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Who's Next (Original Mix)
 
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Who's Next (Original Mix)

The Who Audio CD
4.8 out of 5 stars  See all reviews (343 customer reviews)
Price: CDN$ 5.00 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Who's Next (Original Mix) + Live At Leeds (Remastered / Expanded) + Tommy
Price For All Three: CDN$ 26.24

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  • In Stock.
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  • Live At Leeds (Remastered / Expanded) CDN$ 10.16

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Product Description

From Amazon.co.uk

The success of Who's Next and its slate of classic-rock tracks has often obscured its true roots--Lifehouse, the unwieldy multi-media project that Pete Townshend originally concocted as the follow-up to Tommy. Variously informed by apocalyptic visions, sci-fi notions of interconnectivity that neatly presaged the Internet and, of course, an unwavering conviction that rock & roll would save the world, the core tracks of the sprawling Lifehouse were recorded, cut, re-recorded and finally boiled down into a collection that seems to represent as much alienation ("Behind Blue Eyes") and overweening cynicism ("Won't Get Fooled Again") as it does liberation and unity. Aside from Townshend's own self-released, multi-disc meditation on the project, this expanded new edition is the most rewarding attempt to place Lifehouse and the over-exposed classic it spawned in their proper context.

Six tracks from the album's original but abandoned New York sessions flesh out the familiar material, with previously unreleased outtakes of "Getting in Tune" and a revealing, early arrangement of "Won't Get Fooled Again" warranting special note. The second disc documents one of Lifehouse's most quixotic elements with the first-time release of one of the series of concerts staged at London's Young Vic theatre during the project's gestation--events during which band and audience would somehow mystically become one. Core tracks from the project are interspersed with typical hard-rocking Who fare of the time, resulting in a show whose focus and dynamics belied something very different from the arena-rock clichés that would eventually overwhelm them. --Jerry McCulley

Product Description

The success of Who's Next and its slate of classic-rock tracks has often obscured its true roots--Lifehouse, the unwieldy multi-media project that Pete Townshend originally concocted as the follow-up to Tommy. Variously informed by apocalyptic visions, sci-fi notions of interconnectivity that neatly presaged the internet and, of course, an unwavering conviction that rock & roll would save the world, the core tracks of the sprawling Lifehouse were recorded, cut, re-recorded and finally boiled down into a collection that seems to represent as much alienation ("Behind Blue Eyes") and overweening cynicism ("Won't Get Fooled Again") as it does liberation and unity. Aside from Townshend's own self-released, multi-disc meditation on the project, this expanded new edition is the most rewarding attempt to place Lifehouse and the over-exposed classic it spawned in their proper context. Six tracks from the album's original, but abandoned New York sessions flesh out the familiar material, with previously unreleased outtakes of "Getting in Tune" and a revealing, early arrangement of "Won't Get Fooled Again" warranting special note. The second disc documents one of Lifehouse's most quixotic elements with the first-time release of one of the series of concerts staged at London's Young Vic theater during the project's gestation, events during which band and audience would somehow mystically become One. Core tracks from the project are interspersed with typical hard-rocking Who fare of the time, resulting in a show whose focus and dynamics belied something very different from the arena-rock clichés that would eventually overwhelm them. --Jerry McCulley

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Customer Reviews

Most helpful customer reviews
28 of 31 people found the following review helpful
This Canadian disc uses the master tapes on CD April 13 2003
Format:Audio CD
Although the Deluxe Edition hypes that the original version uses the original master tapes for the first time, this is not true. In 1984, Steve Hoffman remastered this disc in the 1980s (a copy of the digital master he made from the original master tape was used on this Canadian budget import version available at hmv.com, absound.ca, cdplus.com and other Canadian music stores). The master tape was found in a file cabinet in The Mastering Lab in LA back in the 1980s and used it for the CD. The Hoffman CD has an EQ that favors the vocals. For his CD, Hoffman essentially played the tapes back "straight", without fading the hiss out between tracks. [side note: the Canadian version has the hiss "blacked" between some tracks. The original US and Japanese pressings don't.]
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2 of 2 people found the following review helpful
diappointing Mar 30 2003
Format:Audio CD
I'm sure all the who fanatics already have this, so I don't even know who I'm addressing this to, really.

This is the 4th time Who's Next has been issued on compact disc -the original CD release in the 80s, the "Gold Disc" version in 1995, the "remix and remaster" in 1996, and now the "Deluxe Edition" in 2003. I'm reallly wondering what's deluxe about it. First of all, this "remaster" sounds exactly the same as 1996's "remix and remaster", which sounded suspiciously the same as 1995's Gold Disc. In other words, other than being mastered a little louder, no improvement has been made in the sound.

