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Worth the Risk: Partners\The Art of Deception
 
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Worth the Risk: Partners\The Art of Deception [Mass Market Paperback]

Nora Roberts

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Product Details

  • Mass Market Paperback: 480 pages
  • Publisher: Silhouette; 1 Original edition (Nov 24 2009)
  • Language: English
  • ISBN-10: 0373285833
  • ISBN-13: 978-0373285839
  • Product Dimensions: 16.9 x 10.7 x 2.5 cm
  • Shipping Weight: 200 g
  • Amazon Bestsellers Rank: #127,575 in Books (See Top 100 in Books)

Product Description

Product Description

Partners

Matthew Bates had wanted Laurel Armand for years, but he was her professional nemesis, and the sultry Southern belle has always kept him at a safe distance. But when the rival reporters are forced to work together on a case of murder and madness down in steamy New Orleans, the sparks fly. Determined to get their story, Matt and Laurel find themselves in the path of a deranged killer, putting love and life on the line!

The Art of Deception

Supposedly he had come to her father's estate looking for respite. But was handsome Adam Haines really the man he pretended to be? Kirby Fairchild couldn't be sure. What she did know was that as the days and nights wore on, the attraction she felt for him was building, whether she'd wanted it to or not. Was she in danger of falling hard for a stranger who was even more practiced in the art of deception than she was?

Excerpt. © Reprinted by permission. All rights reserved.

Bedlam. Phones rang continuously. People shouted, muttered or swore, sitting or on the run. Typewriter keys clattered at varying paces from every direction. There was the scent of old coffee, fresh bread, tobacco smoke and human sweat. An insane asylum? Several of the inmates would have agreed with that description of the city room of the New Orleans Herald, especially at deadline.

For most of the staff the chaos went unnoticed, as the inhaling and exhaling of air went unnoticed. There were times when each one of them was too involved with their own daily crises or triumphs to be aware of the dozens of others springing up around them. Not that teamwork was ignored. All were bound, by love for, or obsession with, their jobs, in the exclusive community of journalists. Still each would concentrate on, and greedily guard, his or her own story, own sources and own style. A successful print reporter thrives on pressure and confusion and a hot lead.

Matthew Bates had cut his teeth on newsprint. He'd worked it from every angle from newsboy on the Lower East Side of Manhattan to feature reporter. He'd carried coffee, run copy, written obituaries and covered flower shows.

The ability to scent out a story and draw the meat from it wasn' t something he'd learned in his journalism courses; he'd been born with it. His years of structured classes, study and practice had honed the style and technique of a talent that was as inherent as the color of his eyes.

At the age of thirty, Matt was casually cynical but not without humor for life's twists and turns. He liked people without having illusions about them. He understood and accepted that humans were basically ridiculous. How else could he work in a room full of crazy people in a profession that constantly exposed and exploited the human race?

Finishing a story, he called out for a copy boy, then leaned back to let his mind rest for the first time in three hours. A year ago, he'd left New York to accept the position on the Herald, wanting, perhaps needing, a change. Restless, he thought now. He'd been restless for… something. And New Orleans was as hard and demanding a town as New York, with more elegant edges.

He worked the police beat and liked it. It was a tough world, and murder and desperation were parts of it that couldn't be ignored. The homicide he'd just covered had been senseless and cruel. It had been life; it had been news. Now, he wiped the death of the eighteen-year-old girl out of his mind. Objectivity came first, unless he wanted to try a new profession. Yet it took a concentrated effort to erase her image and her ending from his mind.

He hadn't the looks of a seasoned, hard-boiled reporter, and he knew it. It had exasperated him in his twenties that he looked more like a carefree surfer than a newsman. Now, it amused him.

He had a lean, subtly muscled body that was more at home in jeans than a three-piece suit, with a height that only added a feeling of ranginess. His dark blond hair curled as it chose, over his ears, down to the collar of his shirt. It merely added to the image of a laid-back, easygoing male who'd rather be sitting on the beach than pounding the pavement. More than one source had talked freely to the façade without fully comprehending the man beneath the image. When and if they did, Matt already had the story.

