From Publishers Weekly
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From Booklist
Copyright © American Library Association. All rights reserved
Review
Book Description
Ulf's new settlement begins in harmony with the natives of the isles led by the gentle king Engus. And Eyvind finds a treasure of his own in the young Nessa, niece of the king, seer, and princess. His life will change forever as she claims his heart for her own.
But someone has come along to this new land who is not what he seems. Eyvind's heartfriend, Somerled, the strange and lonely boy Eyvind befriended so long ago has a secret--and his own plans for the future. The blood oath that they swore in childhood binds them in lifelong loyalty, and Somerled is calling in the debt of honor. What he asks might just doom Evyind to kill the only thing that he has ever truly loved.
Will the price of honor create the destruction of all that Eyvind holds dear?
Critically acclaimed fantasist Juliet Marillier returns with the start of a new fantasy saga, a wonderful love story set amidst high adventure. Wolfskin is a lush tale of the clash between the warlike Norsemen and the mysterious and magical people who live at the top of the world in the land that will become Scotland--and it is the story of the man and woman who forge a bond that will remake their world.
From the Inside Flap
"Juliet Marillier is among the most skilled of fantasy writers.... She is far better than Marion Zimmer Bradley."&mdashSara Douglass
All young Eyvind ever wanted was to become a great Viking warrior&mdasha Wolfskin&mdashand perform honorable deeds out in the name of his War fathergod, Thor. He can think of no future more glorious. And the chance to make it happen is his when his older brother Ulf is brought the tale of a magical land across the sea, a place where men with courage could go to conquer a land and bring glory to themselves. They set out to find this fabled land and discover a windswept and barren place, but one filled with unexpected beauty and hidden treasures... and a people who are willing to share their bounty.
Ulf`s new settlement begins in harmony with the natives of the isles led by the gentle king Engus. And Eyvind finds a treasure of his own in the young Nessa, niece of the king, seer, and princess. His life will change forever as she claims his heart for her own.
But someone has come along to this new land who is not what he seems. Eyvind`s heartfriend, Somerled, the strange and lonely boy Eyvind befriended so long ago has a secret&mdashand his own plans for the future. The blood oath that they swore in childhood binds them in lifelong loyalty, and Somerled is calling in the debt of honor. What he asks might just doom Evyind to kill the only thing that he has ever truly loved.
Will the price of honor create the destruction of all that Eyvind holds dear?
Critically acclaimed fantasist Juliet Marillier returns with the start of a new fantasy saga, a wonderful love story set amidst high adventure. Wolfskin is a lush tale of the clash between the warlike Norsemen and the mysterious and magical people who live at the top of the world in the land that will become Scotland&mdashand it is the story of the man and woman who forge a bond that will remake their world.
Juliet Marillier is the author of The Sevenwaters Trilogy: Daughter of the Forest, Son of the Shadows (winner of the 2000 Aurealis Award and the 2001 Alex Award), and Child of the Prophecy. She holds advanced degrees in music and languages and has had a lifelong passion 0for both Celtic music and Irish folklore. She resides with her family in Perth, Western Australia.
From the Back Cover
Praise for Juliet Marillier and The Sevenwaters Trilogy
Child of The Prophecy
"A rousing page-turner, a heady blending of romance, magic, and battle.... The fitting conclusion to one of the best recent fantasy sagas should send newcomers scurrying for its predecessors"--Booklist (starred review)
"Marillier's strong voice and rolling, lucid prose seem appropriate for a tenth century Irish tale."--Publishers Weekly (starred review)
"Marillier creates a wondrous world with compelling characters and passages."--Romantic Times (4 1/2 stars)
Son of The Shadows
"Marillier's virtuosic pacing and vivid, filmic style make this an engaging continuation of one of last year's best fantasies."--Booklist
"The exquisite poetry of the story is carefully balanced with strong characterizations and more than a nod to Irish mythology."--Romantic Times
Daughter of The Forest
"Sterling characterizations, perfect pacing, appropriately marvelous fairy subplots, and vivid descriptive passages make for a flawless launching of a fantasy trilogy those next volume this book's readers will eagerly await."--Booklist (starred review)
"This novel will delight and astound. An exceptional debut fairy tale that mixes romance, legend, and magic."--Realms of Fantasy
"What sets Marillier's work apart is how she wraps this traditional plot with deeply individualized characters and a beautifully realized background."—VOYA
"The author's keen understanding of Celtic paganism and early Irish Christianity adds texture to a rich and vibrant novel."--Library Journal
About the Author
Juliet Marillier achieved international recognition in 1999 with the publication of her award-winning novel Daughter of the Forest. This is the first book of the Sevenwaters Trilogy, a historical fantasy set in Ireland and Britain in the ninth century, and is loosely based on the traditional fairy tale, The Six Swans. The second book in the series, Son of the Shadows, won the 2000 Aurealis Award for best fantasy novel. Child of the Prophecy completes this trilogy.
