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Who By Numbers Original recording remastered


Price: CDN$ 10.46 & FREE Shipping on orders over CDN$ 25. Details
Only 4 left in stock (more on the way).
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21 new from CDN$ 6.96 6 used from CDN$ 8.99

Frequently Bought Together

Who By Numbers + Face Dances (Remst) + Who Are You (Orig Vers)
Price For All Three: CDN$ 29.35

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  • In Stock.
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    FREE Shipping on orders over CDN$ CDN$ 25. Details

  • Face Dances (Remst) CDN$ 13.89

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  • Who Are You (Orig Vers) CDN$ 5.00

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Product Details

  • Audio CD (Nov. 27 1996)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Universal Music Group
  • ASIN: B000002P2W
  • Other Editions: Audio CD  |  LP Record
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Bestsellers Rank: #11,045 in Music (See Top 100 in Music)

1. Slip Kid
2. However Much I Booze
3. Squeeze Box
4. Dreaming From The Waist
5. Imagine A Man
6. Success Story
7. They Are All In Love
8. Blue, Red, And Grey
9. How Many Friends
10. In A Hand Or A Face
11. Squeeze Box (Live)
12. Behind Blue Eyes (Live)
13. Dreaming From The Waist (Live)


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Customer Reviews

4.4 out of 5 stars
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Most helpful customer reviews

3 of 3 people found the following review helpful By Wandering Brain on June 8 2004
Format: Audio CD
I never understood why this album never got a fair shake. What always made the Who special to me was not just the aggressive, bombastic musical approach that was so influencial, but Pete Townshend's allowing his deep emotions to shine through in his songwriting. This album continues the soul searching that was so powerful on Quadrophenia. Here, if Pete had an issue, he wrote a song about it. His drinking was a problem: witness the harrowing "However Much I Booze"; despite (or maybe because of) his Rock star status, Pete never felt truly connected with women: "The Are All In Love", "Dreaming From The Waist", "In Hand Or Face". He never felt like he had TRUE friends: "How Many Friends" ("..he's really just after my ass)+ ("we talk SO much (...)behind each other's backs"), his life was falling out from under him in the extremely powerful "Slip Kid". Entwistle's "Success Story" adds a little comic relief and sarcasm to the mix, unfortunately, the label also wanted a hit single, so "Squeeze Box" is thrown into the mix (a quality song, don't get me wrong, but) which doesn't even come close to fitting the mood of the rest of the collection, it just affects the flow of self depricating midlife crisis songs that give the album it's theme. Easily up there with other " hold on for dear life" albums such as: Lennon's "Plastic Ono Band", Harry Nilsson's "Pussycats", Big Star's "Thirds/Sister Lovers", Roger Water's "the Final Cut", etc.. So, don't pass this one up due to the mindlessness of critics: unless you have never had moments of sincere doubt in your life, never questioned yourself, or what IT ALL means, this album will pull on your emotions and remind you that "I hope I die before I get old" wasn't just a line to create a cultural anthem, Pete feels a lot of pain in his heart and brings us all along for the ride.
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1 of 1 people found the following review helpful By Mekaal on May 14 2002
Format: Audio CD
This is a bit of an uneven album from a band whose output was consistently uneven. There are some cracking tracks; in particular "Dreaming from The Waist", "How Many Friends", and the two openers. The sequence of "Success Story" followed by "They are all in Love" and "Blue Red and Grey" is effective. I really struggle with "Squeeze Box", "Imagine A Man", and "In a Hand Or a Face". The playing is at all times convincing with the Ox's rumbling bass joining Moon's genuine valedictory performance (the drumming on his final recorded album is perfunctory to say the least), some typically tasty twinkling from Nicky Hopkins (back collaborating after a decade or so) and featuring some well thought out solos from Pete. I like Pete singing "However much I booze" given its content (Roger refusing to sing this one shows that he isn't quite as thick as he comes across) and Roger's vocals are, well, strong and virile as one would expect after his microphone bursting performance on Quadrophenia.
A fine album (which I always stop after the studio tracks), high on the second tier of their output.
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1 of 1 people found the following review helpful By R. Fogle on May 16 2004
Format: Audio CD
I have not changed my mind about the rating of this album, I wish only to add more to what has already been said. This album holds precious sentimental value, not only to Townshend but to listeners all around. Slip kid deals with the angst of climbing to a point of near success and then falling down again. However much I booze reveals Townshend's opinion about his own alcoholism habits. The infamous big-hit, Squeeze box is featured, dealing with the strange incantations of the working man's life. Dreaming from the waist is a very powerful rocker that shows Townshend's worries about woman and if thy really love him. Imagine a man is supposedly Townshend's dream of happiness, it's a very pretty song. John Entwistle contributes Success Story that attaches itself to the story line of the album; stardom is rough. They're all in love reveals that Townshend feels like everyone but him is happy. Blue, red, and grey offers a look into the madness that seeps into musician's lives on the road. The next song, How many friends, is probably the most endearing song on the album, it reveals that Townshend really doesnt know if his friends are real, a bit paranoid but very endearing, a high light for all instruments. In a hand or a face is a good closer and has a bit of a hard rock edge to it. The extra tracks, Squeeze box, Behind blue eyes, and Dreaming from the waist, are very good. The following songs were played live at Swansea, June 12th, 1976. You can get the whole performance of this concert as a bootleg if you are willing to spend enough energy to find it. Squeeze box runs at a different tempo on this live version and is longer I think. Behind blue eyes is rather ghostly being heard live, nevertheless, it is a good listen. Dreaming from the waist is at a rapid tempo live and is enjoyable to listen to.
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3 of 4 people found the following review helpful By John Russell on June 15 2004
Format: Audio CD
Long before Pete Townshend started making a public fool of himself by getting caught in interent porn sweeps and accidentally overdosing on heroin while partying with Duran Duran (!), he wrote nine tenths of "The Who By Numbers." (The tenth song, "Success Story" was a John Entwhistle song that for once fit in with the context of Townshend's tunes!) For one thing, it sounds like back-to-basics "Live At Leeds" style-Who. There isn't a synthesizer in sight, to the point where you wonder if the group was embarrassed by "Quadrophenia"'s excesses (excellent album though it is) and decided to strip down the sound. And Keith Moon was indeed deterioriating, but he hadn't gotten to the ballooned up "Who Are You"/"Kids Are Alright" phase yet. This album is above all, guitar music-probably Townshend's finest. As for the songs themselves, this album is up there with "John Lennon/Plastic Ono Band" and Neil Young's "Tonight's The Night" for meditating on the high price of fame. After all, not all songwriters could write about their midlife crisis as convincingly (or as much) as Pete Townshend. "Squeeze Box" is the only obvious exception (which explains why it was a hit)...songs like "Dreaming From The Waist", "They Are All In Love" and "How Many Friends Have I Really Got" are brutal, cynical and uncompromisingly honest pieces of work. Supposedly Roger Daltrey was forced to sing some of these ("However Much I Booze" he understandably declined outright) but you'd never tell from the singing. Yet there are some great lines in the songs, "Like a woman in childbirth, grown ugly in a flash" is one that sticks in my mind, as is "When I first signed the contract, it was more than a handshake then -I know it still is- but there's a payback: we talk so much s--- behind each other's back I get the willies." Gee...Read more ›
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