives them a kind of rude health. They glow a little.”

“I have trouble imagining death at that income level,” she said.

“Maybe there is no death as we know it. Just documents changing hands.”

“Not that we don’t have a station wagon ourselves.”

“It’s small, it’s metallic gray, it has one whole rusted door.”

“Where is Wilder?” she said, routinely panic-stricken, calling out to the child, one of hers, sitting motionless on his tricycle in the backyard.

Babette and I do our talking in the kitchen. The kitchen and the bedroom are the major chambers around here, the power haunts, the sources. She and I are alike in this, that we regard the rest of the house as storage space for furniture, toys, all the unused objects of earlier marriages and different sets of children, the gifts of lost in-laws, the hand-me-downs and rummages. Things, boxes. Why do these possessions carry such sorrowful weight? There is a darkness attached to them, a foreboding. They make me wary not of personal failure and defeat but of something more general, something large in scope and content.

She came in with Wilder and seated him on the kitchen counter. Denise and Steffie came downstairs and we talked about the school supplies they would need. Soon it was time for lunch. We entered a period of chaos and noise. We milled about, bickered a little, dropped utensils. Finally we were all satisfied with what we’d been able to snatch from the cupboards and refrigerator or swipe from each other and we began quietly plastering mustard or mayonnaise on our brightly colored food. The mood was one of deadly serious anticipation, a reward hard-won. The table was crowded and Babette and Denise elbowed each other twice, although neither spoke. Wilder was still seated on the counter surrounded by open cartons, crumpled tin-foil, shiny bags of potato chips, bowls of pasty substances covered with plastic wrap, flip-top rings and twist ties, individually wrapped slices of orange cheese. Heinrich came in, studied the scene carefully, my only son, then walked out the back door and disappeared.

“This isn’t the lunch I’d planned for myself,” Babette said. “I was seriously thinking yogurt and wheat germ.”

“Where have we heard that before?” Denise said.

“Probably right here,” Steffie said.

“She keeps buying that stuff.”

“But she never eats it,” Steffie said.

“Because she thinks if she keeps buying it, she’ll have to eat it just to get rid of it. It’s like she’s trying to trick herself.”

“It takes up half the kitchen.”

“But she throws it away before she eats it because it goes bad,” Denise said. “So then she starts the whole thing all over again.”

“Wherever you look,” Steffie said, “there it is.”

“She feels guilty if she doesn’t buy it, she feels guilty if she buys it and doesn’t eat it, she feels guilty when she sees it in the fridge, she feels guilty when she throws it away.”

“It’s like she smokes but she doesn’t,” Steffie said.

Denise was eleven, a hard-nosed kid. She led a more or less daily protest against those of her mother’s habits that struck her as wasteful or dangerous. I defended Babette. I told her I was the one who needed to show discipline in matters of diet. I reminded her how much I liked the way she looked. I suggested there was an honesty inherent in bulkiness if it is just the right amount. People trust a certain amount of bulk in others.

But she was not happy with her hips and thighs, walked at a rapid clip, ran up the stadium steps at the neoclassical high school. She said I made virtues of her flaws because it was my nature to shelter loved ones from the truth. Something lurked inside the truth, she said.

The smoke alarm went off in the hallway upstairs, either to let us know the battery had just died or because the house was on fire. We finished our lunch in silence.

3

DEPARTMENT HEADS wear academic robes at the College-on-the-Hill. Not grand sweeping full-length affairs but sleeveless tunics puckered at the shoulders. I like the idea. I like clearing my arm from the folds of the garment to look at my watch. The simple act of checking the time is transformed by this flourish. Decorative gestures add romance to a life. Idling students may see time itself as a complex embellishment, a romance of human consciousness, as they witness the chairman walking across campus, crook’d arm emerging from his medieval robe, the digital watch blinking in late summer dusk. The robe is black, of course, and goes with almost anything.

