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The White Ribbon [Blu-ray]


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The White Ribbon [Blu-ray] + A Separation / Une Separation (Bilingue) [Blu-ray] (Bilingual) + Footnote [Blu-ray] (Sous-titres français)
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Product Details

  • Actors: Christian Friedel, Ernst Jacobi, Leonie Benesch, Ulrich Tukur, Ursina Lardi
  • Directors: Michael Haneke
  • Writers: Michael Haneke
  • Producers: Andrea Occhipinti, Margaret Ménégoz, Michael Katz, Stefan Arndt, Stefano Massenzi
  • Format: Black & White, Subtitled, Widescreen, NTSC
  • Language: German
  • Subtitles: English
  • Dubbed: English
  • Subtitles for the Hearing Impaired: English
  • Region: Region A/1
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Canadian Home Video Rating : Parental Guidance (PG)
  • MPAA Rating: R
  • Studio: Sony Pictures Home Entertainment
  • Release Date: June 29 2010
  • Run Time: 144 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (9 customer reviews)
  • ASIN: B00386OWUC
  • Amazon Bestsellers Rank: #31,663 in DVD (See Top 100 in DVD)

Product Description

Amazon.ca

Like a Twilight Zone episode directed by Antonioni, The White Ribbon weaves an unsettling and enigmatic spell. Michael Haneke's film is set just before World War I in a village in northern Germany, where a series of strange occurrences take place over several months. These occurrences are sinister and cruel and often involve the children of the village--not merely as victims (although child abuse seems to be a far-from-isolated event) but also as perpetrators. At least that's the way it appears. Nothing is completely spelled out in Haneke's scheme, which hints and insinuates and thoroughly gets under the viewer's skin over the course of 144 edgy minutes. We might notice the children are of an age that will make them mature participants in the horror of Germany in the 1930s and '40s, but even this is left as an unemphasized point. Since Haneke is an expert at denying explicit conclusions for his projects (see also Caché and Funny Games for more on the subject), we shouldn't be surprised that he withholds the answers to the questions he poses, or that the film is even more powerful because of this withholding. Adding to the effect is Christian Berger's Oscar-nominated black-and-white cinematography, which has a ghostly quality appropriate to the topic. In the end, all the strange happenings of the village are absorbed into the town's rhythm of life--which might be the most disturbing conclusion of all. --Robert Horton

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8 of 9 people found the following review helpful By Martin A Hogan TOP 500 REVIEWER on July 5 2010
Format: DVD
Writer and directed by Michael Haneke ('Funny Games', `The Piano Teacher'), `The White Ribbon' takes place in a small northern Germany village in the year before Austria-Hungary declare war on Serbia provoking World War I. Haneke's direction is magically bleak, shot in a rich black and white with an eerie and powerful feel. (Christian Berger is the cinematographer).

Narrated by the schoolteacher (as an older man recalling the story as in a fable) the film begins with an innocent look at the village people and its structure, notably the feared Baron who provides most of the work for the villagers, the omnipotent town doctor and the self-righteous town's pastor. All three come to represent a respected but feared presence from all, especially the children. A series of cruel and horrifically mean-spirited offenses occur over the year, beginning with the doctor and his horse as they catch a hidden wire while riding and are thrown to the ground. Speculation rises as the villagers try to unearth the culprit. More unthinkable and strange happenings occur, some involving children, sending the village into a sinister atmosphere of distrust and accusation. The pastor tries to remedy his children's behavior by forcing them to wear white ribbons on their arms - a false sign of purity and innocence. At the same time, the pastor is relentless in caning his children behind closed doors. That's one of the marvels of the film, in that, other than the initial horse tragedy, none of the atrocities are directly shown on screen. Both adults and children fall prey to some of these cruel and horrific events. Allegedly, adults towards children and children towards adults.

The cinematography is remarkable as high contrast gives the film a ghostly, foreboding feel and look.
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6 of 7 people found the following review helpful By Ian Gordon Malcomson HALL OF FAMETOP 10 REVIEWER on Oct. 27 2010
Format: DVD
"The sins of the father are to be laid upon the children." - Shakespeare, "The Merchant of Venice"
Here are some critical observations about this award-winning film that might help you decide whether or not it is worth watching:
1) It is based on a story about a pre-WW I German village coming to grips with some very troubling intergenerational issues centered on authority as seen in the roles of parent, husbands, teacher, pastor, and overlord. In this paternalistic society, women and children count only as chattels or pawns to be moved around at the whim of overbearing, domineering males;
2) The film captures the everyday life in this small Lutheran hamlet where the hierarchy of authority starts at the top with the baron and his manor and goes all the way down to the bottom to the lowliest of children, the 'retarded' son of the midwife who co-habits with the local doctor. On the surface, the viewer is treated to a thin veneer of respect and civility between the various members of this conservative, hidebound community;
3) Any attempts at caring for one another or expressing love are quickly suppressed by a sense of duty and fear of stepping outside the bounds of authority;
4) What emerges in the story is an undercurrent of rebellion that gnaws away at the fabric of this society.
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9 of 11 people found the following review helpful By Mqry Armstrong on July 17 2010
Format: DVD Verified Purchase
This artfully filmed story of life in a German village before the first world war presents a realistic picture of how well meaning parents raised their children. Discipline and obedience were all important. Shaming and harsh punishments were meted out for any failure to obey. The children in the story (filmed in black and white) walk about in a gang of seemingly well-behaved little robots.

Terrible things are happening in this village of obedient children and strict parents. The doctor is returning from his daily horseback ride when his horse trips and falls over a wire strung between trees. Someone has done this deliberately. But who? A mentally challenged child is found tied upside down on a tree, badly beaten. Another child is beaten in the same way.

The young man who is the school teacher begins to suspect the children. Their revenge smacks of punishment. He confronts two of the children in their home and is getting close to forming a suspicion in his mind. However, the respectable father intervenes and throws him out of his house. That ends any investigation.

The voice-over is the aged voice of the school teacher, now an old man looking back on these sinister events. What happened, he says, must have something to do with what followed in German history.

I found the film remarkable in many ways: beautifully filmed, well acted (how did they find an actor to play the mentally challenged child?) and thought provoking. What did German child rearing have to do with the events which followed, I had to wonder.
Confessions of a Trauma Therapist: A Memoir of Healing and Transformation
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