- Paperback: 1 pages
- Publisher: Thames and Hudson; 2nd Revised edition edition (May 1 1997)
- Language: English
- ISBN-10: 0500202990
- ISBN-13: 978-0500202999
- Product Dimensions: 21.1 x 14.9 x 1.8 cm
- Shipping Weight: 454 g
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: #1,078,432 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
From Library Journal
These two current overviews of Chinese art take very different approaches. Keeper of the Department of Eastern Art at the Ashmolean Museum, Oxford, Tregear offers a chronologically organized work that covers its topic in brief survey form, using representative examples of bronzes, painting, laquerware, ceramics, jade, and stone carving. The book is so brief and the sweep is so broad that a reader not already familiar with the general outline of Chinese history and common Chinese terms may have trouble forming a coherent picture, particularly in regard to the earliest centuries covered. Significantly, Tregear leaves out the important find of a cache of figures at Shanxingdui in 1986, which has been of enormous importance in broadening the known range of cultures in ancient China. On the other hand, she provides an excellent section on 20th-century Chinese art, an area neglected by many of the standard histories. Clunas's (history of art, Univ. of Sussex) approach, by contrast, involves a more critical, theoretical inquiry into Western notions of Chinese art. He eschews a chronological arrangement in favor of thematic chapters on art at court, in the tomb, in the temple, in the life of the elite, and in the marketplace. He makes a point of including objects that have been considered masterpieces intermixed with other less well-known works. He is concerned throughout his text with issues of the historical place of art in Chinese society and with how that society evaluated various objects. The finds at Shanxingdui are mentioned, and some attention is paid to 20th-century work, though not as much in Tregear's survey. Both of these titles have merits as overviews of Chinese art and both could be used by students as well as interested lay readers. If your library can afford only one work, Clunas's is the more up-to-date, both in approach to its material and in selection of works to discuss.?Kathryn Wekselman, Univ. of Cincinnati Lib., Ohio
Copyright 1997 Reed Business Information, Inc.
Copyright 1997 Reed Business Information, Inc.
Review
An excellent and remarkably comprehensive survey of the arts of China....I cannot recommend this book too highly to all who take an interest in China. -- China Now
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Most helpful customer reviews
5.0 out of 5 stars
A Journey to the East,
By
This review is from: World Of Art Series Chines Art 2e (Paperback)
If you, like millions of westerners, have found within yourself an intense curiosity for, and resonance with, the orient, but have been intimidated by the breadth of the subject matter, this book is an excellent way to "get your feet wet." Tregear wrote Chinese Art for the interested reader, not for art critics. Her book is scholarly, insightful, and very engaging. She has done well to write not only about painting and sculpture, but about landscaping, architecture and textiles as well, offering the reader a truly comprehensive survey of this magnificent artistic tradition.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
5.0 out of 5 stars (1 customer review) 25 of 30 people found the following review helpful
5.0 out of 5 stars
A Journey to the East,
By David Kirchner II - Published on Amazon.com
This review is from: World Of Art Series Chines Art 2e (Paperback)
If you, like millions of westerners, have found within yourself an intense curiosity for, and resonance with, the orient, but have been intimidated by the breadth of the subject matter, this book is an excellent way to "get your feet wet." Tregear wrote Chinese Art for the interested reader, not for art critics. Her book is scholarly, insightful, and very engaging. She has done well to write not only about painting and sculpture, but about landscaping, architecture and textiles as well, offering the reader a truly comprehensive survey of this magnificent artistic tradition.
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