There is no Hitler building as such. We are quartered in Centenary Hall, a dark brick structure we share with the popular culture department, known officially as American environments. A curious group. The teaching staff is composed almost solely of New York emigres, smart, thuggish, movie-mad, trivia-crazed. They are here to decipher the natural language of the culture, to make a formal method of the shiny pleasures they’d known in their Europe-shadowed childhoods—an Aristotelianism of bubble gum wrappers and detergent jingles. The department head is Alfonse (Fast Food) Stompanato, a broad-chested glowering man whose collection of prewar soda pop bottles is on permanent display in an alcove. All his teachers are male, wear rumpled clothes, need haircuts, cough into their armpits. Together they look like teamster officials assembled to identify the body of a mutilated colleague. The impression is one of pervasive bitterness, suspicion and intrigue.

An exception to some of the above is Murray Jay Siskind, an ex-sportswriter who asked me to have lunch with him in the dining room, where the institutional odor of vaguely defined food aroused in me an obscure and gloomy memory. Murray was new to the Hill, a stoop-shouldered man with little round glasses and an Amish beard. He was a visiting lecturer on living icons and seemed embarrassed by what he’d gleaned so far from his colleagues in popular culture.

“I understand the music, I understand the movies, I even see how comic books can tell us things. But there are full professors in this place who read nothing but cereal boxes.”

“It’s the only avant-garde we’ve got.”

“Not that I’m complaining. I like it here. I’m totally enamored of this place. A small-town setting. I want to be free of cities and sexual entanglements. Heat. This is what cities mean to me. You get off the train and walk out of the station and you are hit with the full blast. The heat of air, traffic and people. The heat of food and sex. The heat of tall buildings. The heat that floats out of the subways and the tunnels. It’s always fifteen degrees hotter in the cities. Heat rises from the sidewalks and falls from the poisoned sky. The buses breathe heat. Heat emanates from crowds of shoppers and office workers. The entire infrastructure is based on heat, desperately uses up heat, breeds more heat. The eventual heat death of the universe that scientists love to talk about is already well underway and you can feel it happening all around you in any large or medium-sized city. Heat and wetness.”

“Where are you living, Murray?”

“In a rooming house. I’m totally captivated and intrigued. It’s a gorgeous old crumbling house near the insane asylum. Seven or eight boarders, more or less permanent except for me. A woman who harbors a terrible secret. A man with a haunted look. A man who never comes out of his room. A woman who stands by the letter box for hours, waiting for something that never seems to arrive. A man with no past. A woman with a past. There is a smell about the place of unhappy lives in the movies that I really respond to.”

“Which one are you?” I said.

“I’m the Jew. What else would I be?”

There was something touching about the fact that Murray was dressed almost totally in corduroy. I had the feeling that since the age of eleven in his crowded plot of concrete he’d associated this sturdy fabric with higher learning in some impossibly distant and tree-shaded place.

“I can’t help being happy in a town called Blacksmith,” he said. “I’m here to avoid situations. Cities are full of situations, sexually cunning people. There are parts of my body I no longer encourage women to handle freely. I was in a situation with a woman in Detroit. She needed my semen in a divorce suit. The irony is that I love women. I fall apart at the sight of long legs, striding, briskly, as a breeze carries up from the river, on a weekday, in the play of morning light. The second irony is that it’s not the bodies of women that I ultimately crave but their minds. The mind of a woman. The delicate chambering and massive unidirectional flow, like a physics experiment. What fun it is to talk to an intelligent woman wearing stockings as she crosses her legs. That little staticky sound of rustling nylon can make me happy on several levels. The third and related irony is that it’s the most complex and neurotic and difficult women that I am invariably drawn to. I like simple men and complicated women.”

Murray’s hair was tight and heavy-looking. He had dense brows, wisps of hair curling up the sides of his neck. The small stiff beard, confined to his chin and unaccompanied by a mustache, seemed an optional component, to be stuck on or removed as circumstances warranted.

