Wow. How could you not admire someone like Patrick Wolf, who's not afraid to make music that is entirely his own, that embraces multiple genres without fitting into any of them? A good way to describe it maybe is: Take the uncoventional music of Radiohead, Sigur Ros, and Bjork, and toss them in a blender. Then add a whole lot of traditional Northern European instruments like viola, violin, and accordian. Then add passionate vocals that are akin to a male Bjork with a heavy English accent. What you get is something not quite folk, not quite pop, not quite electronica, but something entirely unique and mostly beautiful. His subject matter ranges from the supernatural to nature to heart-wrenching personal accounts. On the whole, I think I like this album a bit better than the first. It flows better and, unlike the first album, doesn't have any tracks that are...well...tough to listen to, such as the revealing, disturbing, hard-on-the-ears "Childcatcher" (in which I greatly respected his bravery and bluntness). "To the Lighthouse," from the first album, probably remains my favorite track of his (since it's the track that first hooked me), but "The Libertine" and the beat-driven "Tristan" blow me away and are definitely close behind. If you like traditional European folk music, unconventional pop, or heartfelt music that is completely unique, check this guy out. He deserves more attention.