5.0 out of 5 stars
I Can't Get Enough of Them!, May 22 2004
This review is from: Winter and Night (Mass Market Paperback)
Ok. This woman is my favorite author. Ever. And I can say that in absolute truth. Her distinctive, yet extremely hard to describe writing style, is in a word, incredible. And that's a pretty ambiguous word, but somehow works with every aspect of her novels. Each one reveals more and more the depth and complexeties of Bill and Lydia, and they become real people to us. Especially in "Winter and Night," we are shown that the connection between Bill and Lydia goes way beyond the physical (it's like a Mulder/Scully relationship, as weird as that sounds), and also just how much Bill's experiences are going to change their relationship (ultimately strengthens it, in my opinion).
On a lighter note, I think, another reason these novels are great is the extremely witty/clever dialogue. Bill and Lydia have the best lines, and when they play, they play with words, and it's just VERY amusing to read. I'm always thinking to myself, "How does Rozan DO it?"
"Winter and Night," like most Bill books, are very psychological (not science-psycho, but more like emotional-psycho), and the fluid, intricate writing style reinforces the depth of Smith's character. There's also a big theme in this story about young adulthood and the pressures of society - and their consequences, good along with bad. Very important and thought-provoking theme, I think, and Rozan manages to bring that out in this book with deft skill.
I would recommend reading "China Trade" first, just so you'll get to know the characters and a little about where they're coming from. Otherwise "Winter and Night" will seem too personal (as opposed to VERY personal for those who've read her other novels). "Winter and Night" is my favorite out of her, what is it, eight novels? Second fave is "Reflecting the Sky," written from Lydia's point of view. Third is "Stone Quarry," another one from Bill's POV.
Oh by the way, Rozan captures the life and times of FOBs and Chinese-New York Americans perfectly, from their interactions with each other to their interactions with whites. And the fact that Bill is the epitome of Caucasion, and Lydia is a Chinese-American woman, makes for quite a few interesting conversations. But they're perfect for each other, and you can tell. When serious is serious, one's always there for the other, and that's all they need. Loyalty, trust, respect...love? Yeah, was there even a doubt? Love is there, and then some, and that's what holds these books together.
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3.0 out of 5 stars
Doesn't live up to the hype, April 12 2004
By A Customer
This review is from: Winter and Night (Mass Market Paperback)
Is this what wins Edgars these days? The book isn't bad, but I'm surprised about all the fanfare it's gotten. How interesting can a book that more or less centers on high school footbal be?
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5.0 out of 5 stars
Edgar Award Winner, Mar 2 2004
This review is from: Winter and Night (Mass Market Paperback)
Bill Smith, is a PI working in NYC. His partner is Chinese-American, Lydia Chin. Together they are the main protagonists of the highly successful series by S.J. Rozan.
Bill Smith receives a late night call that they are holding his nephew, Gary, at the station for attempting to rob a sleeping homeless man. Bill goes to the station and agrees to take Gary home. Gary, however, refuses to tell Bill why he fled from his New Jersey home away from Bill's sister and brother-in-law who has almost a pathologic hatred of Bill. In fact, when Gary is given the opportunity, he escapes from Bill's apartment. Bill takes it upon himself to discover what Gary is up to and where he ran off to. His search takes him to the affluent suburban community and to the root of a possible cover-up of a crime that occurred decades ago the effects of which reverberate even today.
S.J. Rozan writes one of the most literate and finest series in crime fiction today. Unique is her ability to keep her series fresh by change in point of view and the locale. Some books are written with Lydia Chin as first person narrator and others, such as this one, with Bill Smith. Her characters are always interesting, yet, some can appear a bit over the edge. The plot has plenty of twists to keep any reader turning the pages late at night. Especially clever with this book is the exposition scenes at the end. She manages to avoid the cliché of the killer holding the gun on the hero just prior to killing him while divulging all for page after page. The exposition is accomplished mostly via a phone call to a news reporter. This is the Edgar Award winning best novel for 2003.
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