When he chose, he could be charming, even elegant. But the good-humored blue eyes could turn to fire or, more dangerous, ice. Beneath the easy exterior was a cold, hard determination and a smoldering temper. Matt accepted this with a shrug. He was human, and entitled to be ridiculous.

With a half smile lingering around his mouth, he turned to the woman seated across from him. Laurel Armand—with a face as romantic as her name. She had an aura of delicacy that came from fine bones and an ivory skin that made a man want to touch, and touch gently. Her hair fell in clouds of misty black, swept back from her face, spilling onto her shoulders. Hair made for a man to dive his fingers into, bury his face in. Her eyes were the color of emeralds, dark and rich.

It was the face of a nineteenth-century belle whose life revolved around gracious indolence and quiet gentility. And her voice was just as feminine, Matt mused. It turned vowels into liquid and smoothed consonants. It never flattened, never twanged, but flowed like a leisurely stream.

The voice, he reflected as his smile widened, was just as deceptive as the face. The lady was a sharp, ambitious reporter with a stubborn streak and a flaring temper. One of his favorite pastimes was setting a match to it.

Her brows were drawn together as she finished the last line of her copy. Satisfied, Laurel whipped the sheet from her typewriter, called for a copy boy, then focused on the man across from her. Automatically, her spine straightened. She already knew he was going to bait her, and that—damn it—she would bite.

"Do you have a problem, Matthew?" Her tone was soft and faintly bored.

"No problem, Laurellie." He watched the annoyance flare into her eyes at his use of her full name.

"Don't you have a murder or armed robbery to go play with?"

His mouth curved, charmingly, deepening the creases in his face. "Not at the moment. Off your soapbox for the day?"

She gritted her teeth on a spate of furious words. He never failed to dig for the emotion that seeped into her work, and she never failed to defend it. Not this time, Laurel told herself as she balled her hands into fists under her desk. "I leave the cynicism to you, Matthew," she returned with a sweetness belied by the daggers in her eyes. "You're so good at it."

"Yeah. How about a bet on whose story makes page one?"

She lifted one fragile, arched brow—a gesture he particularly admired. "I wouldn't want to take your money, Matthew."

"I don't mind taking yours." Grinning, he rose to walk around their desk and bend down to her ear. "Five bucks, magnolia blossom. Even though your papa owns the paper, our editors know the difference between reporting and crusading."

He felt the heat rise, heard the soft hiss of breath. It was tempting, very tempting, to crush his mouth onto those soft, pouting lips and taste the fury. Even as the need worked into him, Matt reminded himself that wasn't the way to outwit her.

"You're on, Bates, but make it ten." Laurel stood. It infuriated her that she had to tilt her head back to meet his eyes. It infuriated her more that the eyes were confident, amused and beautiful. Laurel fell back on the habit of imagining him short, rotund and balding. "Unless that's too rich for your blood," she added.

"Anything to oblige, love." He curled the tips of her hair around his finger. "And to prove even Yankees have chivalry, I'll buy you lunch with my winnings."

She smiled at him, leaning a bit closer so that their bodies just brushed. Matt felt the surprising jolt of heat shoot straight through his system. "When hell freezes over," Laurel told him, then shoved him aside.

Matt watched her storm away; then, dipping his hands into his pockets, he laughed. In the confusion of the city room, no one noticed.

"Damn!" Laurel swore as she maneuvered her car through the choking downtown traffic. Matthew Bates was the most irritating man she'd ever known. Squeezing through on an amber light, she cursed fate. If her brother Curt hadn't met him in college, Matthew would never have accepted the position on the Herald. Then he'd be insufferable in New York instead of being insufferable two feet away from her day after day.

Honesty forced her to admit, even when it hurt, that he was the best reporter on the staff. He was thorough and insightful and had the instincts of a bloodhound. But that didn't make him any easier to swallow. Laurel hit the brakes and swerved as a Buick cut her off. She was too annoyed with Matt to be bothered by traffic warfare.

His piece on the homicide had been clean, concise and excellent. She wished she'd stuffed the ten dollars down his throat. That would've made it difficult for him to gloat over it.

