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  • Wings Of Desire (Criterion) (Bilingual) [Blu-ray]
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Wings Of Desire (Criterion) (Bilingual) [Blu-ray]

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Wings Of Desire (Criterion) (Bilingual) [Blu-ray] + Paris, Texas (The Criterion Collection) [Blu-ray]
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Product Details

  • Actors: Bruno Ganz, Solveig Dommartin, Otto Sander, Curt Bois, Peter Falk
  • Directors: Wim Wenders
  • Writers: Wim Wenders, Peter Handke, Richard Reitinger
  • Producers: Anatole Dauman, Ingrid Windisch, Joachim von Mengershausen, Pascale Dauman
  • Format: AC-3, Color, DTS Surround Sound, Dubbed, Special Edition, Subtitled, Widescreen, NTSC
  • Language: German
  • Subtitles: English
  • Dubbed: English, French
  • Region: Region A/1
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • MPAA Rating: PG-13
  • Studio: Criterion
  • Release Date: Oct. 20 2009
  • Run Time: 128 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: #11,991 in DVD (See Top 100 in DVD)

Customer Reviews

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5 of 5 people found the following review helpful By Steven Aldersley TOP 50 REVIEWER on April 3 2012
Format: Blu-ray
The bulk of the film is in German, although some dialogue is in English. There are also occasional moments in French and Turkish.

Although this review contains spoilers, there's not really much to spoil. Each viewer will get something different from the film. The events are merely a loose framework used to provoke thought.

Wings of Desire is not an easy film to watch. It requires a lot of patience and you'll get very little from it if you aren't prepared to think. It's one of those stories that shows you events or allows you to hear thoughts, and then you make of it what you will. There isn't a conventional plot at all. If you watched The Tree of Life and had problems with its abstract narrative, Wings of Desire will test you even more. It's almost like a poem.

The story involves two immortal angels, Cassiel (Sander) and Damiel (Ganz), who have existed for millennia. The setting is Berlin, but the angels knew the city before humans ever existed. They remember how the river found its bed and how life as we know it began. They are serious and rarely show any emotion. Perhaps they have seen everything and it no longer affects them, or is their dispassionate outlook part of their very nature?

Their job is to observe humans and we see through their eyes in black and white. They can hear the thoughts of everyone they pass. Occasionally, when someone is sad or contemplating a desperate act, the angels intervene by touching the shoulder of the person in trouble. This gives that person a sense of hope and well being, but there's no guarantee the person will act on it. Children are able to see angels. Perhaps their innocence and lack of cynicism allows them to see what adults cannot?
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By bernie TOP 100 REVIEWER on July 23 2010
Format: DVD
Why shouldn't we fall in love?
Our hearts are made of it
Let's take a chance, why be afraid of it?

By: Harold Arlen, Ted Koehler

The basic story is of an angle that after recording life falls in love with life, not just the trapezes artist that he eventually wants to meet in the flesh. We get to follow his transition blow by blow, as he attempts to follow his desire.

Peter Falk as Der Filmstar is a catalyst and the glue to the story. I even mention that Colombo did not have a hat.

The film started out unscripted and the directors and writers had to punt. You may notice this as the story improves. There was a partial start script from Paris Texas.

I took a German class or several about the time of this film. Therefore, some of the film language is natural, some, I recognize after the subtitles and some is new. No one slurs the words so this would be a great training film. However, I never made it there so this is as close as I will ever get to 1987 Berlin.
Filmed in:
Berlin, Germany
Kaiser Wilhelm Gedächtniskirche, Berlin, Germany
Potsdamer Platz, Mitte, Berlin, Germany
Siegessäule, Tiergarten, Berlin, Germany
Staatsbibliothek, Tiergarten, Berlin, Germany

The DVD has a great commentary by director Wim Wenders and Peter Falk, which lets you see what is attempted in the film. So did they accomplish what they set out to do?

Watch Berlin: Symphony of a Great City (1927 documentary) as a contrast.

