From Publishers Weekly
In the wake of the great zombie war, Brooks's fictional alter ego travels around the world to ask tough questions of individuals and leaders about their experience and actions before, during and after the undead menace decimated the human population. Brooks remarkably identifies and articulates the nuances and unconsidered realities of what a zombie war would look like. This intriguing "oral history" stands apart from his previous zombie-related book, The Zombie Survival Guide
, as Brooks uses the postwar culture here to provide political and social commentary on a wide range of real-life individuals and institutions. An all-star cast including Alan Alda, Mark Hamill, Jürgen Prochnow, Henry Rollins, John Turturro, Rob and Carl Reiner, and many others deliver their parts with such fervor and intensity that listeners cannot help but empathize with these characters. Max Brooks acts as the interviewer, providing an inquisitive but stagnant demeanor. The abridgment keeps the story tight but struggles with the interviewer's narration during interviews. When Brooks interrupts characters to indicate that the person rolled his eyes or appeared apprehensive, his comments are often moot because the performers are already portraying such body language with their tone.
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"The Crisis" nearly wiped out humanity. Brooks (son of Mel Brooks and author of The Zombie Survival Guide,
2003) has taken it upon himself to document the "first hand" experiences and testimonies of those lucky to survive 10 years after the fictitious zombie war. Like a horror fan's version of Studs Terkel's The Good War
(1984), the "historical account" format gives Brooks room to explore the zombie plague from numerous different views and characters. In a deadpan voice, Brooks exhaustively details zombie incidents from isolated attacks to full-scale military combat: "what if the enemy can't be shocked and awed? Not just won't, but biologically can't!" With the exception of a weak BAT-21
story in the second act, the "interviews" and personal accounts capture the universal fear of the collapse of society--a living nightmare in which anyone can become a mindless, insatiable predator at a moment's notice. Alas, Brad Pitt's production company has purchased the film rights to the book--while it does have a chronological element, it's more similar to a collection of short stories: it would make for an excellent 24
-style TV series or an animated serial. Regardless, horror fans won't be disappointed: like George Romero's Dead
trilogy, World War Z
is another milestone in the zombie mythos. Carlos OrellanaCopyright © American Library Association. All rights reserved
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