5.0 out of 5 stars
Armed and dangerous, Mar 4 2004
This novel reminds me of Kevin Esser's Dance of the Warriors and of the Venezuelan movie Sicario. They all deal with worlds in which gangs of teenagers are engaged in violence and sex. This is the best of the three. It is disturbing and is not for the conventional, and certainly not for the bleeding-heart types who want the United Nations to abolish the use of boys in war. Only Burroughs could have written it. The style is as unconventional as the theme. This is a world in which morality does not exist.
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5.0 out of 5 stars
"Time to move into first place...", Jan 26 2004
A square - a story inside other stories - the interaction of ghosts with the living - and the living with being reborn.
This was the first Burroughs I'd read. It read like a series of short stories connected like a poem. Burroughs language flows then stutters and then squares back on itself. The way he experiments with the sound and repetition of words - was exciting and something I find I do in my own writing.
I found myself keeping track of themes - St. Louis, and green (Greenbaum, Green Inn, Green Nun, Greenfield, Green Hat), and a constant reference to 1920. I haven't read much biography on Burroughs; that should come next.
Burroughs exploration of a future that becomes more primitive even as it advances, his unabashed and open erotic descriptions as a consequence of his future rather than as an expected sidetrip, and his clean and no holds barred language require that I read more of his work.
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4.0 out of 5 stars
A new world, of danger, Mar 13 2002
This futuristic tale of a band of guerrilla boys fighting against the repressive police and government agents is told through Burroughs's imaginative style, which is more about creating atmosphere and using the language itself as part of the narrative web than about creating a sharply linear story. It's like an abstract painting through images and words, so it's difficult to elaborate on plot. Interspersed are pornographic scenes of gay sex between characters, which give the story a hallucinatory sensuality. The language rhythms become more accessible as the reader travels deeper into the story and enters the world Burroughs is creating, which isn't such a bad place to visit after all.
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