In the twelve months she'd known and worked with him, he'd never reacted toward her as other men did. There was no deference in him, no admiration in his eyes. The fact that she despised being deferred to didn't make her resent him any less.

He'd never asked her out—not that she wanted him to, Laurel reminded herself firmly. Except for missing the pure pleasure of turning him down. Even though he'd moved into her apartment building, virtually next door to her, he'd never come knocking at her door on the smallest of pretences. For a year she'd been hoping he would—so she could slam the door in his face.

What he did, she thought as she gritted her teeth, was make a nuisance of himself in a dozen other ways. He made cute little observations on her dates—all the more irritating because they were invariably true. These days his favorite target was Jerry Cartier, an ultraconservative, somewhat dense city councilman. Laurel saw him because she was too kindhearted not to, and he occasionally gave her a lead. But Matt put her in the intolerable position of having to defend Jerry against her own opinion.

Life would be simpler, she thought, if Matthew Bates were still hustling newsprint in Manhattan. And if he weren't so impossibly attractive. Laurel blocked Matt, and her ten dollars, out of her mind as she left the traffic behind.

Though the sun was hanging low, the sky was still brilliant. Warmth and light filtered through the cypresses and streamed onto the road. Deep in the trees were shadows and the musical sound of insects and birds, creatures of the marsh. She'd always known there were secrets in the marshes. Secrets, shadows, dangers. They only added to the beauty. There was something exciting in knowing another way of life thrived—primitive, predatory—so near civilization.

As she turned into the lane that led to her ancestral home, Laurel felt the familiar mix of pride and tran-qui...


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Amazon.com: 4.4 out of 5 stars (7 customer reviews)

16 of 16 people found the following review helpful:
4.0 out of 5 stars Not a risk to read, Dec 28 2009
By wogan "the book reader" - Published on Amazon.com
This review is from: Worth the Risk: Partners\The Art of Deception (Mass Market Paperback)
Nora Roberts always builds characters and their surroundings with skill, these 2 stories are no exception. `Partners' and `The Art of Deception' are 2 books previously published but not readily available until now in "Worth the Risk'. First this should get the proverbial gold star for not hiding the fact that they are previously published books, (1985 and 1986). So many authors/publishers seem to try to hide that fact that they are issuing works you might have read before.
Both stories of course deal with romance and you know in the end the couples will find each other, but Nora Roberts is so good at adding a dash of mystery, suspense and describing the scenes and surroundings it really makes for an enjoyable reading.
The first story `Partners' deals with 2 newspaper reporters in New Orleans. You can just hear and picture the newsroom and the swamp; and best of all you are not quite sure of the surrounding mystery's solution.
The second story is `The Art of Deception'. It deals with 3 artists and forgeries in a castle along the Hudson River. Once more, until the end you are not sure of who is responsible for any events or what is going on - you wind up making the discoveries and solving the puzzling activities along with the characters. That alone is extraordinary for romance novels where usually 10 pages in you really know exactly what is occurring. Nora Roberts is indeed the consummate romance writer and this is not a risk of your time to read this.

5 of 7 people found the following review helpful:
4.0 out of 5 stars I read the originals., Nov 21 2009
By Allison - Published on Amazon.com
This review is from: Worth the Risk: Partners\The Art of Deception (Mass Market Paperback)
This is a reprint of two older books from Nora Roberts. Although Partners was ok, the Art of Deception was one of my favorite from her. It is playful and yet the father/daughter interaction is so moving - a daughter who wants to protect her father but knows he is not quite on the up-and-up. The dialog is so great, and I enjoyed the tale many years ago and will enjoy reading it again.

5.0 out of 5 stars Wonderful and warm., Aug 10 2011
By sweets8881 "sweets8881" - Published on Amazon.com
This review is from: Worth the Risk: Partners\The Art of Deception (Mass Market Paperback)
It is a Nora Roberts book what more can I say. I love all her books and this series was no exception. Wonderful and warm.
 Go to Amazon.com to see all 7 reviews  4.4 out of 5 stars 

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