“What kind of lectures do you plan giving?”

“That’s exactly what I want to talk to you about,” he said. “You’ve established a wonderful thing here with Hitler. You created it, you nurtured it, you made it your own. Nobody on the faculty of any college or university in this part of the country can so much as utter the word Hitler without a nod in your direction, literally or metaphorically. This is the center, the unquestioned source. He is now your Hitler, Gladney’s Hitler. It must be deeply satisfying for you. The college is internationally known as a result of Hitler studies. It has an identity, a sense of achievement. You’ve evolved an entire system around this figure, a structure with countless substructures and interrelated fields of study, a history within history. I marvel at the effort. It was masterful, shrewd and stunningly preemptive. It’s what I want to do with Elvis.”

Several days later Murray asked me about a tourist attraction known as the most photographed barn in America. We drove twenty-two miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the signs started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were forty cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides—pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book.

“No one sees the barn,” he said finally.

A long silence followed.

“Once you’ve seen the signs about the barn, it becomes impossible to see the barn.”

He fell silent once more. People with cameras left the elevated site, replaced at once by others.

“We’re not here to capture an image, we’re here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies.”

There was an extended silence. The man in the booth sold postcards and slides.

“Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We’ve agreed to be part of a collective perception. This literally colors our vision. A religious experience in a way, like all tourism.”

Another silence ensued.

“They are taking pictures of taking pictures,” he said.

He did not speak for a while. We listened to the incessant clicking of shutter release buttons, the rustling crank of levers that advanced the film.

“What was the barn like before it was photographed?” he said. “What did it look like, how was it different from other barns, how was it similar to other barns? We can’t answer these questions because we’ve read the signs, seen the people snapping the pictures. We can’t get outside the aura. We’re part of the aura. We’re here, we’re now.”

He seemed immensely pleased by this.

4

WHEN TIMES ARE BAD, people feel compelled to overeat. Blacksmith is full of obese adults and children, baggy-pantsed, short-legged, waddling. They struggle to emerge from compact cars; they don sweatsuits and run in families across the landscape; they walk down the street with food in their faces; they eat in stores, cars, parking lots, on bus lines and movie lines, under the stately trees.

Only the elderly seem exempt from the fever of eating. If they are sometimes absent from their own words and gestures, they are also slim and healthy-looking, the women carefully groomed, the men purposeful and well dressed, selecting shopping carts from the line outside the supermarket.

I crossed the high school lawn and walked to the rear of the building and toward the small open stadium. Babette was running up the stadium steps. I sat across the field in the first row of stone seats. The sky was full of streaking clouds. When she reached the top of the stadium she stopped and paused, putting her hands to the high parapet and leaning into it to rest diagonally. Then she turned and walked back down, breasts chugging. The wind rippled her oversized suit. She walked with her hands on her hips, fingers spread. Her face was tilted up, catching the cool air, and she didn’t see me. When she reached the bottom step she turned to face the seats and did some kind of neck stretching exercise. Then she started running up the steps.

Three times she ascended the steps, walked slowly down. There was no one around. She worked hard, hair floating, legs and shoulders working. Every time she reached the top she leaned into the wall, head down, upper body throbbing. After the last descent I met her at the edge of the playing field and embraced her, putting my hands inside the sweatband of her gray cotton pants. A small plane appeared over the trees. Babette was moist and warm, emitting a creaturely hum.

She runs, she shovels snow, she caulks the tub and sink. She plays word games with Wilder and reads erotic classics aloud in bed at night. What do I do? I twirl the garbage bags and twist-tie them, swim laps in the college pool. When I go walking, joggers come up soundlessly behind me, appearing at my side, making me jump in idiotic fright. Babette talks to dogs and cats. I see colored spots out of the corner of my right eye. She plans ski trips that we never take, her face bright with excitement. I walk up the hill to school, noting the whitewashed stones that line the driveways of newer homes.