OK, then there's all that unreleased stuff, right? Wrong. Only two studio tracks appear that didn't show on the previous release. Namely, early versions of Won't Get Fooled Again and Gettin' in Tune. These versions are both little more than rehearsals, and therefore vastly inferior to the official versions. Interesting but hardly vital additions to the Who legacy

OK, but how about this great live stuff? Well....

This may be from their prime live period, but this is NOT a prime concert. Again, this Young Vic show was mostly new material which was still being tentatively performed. Again, interesting but you and I both know that there's other great live stuff that hasn't been released.

This "Deluxe Edition" would have been the right time to gather all the material that was part of the Lifehouse project and release on one collection. I see this release as a blown opportunity and, to be honest, more than a bit of a [cheat.]

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1 of 1 people found the following review helpful
An Essential Album In Any 1970s Music Collection Dec 7 2009
By Mark Anderson TOP 100 REVIEWER
Format:Audio CD
The owner of a local CD store recently told me that the current 15 - 25 year old demographic is buying more 1970s music than the music of any other era, including contemporary bands. In fact, he said, 1970s bands like Led Zeppelin and Pink Floyd outsell all of today's bands combined! Interesting statistic, if it's true.

If the younger guys have this interest in 1970s music, then perhaps those of us who were around in the 1970s should put them on to some of that decade's better music.

Here's one contribution from me. The Who's Who's Next is one of the 10 best albums of the 1970s. As such, it should be considered one of the essential albums in any collection of 1970s music.

It's just an excellent album throughout.

For those of you who haven't heard the album, you may be familiar with one track. The CSI TV series franchise has taken tunes by The Who as the theme music for its shows. The song 'Who Are You', for example is the theme for the CSI show based in Las Vegas. CSI: NY uses a song from this album 'Baba O'Riley' as it theme music.

You know you're getting old when the music you listened to in high school becomes elevator music and the theme music for TV shows. What a depressing thought!

Bottom line: Great album. One of the 1970s best albums. If you're collecting 1970s music, this is an essential album for your collection.
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Most recent customer reviews
Wrong edition sent
Even though this is a great record, Amazon will not send you the listed Edition, what you will receive a 2008 USA pressing with NO voucher for MP3 download, Amazon claims the... Read more
Published 2 months ago by R. Daoud
Great Album
Shm-Sacd version is richer and deeper sounding than the regular CD but requires above average sound system to hear the difference and make it worth the money.
Published 5 months ago by CL
Perfect!!
Ok I hmmm and haaayyd about paying almost $70.00 for a single album but I had already picked up Gentle Giant's Octopus, Sticky Fingers by the Stones and Blind Faith. Read more
Published 6 months ago by Stephen Bieth
(MCA) 'Old' Gold gets my vote
There is much debate on the Internet about the best sounding version of "Who's Next". No clear winner that I can tell. So, read up and be informed but don't expect a guarantee. Read more
Published 19 months ago by Johnnie Neptune
One of the Essential Albums For Any 1970s Music Collection
The owner of a local CD store recently told me that the current 15 - 25 year old demographic is buying more 1970s music than the music of any other era, including contemporary... Read more
Published on Dec 7 2009 by Mark Anderson
Deluxe edition??????
hmmm. don't know about that. i think if MCA really wanted to give this the ultimate treatment they'd reissue it with all the Lifehouse material that's been recorded to date... Read more
Published on Feb 24 2007 by Dale Turner
Who's Next is the Who's best album
The energy on all these tracks is superb - Keith Moon plays non stop flat out - just brilliant. Recording is very good. Is it preferable to the DeLuxe version ? Read more
Published on Feb 8 2007 by Rob Strother
Perfect
As a collector of the Deluxe Editions of many bands, I have heard both good and mediocre sets. The mediocre ones suffer from thin extras. WHO'S NEXT however is perfect. Read more
Published on Sep 29 2006 by Allan Tong
How could this happen??
'Who's Next' doesn't even seem like a regular album. It sounds like a greatest hits compilation. Why? Every song on it is bloody brilliant! Read more
Published on July 10 2006 by flaming_pie
The greatest album by the greatest rock and roll band ever.
Sorry, Stones fans, but that's just the way it is. (Don't get me wrong. I love the Stones too. At least up until the early 70s. Read more
Published on Jun 29 2005 by Dale Turner
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