Also, do not miss what is touts as a sequel but is really a standalone revision of this film.
"Faraway, So Close!" (1993) with Nastassja Kinski

Berlin: Symphony of a Great City
Faraway, So Close!
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By nobody on Dec 19 2011
Format: Blu-ray Verified Purchase
This is a classic Wim Wenders film. A meditative, bitter-sweet film shot in gorgeous black and white, that moves along at an "easy" pace. If you already know this film and wish to own it, the Criterion Bluray is the obvious choice!
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Most Helpful Customer Reviews on (beta) 55 reviews
12 of 13 people found the following review helpful
A film that nearly overwhelms me each time I see it Oct. 31 2009
By Robert Moore - Published on
Format: Blu-ray
No movie that I see on a regular basis makes me feel so powerfully the joy of being alive as this one. Although many films and numberless and sappy television shows since 1987 have used angels of one dreadful sort or another, Wim Wenders managed to success while all the others failed. Working from a story by celebrated writer Peter Handke, Wenders takes angels that seem to have more in common with Rilke's Duino Elegies than the Bible or the New Age angels. Their function is to watch and observe and record, and in their own limited fashion, to comfort and commiserate. The trick wasn't to come up with the gimmick of angels being able to listen to the thoughts of humans, but to make those thoughts beautiful and representative of all that is quintessentially human. The trick wasn't to have the angels see in black and white and the humans in color, but in making what was seen, whether two or many toned, beautiful. One has only to see the absolutely appalling CITY OF ANGELS, an English language remake starring Meg Ryan and Nicholas Cage, to see that having gimmicks isn't enough; you must have substance as well.

This is not a perfect film. There are some dull moments, and I thoroughly dislike a couple of moments in the film, in particular, Dommartin's speech to Bruno Ganz in the bar near the end of the film. But there are so many magnificent moments, so many moments where they not merely get something right, but produce a moment of almost transcendent beauty, that WINGS OF DESIRE provides more than entertainment, but something akin to a reason to live. The movie becomes in the end a celebration of life, of all the tawdry elements that go into being human. The movie ends in affirming nearly as many things as Walt Whitman does in "Song of Myself."

I love the cast. Bruno Ganz is perfect as Damiel, the central angel of the story. Likewise, Otto Sander's face is the perfect receptacle for all that he witnesses on his silent rounds through Berlin, while Solveig Dommartin is so sympathetic a character, so lovely, that one could imagine an angel or anyone else yearning to be with her. And Peter Falk turns in a remarkably quirky character role, playing himself on location in Berlin. The city itself emerges as a major actor, providing what is certain to stand as the last great visual representation of Berlin in the last couple of years before the Wall fell. Curt Bois was a veteran character actor who was a staple in Hollywood films in the 1930s and 1940s, playing a vast number of waiters and tailors and hotel clerks (he plays the pickpocket at the very beginning of CASABLANCA). In what would be the last role before his death, Bois appropriately plays "Homer," the ancient man remembering all that had occurred in Berlin in the past several decades, playing the role of human witness to counterbalance the angelic witnesses.

This film and UNTIL THE END OF THE WORLD, a Wenders film that followed this one in 1991 have to have two of the best soundtracks I have encountered. Subtract either "Six Bells Chime" by Crime and the City Solution or "From Her to Eternity" by Nick Cave, and this would have been far less of a film, and the scene where Solveig Dommartin changes in her trailer while listening to Nick Cave do "The Carny" might be the best scene in the film.
5 of 5 people found the following review helpful
Like cilantro and root beer Jan. 29 2011
By Tadpole - Published on
Format: DVD
Pretty simple equation here: you'll either love this film or never want to taste it again! I will add this: if you like modern poetry - or not like it for the matter, which is the case with me - you should give this one a try. Very deep and soulful subtitles. This is a film you "float" with; just let go and let it take you where it will. Personally, I felt more alive - revived, if you will - immediately after my first viewing.
4 of 4 people found the following review helpful
"time heals, or maybe time is the illness" July 12 2010
By Medusa - Published on
Format: DVD
Don't be discouraged by the slow pace of the movie. You need to keep in mind when this movie was made and the theories of existence in vogue at the time. Bruno Ganz shines as an angel who listens to peoples' introspection and gets intrigued by the emotions that only humans experience.