Who will die first?

This question comes up from time to time, like where are the car keys. It ends a sentence, prolongs a glance between us. I wonder if the thought itself is part of the nature of physical love, a reverse Darwinism that awards sadness and fear to the survivor. Or is it some inert element in the air we breathe, a rare thing like neon, with a melting point, an atomic weight? I held her in my arms on the cinder track. Kids came running our way, thirty girls in bright shorts, an improbable bobbing mass. The eager breathing, the overlapping rhythms of their footfalls. Sometimes I think our love is inexperienced. The question of dying becomes a wise reminder. It cures us of our innocence of the future. Simple things are doomed, or is that a superstition? We watched the girls come round again. They were strung out now, with faces and particular gaits, almost weightless in their craving, able to land lightly.

The Airport Marriott, the Downtown Travelodge, the Sheraton Inn and Conference Center.

On our way home I said, “Bee wants to visit at Christmas. We can put her in with Steffie.”

“Do they know each other?”

“They met at Disney World. It’ll be all right.”

“When were you in Los Angeles?”

“You mean Anaheim.”

“When were you in Anaheim?”

“You mean Orlando. It’s almost three years now.”

“Where was I?” she said.

My daughter Bee, from my marriage to Tweedy Browner, was just starting seventh grade in a Washington suburb and was having trouble readjusting to life in the States after two years in South Korea. She took taxis to school, made phone calls to friends in Seoul and Tokyo. Abroad she’d wanted to eat ketchup sandwiches with Trix sticks. Now she cooked fierce sizzling meals of scallion bushes and baby shrimp, monopolizing Tweedy’s restaurant-quality range.

That night, a Friday, we ordered Chinese food and watched television together, the six of us. Babette had made it a rule. She seemed to think that if kids watched television one night a week with parents or stepparents, the effect would be to de-glamorize the medium in their eyes, make it wholesome domestic sport. Its narcotic undertow and eerie diseased brain-sucking power would be gradually reduced. I felt vaguely slighted by this reasoning. The evening in fact was a subtle form of punishment for us all. Heinrich sat silent over his egg rolls. Steffie became upset every time something shameful or humiliating seemed about to happen to someone on the screen. She had a vast capacity for being embarrassed on other people’s behalf. Often she would leave the room until Denise signaled to her that the scene was over. Denise used these occasions to counsel the younger girl on toughness, the need to be mean in the world, thick-skinned.

It was my own formal custom on Fridays, after an evening in front of the TV set, to read deeply in Hitler well into the night.

On one such night I got into bed next to Babette and told her how the chancellor had advised me, back in 1968, to do something about my name and appearance if I wanted to be taken seriously as a Hitler innovator. Jack Gladney would not do, he said, and asked me what other names I might have at my disposal. We finally agreed that I should invent an extra initial and call myself J. A. K. Gladney, a tag I wore like a borrowed suit.

The chancellor warned against what he called my tendency to make a feeble presentation of self. He strongly suggested I gain weight. He wanted me to “grow out” into Hitler. He himself was tall, paunchy, ruddy, jowly, big-footed and dull. A formidable combination. I had the advantages of substantial height, big hands, big feet, but badly needed bulk, or so he believed—an air of unhealthy excess, of padding and exaggeration, hulking massiveness. If I could become more ugly, he seemed to be suggesting, it would help my career enormously.

So Hitler gave me something to grow into and develop toward, tentative as I have sometimes been in the effort. The glasses with thick black heavy frames and dark lenses were my own idea, an alternative to the bushy beard that my wife of the period didn’t want me to grow. Babette said she liked the series J. A. K. and didn’t think it was attention-getting in a cheap sense. To her it intimated dignity, significance and prestige.

I am the false character that follows the name around.

5

LET’S ENJOY THESE AIMLESS DAYS while we can, I told myself, fearing some kind of deft acceleration.

