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Why Architects Draw
 
 
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Why Architects Draw [Paperback]

Edward Robbins (Author)

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Book Description

For nearly twenty years Edward Robbins, an anthropologist, has been studying and writing about the system of architectural education and practice in the United States and abroad. In this book he examines the social uses of architectural drawing: how drawing acts to direct both the conception and the production of architecture; how it helps architects set an agenda, define what is important about a design, and communicate with their colleagues and clients; and how it embodies claims about the architect's role, status, and authority.

The centerpiece of Robbins's provocative investigation consists of case study narratives based on interviews with nine architects, a developer-architect, and an architectural engineer. The narratives are illustrated by the architects' drawings from projects in Japan, England, Italy, Germany, Spain, Portugal, and the United States, from conception through realization. Included are orthographic and axonometric projections, perspectives, elevations, plans, sections, working drawings, sketches, schematics, construction, and finished drawings.

Drawings and interviews with:
Edward Cullinan, Spencer de Grey, Jorge Silvetti, Renzo Piano, Alvaro Siza, John Young, Itsuko Hasegawa, William Pedersen, Rafael Moneo, Rod Hackney, Peter Rice.

About the Author

Edward Robbins is Lecturer in Urban Design at the Graduate School of Design, Harvard University. --This text refers to an out of print or unavailable edition of this title.
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Amazon.com: 5.0 out of 5 stars (1 customer review)

2 of 2 people found the following review helpful
5.0 out of 5 stars An insightful and original work, Nov 5 2001
By John Lacey - Published on Amazon.com
This review is from: Why Architects Draw (Paperback)
I'm not an anthropologist/ethnographer or an architect, though I've been very interested in both fields (Latour, Le Corbusier, etc.). I found this book, mostly of interviews with architects about how they use drawing in their practice, very accessible for the non-architect, and also, I suspect, very interesting for the architect as well. The architects interviewed have different styles for how they use drawings and these differences are reflected in the structure and process of their practices (the intervews are exclusively with principals or very senior designers). The style of drawings (and models) they like to present in various situations (to junior designers, draftsmen, clients, engineers) forms an interesting picture of the social structure of architectural practice.
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