Juliet Marillier's second series is based on the first Viking voyage from Norway to Orkney, and weaves history and folklore into a saga of adventure, romance and magic. The series is made up of two novels, Wolfskin and Foxmask. Juliet is currently working on a new trilogy set in the north of Britain in the time of the Picts.
Juliet is a member of the druid order OBOD and of the Australian Greens Party, reflecting her commitment to environmental causes.
Excerpt. © Reprinted by permission. All rights reserved.
Winter bites hard in Rogaland. Sodden thatch shudders under its blanket of snow. Within the earthen barns sheep shiver and huddle, their breath small clouds. A man can lose himself in the drifts between byre and longhouse, and not be found again until the spring thaw. The pristine shroud that covers him is deep, but his long sleep is deeper still. In such a season the ice forms black and hard on lake and stream. For some, it is a good time: merchants whip their horses fast along the gleaming surface of the waterways, sledges piled high with pelts of squirrel and winter hare, with sealskins and oil and walrus tusks, with salt fish and fine embroidery. Boys dart across the river on their bone skates, quick as swallows, voices echoing away to lose themselves among the pale twigs of the winter birches.
It was Yuletide, and today there was no skating. The wind screamed around the temple, demanding entry through any chink or cranny its piercing fingers might discover. The timbers creaked and groaned in response, but held firm. So far, the roof had not leaked. Just as well he'd climbed up and shifted some of the weight off the shingles, Eyvind thought. The place would be full to bursting for the midwinter sacrifice.
Folk were already streaming into the valley, coming by sledge and on foot, on skis or skates, old men carried on their sons' backs, old women pulled on hurdles by red-faced children or panting dogs. The wind died down, as if holding its breath in honor of the occasion, but a new storm was coming. Dark clouds built in the west.
Eyvind had been working hard. The temple was on his mother's land, though shared by all in the surrounding district, so the burden of preparation fell squarely on the household at Hammarsby. He'd spent the morning chopping wood, stacking the pungent-smelling logs by the central hearth, making and banking the fire. It was nearly time for the ceremony; he should stir the coals now and put on more fuel. The white goat could be heard outside, bleating plaintively. His sisters had swept the stone floor clean and stripped the cobwebs from the rooftrees, while his mother, Ingi, polished the bronze surfaces of ritual knives and bowls to a bright, sunny sheen. These now lay ready on the altar at the temple's northern end. Cold light pierced the shingled roof above the hearth. From the altar, Thor's image stared down at Eyvind. Bushy browed, full-bearded, the god's wooden features held an expression of ferocious challenge. In his iron-gloved right hand he gripped the war hammer, Mjollnir; his left was held across his chest, to signify the making of some vow. Eyvind stared back, meeting Thor's gaze without blinking, and his own hand moved to his breast as if returning a pledge of allegiance. Till death, he thought Thor was saying, and he whispered his answer, "Till death and beyond."
The air was crisp and chill, the sacred space clean and quiet in the cold winter light. Later there would be a press of bodies in the temple, and it would be all too warm. As Eyvind used the iron poker to stir the embers to life, there was a sound from the entry behind him. He turned to see a tall, broad figure striding toward him, hair and beard touched to dark gold by the glow of the rekindled fire.
"Well, well, little brother! I swear you've doubled in size since the harvest!"
Eyvind felt a huge grin spreading across his face. "Eirik! You're home! Tell me where you've been, and what you've been doing! I want to hear eveything!"
His brother seized him in a brief, hard embrace, then stretched out his hands to warm them before the flames.
"Later, later," he laughed. "Time enough for all that after the sacrifice. We'll have many tales, for I do not come alone."
"Hakon is here too?" Eyvind asked eagerly. He admired Hakon almost as much as he did Eirik himself, for his brother's friend had earned his wolfskin at not quite sixteen, which was generally thought to be some sort of record.
"Hakon, and others," Eirik said, suddenly serious. "The Jarl's kinsman, Ulf, is with us; a fine man, and a friend of ours. He's brought his young brother and several of his household. They're on their way to Jarl Magnus's court. Ulf has a wish for some delicate silverwork, I think to impress a lady. I made it known to him that our sister's husband is skilled in this craft. They will spend some nights here, in any event; the storm looks likely to prevent further travel for a little. The Jarl himself was urgent for home. He has a new son, bred when we came back from the spring viking; he is gone ahead, but we have time before we must join him. He will not set out again before spring's seeding is attended to." He glanced at his brother, and his tone changed. "Eyvind? I've a favor to ask you."
"What?"