At breakfast, Babette read all our horoscopes aloud, using her storytelling voice. I tried not to listen when she got to mine, although I think I wanted to listen, I think I sought some clues.

After dinner, on my way upstairs, I heard the TV say: “Let’s sit half lotus and think about our spines.”

That night, seconds after going to sleep, I seemed to fall through myself, a shallow heart-stopping plunge. Jarred awake, I stared into the dark, realizing I’d experienced the more or less normal muscular contraction known as the myoclonic jerk. Is this what it’s like, abrupt, peremptory? Shouldn’t death, I thought, be a swan dive, graceful, white-winged and smooth, leaving the surface undisturbed?

Blue jeans tumbled in the dryer.

We ran into Murray Jay Siskind at the supermarket. His basket held generic food and drink, nonbrand items in plain white packages with simple labeling. There was a white can labeled CANNED PEACHES. There was a white package of bacon without a plastic window for viewing a representative slice. A jar of roasted nuts had a white wrapper bearing the words IRREGULAR PEANUTS. Murray kept nodding to Babette as I introduced them.

“This is the new austerity,” he said. “Flavorless packaging. It appeals to me. I feel I’m not only saving money but contributing to some kind of spiritual consensus. It’s like World War III. Everything is white. They’ll take our bright colors away and use them in the war effort.”

He was staring into Babette’s eyes, picking up items from our cart and smelling them.

“I’ve bought these peanuts before. They’re round, cubical, pockmarked, seamed. Broken peanuts. A lot of dust at the bottom of the jar. But they taste good. Most of all I like the packages themselves. You were right, Jack. This is the last avant-garde. Bold new forms. The power to shock.”

A woman fell into a rack of paperback books at the front of the store. A heavyset man emerged from the raised cubicle in the far corner and moved warily toward her, head tilted to get a clearer sightline. A checkout girl said, “Leon, parsley,” and he answered as he approached the fallen woman, “Seventy-nine.” His breast pocket was crammed with felt-tip pens.

“So then you cook at the rooming house,” Babette said.

“My room is zoned for a hot plate. I’m happy there. I read the TV listings, I read the ads in Ufologist Today. I want to immerse myself in American magic and dread. My seminar is going well. The students are bright and responsive. They ask questions and I answer them. They jot down notes as I speak. It’s quite a surprise in my life.”

He picked up our bottle of extra-strength pain reliever and sniffed along the rim of the child-proof cap. He smelled our honeydew melons, our bottles of club soda and ginger ale. Babette went down the frozen food aisle, an area my doctor had advised me to stay out of.

“Your wife’s hair is a living wonder,” Murray said, looking closely into my face as if to communicate a deepening respect for me based on this new information.

“Yes, it is,” I said.

“She has important hair.”

“I think I know what you mean.”

“I hope you appreciate that woman.”

“Absolutely.”

“Because a woman like that doesn’t just happen.”

“I know it.”

“She must be good with children. More than that, I’ll bet she’s great to have around in a family tragedy. She’d be the type to take control, show strength and affirmation.”

“Actually she falls apart. She fell apart when her mother died.”

“Who wouldn’t?”

“She fell apart when Steffie called from camp with a broken bone in her hand. We had to drive all night. I found myself on a lumber company road. Babette weeping.”

“Her daughter, far away, among strangers, in pain. Who wouldn’t?”

“Not her daughter. My daughter.”

“Not even her own daughter.”

“No.”

“Extraordinary. I have to love it.”