Once Henry Van Dyke said:"Time is too slow for those who wait, too swift for those who fear, too long for those who grieve, too short for those who rejoice, but those who love, time is eternity." So will the angel Will the Angel choose eternity in heaven or eternity through love? The journey is yours to discover and it is worth the time!
6 of 7 people found the following review helpful
A German "Citizen Kane" March 6 2011
By JTN - Published on
Format: Blu-ray
Soon after I began studying German in 1990, I discovered this film and was able to purchase a book of the screenplay. Since I already spoke fluent French, and since the film is a mixture of German, French and English (the scenes with Peter Falk), it was a natural for me. I really studied this film, and I soon came to regard it as a German "Citizen Kane". The fact that it occurs in a still divided Berlin, with the Angels walking through the wall in the midst of one of my favorite conversations (about what they had witnessed there from shortly after the creation to the present) adds immensely to the film's flavor. I can understand why some people find it annoying, because the dialogue is quite philosophical, and the various people's thoughts, as heard by the angels, can be overwhelming at times, especially when multiple thought streams crowd in. And yet the philosophical parts, as expressed by the angels, an elderly man named Homer (the story teller), the French trapeze artist (the woman with whom Damien, one of the angels, falls in love), even Peter Falk, are what make this film a masterpiece. The trapeze artist's monologue when Damien finds her toward the end of the film is positively brilliant. For escapist entertainment, many may well prefer the American remake, "City of Angels", which modifies the plot and drops the philosophy, but for pure genius, it is difficult to beat Wim Wenders' film.
2 of 2 people found the following review helpful
One of Wenders' best Jan. 30 2010
By Le_Samourai - Published on
Format: DVD
Wim Wender's deliberately paced, hauntingly realized contemporary masterpiece, Wings of Desire is, all at once: a political allegory for the reunification of Germany, an existential parable on a soul's search for connection, a metaphor for the conflict between, what Friedrich Nietzsche defines as, the Appolinian intellect and the Dionysian passion, a euphemism for creation. A dispassionate angel stands atop a statue on a winter morning, watching over Berlin. His name is Damiel (Bruno Ganz): a spiritual guide for the desperate, an eternal spectator of life. The world is gray through his eyes, unable to experience the subtlety of the hues and textures of physical being. He spends eternity exchanging daily observations, listening to the people's thoughts, comforting the dying. He reveals to a fellow angel, Cassiel (Otto Sander), that he is curious to experience life as a human. One day, while observing a circus rehearsal, he is captivated by Marion, a French trapeze artist practicing her routine in an angel costume. Receiving the news that the circus is closing, she feels profoundly alone, but is consoled by Damiel's empathic presence. He falls in love with her: her grace, passion, melancholy. They are kindred spirits longing to find an inextricable part of their soul that is missing. If Damiel can transfigure, perhaps he can fill the void.

Wenders manifests the recurrent theme of division through long camera shots, filmed downward. Note the the opening scene of the statue, the suicide leap from a building, and Marion's rehearsal. In essence, Damiel is the Apollinian force: pensive, logical, and spiritual. (Note the contrast to Federico Fellini, who uses upward shots in order to symbolize the carnal man seeking spirituality.) Division is also depicted when Cassiel follows a disoriented, elderly man against the backdrop of a prominent Berlin Wall. Cinematically, the angels' perspective is in black and white, while human perspective is shot in color, creating visual duality. Note the chromatic shift in Marion's trailer after Damiel disappears. She is the archetypal Dionysian force: sensual, risk-taker, dreamer. Nietzsche proposes that the cataclysmic fusion of the two diametrically opposed forces results in the birth of tragedy. In the end, we see Damiel looking upward at Marion, holding her safety line. He is no longer an immortal chronicler of history. He, like the epic heroes of Greek mythology, has fallen.