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Product Details
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[These] pictures are like no one else's. At once ordinary and spectacular, they look like someone's not particularly interesting snapshots until their matter-of-fact beauty and gorgeousness kick in. --Vince Aletti
As pictures, these seem to me perfect. . .collectively a paradigm of a private view. . .described here with clarity, fullness and elegance. --John Szarkowski
Essay by John Szarkowski.
Hardcover, 9 x 9 in., 112 pages, 48 color and 1 b&w
Publisher: The Museum of Modern Art, New York
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Most helpful customer reviews
5.0 out of 5 stars
An excellent re-release.,
By Dr. Filthy McNasty (Chicago, IL USA) - See all my reviews
This review is from: William Eggleston's Guide (Hardcover)
For those of you who already know Eggleston, there is something in particular to note about this book. I also purchased Eggleston's "The Hasselblad Award 1998," which features a handful of the same shots in Guide. This provided me an opportunity to compare the same shots in two different publications. There is absolutely no comparison to the superior quality of the prints in William Eggleston's Guide. In fact, shots that I loved in Guide I would not have even really noticed in Hasselblad (very poor color separation, blue tints, etc.). This is the book to get.
5.0 out of 5 stars
Bill's artful snapshots.,
By
This review is from: William Eggleston's Guide (Hardcover)
William Eggleston's photos grow on you. Look through this book for the first time and the contents seem a bit like ordinary snapshots but look again and then again and with each viewing the images become more familiar (still with something fresh to discover each time) but now they start to blend together seamlessly. One reason for this, I think, is that the photos capture the everyday and the ordinary. Taken around Eggleston's hometown of Memphis and in the Deep South, they show some of his relations, street scenes, interiors, buildings and more, though the captions only state the locations. John Szarkowski says in the books introduction "..today's most radical and suggestive color photography derives much of its vigor from commonplace models" This capturing of the everyday and in color divided the critics in 1976 when the Museum of Modern Art used seventy-five of Egglestons's images for their first exhibition of color photography. The 'Guide' unfortunately only shows forty-eight from the show.Art photography until this exhibition was in black and white and had been for years, color photos were mostly for ads, commercial print and snapshots. Thankfully the Museum's curator of photography, Szarkowski, had the good sense to allow the public to see something new and fresh. I think the 'Guide' is a good introduction to Eggleston and if you like his creative vision, as I do, have a look at these two books of his work, 'The Democratic Forest' and 'Ancient and Modern'. Both are full of wonderful color photos of the American everyday.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
5.0 out of 5 stars (11 customer reviews) 45 of 46 people found the following review helpful
5.0 out of 5 stars
An excellent re-release.,
By Dr. Filthy McNasty - Published on Amazon.com
This review is from: William Eggleston's Guide (Hardcover)
For those of you who already know Eggleston, there is something in particular to note about this book. I also purchased Eggleston's "The Hasselblad Award 1998," which features a handful of the same shots in Guide. This provided me an opportunity to compare the same shots in two different publications. There is absolutely no comparison to the superior quality of the prints in William Eggleston's Guide. In fact, shots that I loved in Guide I would not have even really noticed in Hasselblad (very poor color separation, blue tints, etc.). This is the book to get.
32 of 33 people found the following review helpful
5.0 out of 5 stars
Bill's artful snapshots,
By Robin Benson - Published on Amazon.com
This review is from: William Eggleston's Guide (Hardcover)
William Eggleston's photos grow on you. Look through this book for the first time and the contents seem a bit like ordinary snapshots but look again and then again and with each viewing the images become more familiar (still with something fresh to discover each time) but now they start to blend together seamlessly. One reason for this, I think, is that the photos capture the everyday and the ordinary. Taken around Eggleston's hometown of Memphis and in the Deep South, they show some of his relations, street scenes, interiors, buildings and more, though the captions only state the locations. John Szarkowski says in the books introduction "..today's most radical and suggestive color photography derives much of its vigor from commonplace models" This capturing of the everyday and in color divided the critics in 1976 when the Museum of Modern Art used seventy-five of Egglestons's images for their first exhibition of color photography. The 'Guide' unfortunately only shows forty-eight from the show.Art photography until this exhibition was in black and white and had been for years, color photos were mostly for ads, commercial print and snapshots. Thankfully the Museum's curator of photography, Szarkowski, had the good sense to allow the public to see something new and fresh. I think the 'Guide' is a good introduction to Eggleston and if you like his creative vision, as I do, have a look at these two books of his work:The Democratic Forest and Ancient & Modern. Both are full of wonderful color photos of the American everyday. ***FOR AN INSIDE LOOK click 'customer images' under the cover. 15 of 16 people found the following review helpful
5.0 out of 5 stars
the original,
By jack kerr - Published on Amazon.com
This review is from: William Eggleston's Guide (Hardcover)
this is where color photography became art, and it is the MOST influential color work done to date. what can you say about this work except that if you are a photography student, lover, practitioner, or simple fan, you must own this book. this is the one folks, where it all began. giving it stars seems silly, but if ever there was a 5 star book, this is it.
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