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From Amazon
There has never been an edition of Blake's illuminated books so handsome, its pages filled with images to pore over in utter absorption. David Erdmann's The Illuminated Blake is still in print, and very useful, but the reproductions in that edition are all black and white, where this is in glorious Technicolor. One thing this edition allows the reader to do is register the different scales of Blake's various books--to see, for instance, just how tiny are the pages of the Songs of Innocence and Experience, such that you can completely cover them with your hand, compared with the coffee-table-sized later works. This Thames and Hudson edition of The Complete Illuminated Books is large format, A4 size, which makes for a spacious white border around the smaller images, but allows the larger books to be shown off in all their glory. And glorious they are; a unique, extraordinary sequence of interwoven visual and textual compositions; Blake's distinctively muscular figures (looking, it must be said, oddly modern, as if they have all just stepped out of the gym) sprawl and bound between blocks and columns of printed words. One of the most striking things is the disjunction between words and images at the basic level of legibility. The pictures are direct, vibrant and lucid; visually extremely expressive. Of the colour images, all of them are beautiful, psychedelically hued compositions making use of energetic diagonals and spirals in their composition. Blake's words, on the other hand, are often extremely difficult to read; particularly in the later "prophetic" books. Page after page is filled with minute handwriting in sepia-orange or grey. Its not that Blake's handwriting is unclear, but rather that the sheer bulk of text baffles the eye, copied so neatly onto the marginless block of the page with an obsessive, detailed miniaturised aesthetic. The editors, recognising this, reprint the words in type at the back of the book. But above all this edition drives home the point that Blake cannot be regarded separately as poet or visual artist; these two elements are always fused and co-existing. This wonderful, beautiful book makes that point impressively. --Adam Roberts
From Publishers Weekly
Editions of Blake's poetry which as an artist and printer he frequently engraved and published himself most often fail to reproduce his integral illustrations, or do so in poor enough quality as to negate the effort. This Complete edition from the Blake Trust, published last year in a Thames and Hudson hardback edition that is now out of print, should replace the b&w-only Dover edition (but not David V. Erdman's commentary therein, or his reading text The Complete Poetry and Prose of William Blake) for any reader. The 366 crisp color and 30 b&w reproductions here, culled from the scholarly Princeton University Press six-volume annotated set, are little short of a revelation, giving us Songs of Innocence, Songs of Experience, America, Milton, Jerusalem and the rest of the Blake canon in a form acceptably close, as Binder's introduction makes clear, to the way Blake wanted us to see them. Many of these works are currently hanging in a special Blake exhibition the largest ever at the Met in New York, for which the Abrams book serves as an informative and revealing catalogue. Hamlyn, a senior curator at London's Tate (where the exhibition originated), and the University of York's Phillips present prints, drawings, paintings, selections from Blake's own illuminated books and other relevant materials, such as snapshots from Blake's marvelous editions of Edward Young's Night Thoughts and Thomas Gray's Poems. Introductory essays from novelist and biographer Peter Ackroyd (Blake; T.S. Eliot) and Marilyn Butler, rector of Oxford's Exeter College, synopsize Blake's life and times, while extensive "label copy" situates each work as presented. While the visual overview is useful and some of the detail shots of larger works are compelling, poetry readers who have to choose will take the Complete.
Copyright 2001 Cahners Business Information, Inc.
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Most helpful customer reviews
5.0 out of 5 stars
Beautiful and powerful,
By Matt (Pittsburgh, PA United States) - See all my reviews
This review is from: William Blake (Hardcover)
This book brings the words and images of Blake to brilliant life. The volume is gorgeous, and the colors extremely rich. Having read Blake's poetry in un-illuminated format before, I now am even more appreciative of the value of seeing the work as Blake originally intended. Blake is a marvelous poet and artist, and this collection of his illuminated work is a marvelous book.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.3 out of 5 stars (18 customer reviews) 91 of 99 people found the following review helpful
5.0 out of 5 stars
Beautiful and powerful,
By Matt - Published on Amazon.com
This review is from: William Blake (Hardcover)
This book brings the words and images of Blake to brilliant life. The volume is gorgeous, and the colors extremely rich. Having read Blake's poetry in un-illuminated format before, I now am even more appreciative of the value of seeing the work as Blake originally intended. Blake is a marvelous poet and artist, and this collection of his illuminated work is a marvelous book.
36 of 38 people found the following review helpful
5.0 out of 5 stars
Both the words & vision of a prophetic soul on fire,
By William Timothy Lukeman - Published on Amazon.com
This review is from: William Blake (Paperback)
While many people are familiar with William Blake's poetry, if only through the handful of commonly anthologized short poems from grade school & high school English classes, this is how his work was meant to be experienced: the poetry in union with the art, creating a vision far greater & more deeply moving than the sum of its already impressive parts. The words literally flow, twine, blossom in vivid & startling color, woven into the intricate, symbolic artwork. There aren't enough superlatives for this edition, which enables everyone to finally see & feel the Universe as Blake did: ablaze with power, wonder, beauty, horrors, and the godlike beings of the human psyche, titantic aspects transcending any neat, pre-packaged psychological or symbolic labels. For anyone wanting insight into the soul of Western civilization over the past few centuries, the soul in which we all struggle to find meaning & purpose now, this volume is absolutely essential. Most highly recommended!
18 of 18 people found the following review helpful
5.0 out of 5 stars
To Create a Little Flower is the Labour of Ages,
By Lawrence - Published on Amazon.com
This review is from: William Blake (Paperback)
Valuable things are not easy; easy things are not valuable. I don't know if that's a quotation from the Tao-Te Ching, but it ought to be. William Blake's longer poems, the so-called Prophetic Books, are legendary in their difficulty. Each of the two great epics, "Milton" and "Jerusalem", is a world in itself, taking years or decades to explore. Everyone who has made the effort considers it time well spent.Blake wasn't shy about the importance of his own work. In a letter he described "Milton" as "the Grandest Poem this World Contains". But these immense, unique hand-engraved, hand-coloured cosmic-spiritual epics found no buyers in Blake's own lifetime. Only one coloured copy of "Jerusalem" is known to exist. The Illuminated Books have been reproduced in colour before, but this is the first time all the plates have been printed full-size in a single book. Blake is fascinating even in black-and-white, but to read these books in the form intended means entering a new world. By depicting spiritual principles as People, Blake shows us the meaning of all ancient gods. After the lyrics of the "Songs of Innocence and "Songs of Experience", the best place to start is the "Book of Thel", then the "Visions of the Daughters of Albion". When reading the long books, a plain text copy of the "Complete Poems" will come in handy: difficulty in reading Blake's graceful orange script for "Jerusalem" may be one difficulty too many. The remaining shorter books, with their anguished mythical narratives, rely more than the others on their illustrations, printed as if with fire, rust and soot: images of an age of Revolution. Blake's aim was nothing less than "to open the immortal Eyes/ Of Man into the Worlds of Thought, into Eternity/ Ever expanding in the Bosom of God, the Human Imagination". Astonishingly this is not exaggeration nor plain craziness: he can actually do this. If a book I admire gets five stars, this one deserves fifteen. It's a marvel, a rectangular treasure, one of the most precious books ever printed. |
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