Writing and Reading Royal Entertainments: From George Gascoigne to Ben Jonson [Hardcover]

Gabriel Heaton (Author)

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Product Details

Hardcover: 272 pages
Publisher: Oxford University Press (July 18 2010)
Language: English
ISBN-10: 0199213119
ISBN-13: 978-0199213115
Product Dimensions: 21.6 x 14 x 2.5 cm
Shipping Weight: 567 g
Amazon Bestsellers Rank: #1,495,271 in Books (See Top 100 in Books)

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Review

"Writing and Reading Royal Entertainment is a welcome contribution to the burgeoning critical interest in what Gabriel Heaton calls 'the wider entertainment culture' of early modern England...Written in eloquent and assured prose and underpinned by copious scholarship, Writing and Reading Royal Entertainment is a signal achievement." --Journal of British Studies

"Gabriel Heaton investigates more thoroughly than any previous author how and why royal entertainment texts were produced and read. The book offers a wealth of research on the
surviving material texts of a wide range of Elizabethan and Jacobean forms...This
immensely well-researched study, which provides a good deal of new material,
is a must-read for anyone interested in early modern court festival....This ambitious and well-executed study represents the cutting-edge of entertainment research." --Early Theatre

Book Description

This major new study of Elizabethan and Jacobean royal entertainments, including country house entertainments, tiltyard speeches, and court masques, is the first to look in detail at the evidence provided by the surviving material texts. Drafts, royal presentation manuscripts, widely-circulating scribal copies, and printed pamphlets are all carefully placed in their cultural context, and the medium of manuscript is shown to have been at least as important as print for these texts' circulation. From the close collaboration between commissioning host and hired writer, to the varied interpretations imposed by copyists and publishers, entertainments were written and read within a complex social nexus: far from being royal propaganda, they reflected the distinct and sometimes competing agendas of monarchs, commissioning hosts, authors, publishers, scribal intermediaries, and readers. Writing and Reading Royal Entertainments explores this interpretative community through a range of texts. The first part of the book looks at Elizabethan entertainments: the Woodstock entertainment of 1575 (Chapter I); tiltyard speeches (Chapter II); and the distinctive features of printed pamphlets and scribal copies, notably of the 1602 Harefield entertainment (Chapter III). The second part of the book is mostly concerned with Ben Jonson's work for the Jacobean court, with chapters on the Merchant Taylors' entertainment (Chapter IV) and the Theobalds' entertainment (Chapter V). The final chapter looks at the texts of court masques, especially in the light of Jonson's understanding of the poet's elevated role. The book's conclusion takes the story of these material texts beyond the early modern period and looks at how they have been collected, bought, and sold over the centuries.

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Front Cover | Copyright | Table of Contents | Excerpt | Index