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Format: Paperback
White Noise by Don Delillo was a book that should be read by all ages. It's basic concepts that were brought out were the acts of consumerism and death. There was also some sex involved in there too. As you can see, a perfect book for the growing college student. I also liked how Delillo brought in some humorous moments when they were during his grocery shopping and watching television. This novel basically describes the typical American family and shows how this family is just as normal as the rest of us, but shows the side we never really see. I particularly like how Delillo displays Jack as this bizarre man who really focuses on death. He can't help but think about it. I really liked him in this novel because he reminds me of myself as I walk around and think "outside the box" if you know what I mean. This book constantly made me laugh, especially when the father fights with his son. That whole argument is hysterical! The book throws some good twists to American society that most of us never see. My basic thoughts on this novel are that you should read this because it will really make you laugh, and make you think about your typical day of work and life.
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I found "White Noise" very entertaining. It was a twist on what goes on in the average family. DeLillo does a fantastic job of creating the atmosphere of normality and contrasts it with what really goes on behind the scenes of the Gladney family. Consumerism, death, and oddly enough, humor play a huge part in the novel. It was humorous to read the conversations of the family members and picture the way they interacted. DeLillo is very insightful of the regular occurrences that take place in a family. He puts a twist on going to the grocery store and watching a burning building. He depicts what many people in American society deny today about buying material things and what they really mean to us. I favored this novel because it was not difficult to understand and the themes of the novel were easy to pick out. The criticisms tend to be a bit more difficult to get through although the Duvall essay to be quite interesting and insightful. Duvall takes specific passages and analyzes them to bring out another point of view other than the readers. I would recommend this novel to anyone who appreciates a new perspective on things.
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White Noise is quite possibly the most enjoyable book I've ever read. Don DeLillo creates a humorous account of a middle-aged man (Jack Gladney) obsessed with death and its inevitability. In his writing, DeLillo suggests that Americans use consumerism as a way of warding of death, which is one of the novels running themes. The characters in the novel are oddly outrageous with their fanatic conversations about the recollection of trivial things like "Where were you the first time you brushed your teeth with your finger?" or "Where were you when James Dean died?" The dialogue throughout the novel is brilliant and at one point, a father-son conversation about rain coaxes the reader into questioning the validity of his or her own senses. The novel also shows how people are infatuated by televised disastrous events. White Noise reads like a demented sitcom, full of dark comedy, and unique neurotic characters that keep you entertained and interested through its entirety. If you enjoy comical and creative writing, then read this book!
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By Kerry on April 30 2002
Format: Paperback
Finally an enjoyable book. This book introduced me to a new twist on American thinking. I never knew about the little things that American families worried about. White Noise explicates how a "normal" family is perceived, and what really goes on in the home. I never realized that a man would change the way he dresses just because of the job that he holds. This is what Jack did, He was a professor of Hitler studies at the college. He would wear eye glasses and a robe to make himself look the part. DeLillo's characters are an excellent pick. For example, the way he made the oldest son always argue with his father was hilarious. The hilarity in this book kept me wanting to read more.
Also, I never realized the obsession that Americans have with death. Especially back then, if some sort of a doctor or anyone really for that fact, told a person that they were going to die, they believed them. Now we get second and third opinions from doctors to make sure they are accurate. This wasn't so in this book. As soon as someone told Jack (the main character) that he was going to die, he believed him.
Overall I believe this book was very entertaining. I never wanted to put it down, and for me that is very important when deciding which book to read.
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By "mejets1" on April 24 2002
Format: Paperback
First of all this book was easy to read. It was well written and kept me wondering what was going to happen next. It kept my interest and didn't allow me to fall asleep every ten minutes because of boredom. For me, this is a very important aspect of this book, and I would think it is for many other readers. Second, this book was very funny. This is the biggest reason it kept my interest so well. For example, the ways Jack shows his obsession with death is very amusing. Also, the way DeLillo uses the supermarket as a criticism of American society is very funny. Almost everybody loves a good comedy, and if you are one of these people then this book is for you. Finally, this book was a great criticism on society. It really makes you think about the purpose of life. It makes you wonder if we are all living meaningless lives? Should we change the way we live so our lives are no longer meaningless? Who decides weather we are living a meaningless life or not, and how do we know if we have changed from a meaningless life to a meaningful life?
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