There were new sounds from outside now, the rapid approach of many folk, voices raised in greeting.
"Later," Eirik said.
Eyvind asked him no further questions, though it was hard to wait. Eirik was his hero. Eirik was a Wolfskin. That was the most glorious calling in the whole world, for surely nothing could surpass the moment when you heard Thor's call to battle ringing in your ears, pulsing in your blood, filling every corner of your being with a red rage that shut out any thought of fear. To charge forward in pure courage, inspired by the god himself--that bold vision tugged at Eyvind's thoughts by day and filled his dreams by night. What matter if a Wolfskin's life were short? Such a warrior, once fallen, would be carried straight to Thor's right hand. One day he himself would pass the test, and become one of that band to which Eirik and Hakon belonged, as had many of Eyvind's kin in times past. The men of Hammarsby had a noble tradition in the Warfather's service. So Eyvind practiced with the bow and with the axe. He ran and climbed, he skated and swam. He shoveled snow and hunted and grew strong, awaiting that day. Eirik's tales kept his dreams alive. Later, perhaps his brother would tell of the autumn viking, the riches plundered, the battles won.
The folk of the district crowded into the temple, along with the men of Jarl Magnus's household, warrior and swineherd side by side. The high seat, its wooden pillars carved with many small creatures, was allocated to Ulf, kinsman of the Jarl, and by him stood the two Wolfskins, gold-bearded Eirik and the taller, hawk-featured Hakon. Each wore his short cloak of shaggy fur, fastened on the shoulder with an ornate silver brooch. Both were well armed: Eirik had the lethal skeggox, or hewing axe, on his back, and Hakon bore a fine sword, its hilt plated with copper. The nobleman, Ulf, was young: not so much older than Eirik himself, Eyvind thought. He had many folk with him, probably housecarls called into service for the autumn viking, with a few richly dressed men who might be part of Jarl Magnus's household elite, or Ulf's own retainers.
Eyvind's eldest brother, Karl, began the ceremony, his solemn features glowing warm in the fire's light. Eyvind was pleased with that fire; the smoke was rising cleanly through the roof opening to disperse in the cold air outside. Karl was no warrior. His choice had been to stay at home and husband the land, his brothers' portions as well as his own. It was a decision that, in hindsight, had been both wise and prudent, for their father, Hallvard Karlsson, had died in his prime, falling nobly in the service of the old Jarl, and leaving Ingi a widow. A young man with a young family of his own, Karl had simply stepped into his father's shoes. Now he and his mother controlled a wide sweep from hilltop to fjord, and commanded great respect in the district. All the same, Eyvind had never understood how his brother could prefer that existence over a life as Thor's warrior. Yet Karl seemed content with what he was.
"Master of storm, tamer of waves, iron-fisted one!" Karl now addressed the god in ringing tones. "Hewer of giants, serpent-slayer, worthiest of warriors! In blood, we honor you! In fire, we salute you! In the shadow time, we seek your protection. May your strong arm guard us on land path and sea path. Smite our enemies and smile on our endeavors."
"Hewer of giants, serpent-slayer, worthiest of warriors!" the assembled folk chanted, and their voices rose with the fire's heat to ring out across the snow-blanketed hills and the dark fir trees, straight to the ears of the god himself. Eyvind joined in the response, his gaze on Thor's staring, formidable eyes. Now Ingi walked slowly around the temple, bearing the ritual arm-ring on a small embroidered cushion. Over many hours a fine smith had wrought there an image of the world tree with its attendant creatures: the serpent Nidhogg at its deepest roots, the noble eagle at its tip, the squirrel Ratatosk scampering between. The pattern went right around the ring; a man could never see the whole of it at one time. They held the sacrifice at first frost, at midwinter and in spring; at all other times, this treasure was well locked away from curious eyes. One hand after another reached out to brush reverently against the gleaming gold: girls' hands still soft and milk-pale, men's hands branded by axe shaft and bowstring, gnarled old hands that knew many winters on the land. All moved to pledge allegiance to the warrior, Thor, and to Odin, who had hung on that selfsame tree in search of wisdom. Even the thralls, clustered like a body of shadows at the far end near the door, stretched out tentative fingers as Ingi passed.
Karl lifted one of the ritual knives from the altar. The goat was struggling, afraid of the crowd and the fire. It seemed to Eyvind that the boy who clutched its neck rope could not hold the creature much longer. If he let go of the rope, the goat would free itself and bolt across the crowded temple in a chaos of hooves and horns. One could not offend the god thus. Eyvind got up and moved forward, relieving the red-faced lad of his charge, soothing the animal with soft words and a careful hand.
"Go on, then," he muttered. Karl raised the sacrificial knife; the firelight shone bright from its bronze blade. Eyvind tightened his ...