From Booklist
Chang (1920-95) was one of China's most popular female writers, and this is the first English translation of her 1945 collection of essays on topics ranging from fashion to music, painting, theater, and film. Chang is determined not to take herself too seriously; her irony is reminiscent of that of James Thurber, and, in fact, she sounds as though she's writing for the
New Yorker. Whether confronting the trials of apartment dwelling or commenting on the somnambulant approach of university students in wartime China, Chang captures the subtleties of the urban experience, pointedly from a woman's perspective, and the trivialities of daily endeavors during the Japanese occupation, with humor and insight. Her disarming wit, combined with a down-to-earth tone, makes Chang great company, and brings back to life the city of Shanghai during a difficult time in its long history.
Janet St. JohnCopyright © American Library Association. All rights reserved
Review
[Chang's] obsession with privacy made her known as the 'Garbo of Chinese letters,' and photographs reveal a woman whose elegance and contemplative introspection justify that title. Nevertheless, from out of the frenzy of renown that surrounded her, the sheer quality of Chang's prose emerges clearly, and her voice-raw, low, exquisitely modulated-has a sound like none other in the canon of Chinese, or for that matter, American prose stylists. Boston Review Original, memorable and unlike anything else that has come from the era. A fine contribution to Chinese letters in translation. -- *Starred review* Kirkus Reviews 2/1/05 It is the warmth and sophistication of her observations that fix her in literature. One settles in almost immediately for a chat that could last a lifetime. -- Susan Salter Reynolds Los Angeles Times 4/17/05 Chang captures the subtleties of the urban experience, pointedly from a woman's perspective, and the trivialities of daily endeavors during the Japanese occupation, with humor and insight. Booklist 4/15/05 Invariably, Chang catches the moment and crystallizes the experience; with her preferred "forthright simplicity" and whimsical line drawings, she knows how to beguile her readers. -- Peter Skinner ForeWord Magazine 7/1/05 In these joyfully self-absorbed essays she anticipated the New Journalism...They combine timeless girlishness with utterly fresh feminism. Ms. 7/1/05 The complex feelings that she reveals when talking about the arts contrast with her depictions of her own life, and help the reader to understand the mind of a woman trying to come to terms with her life through her passions. Bust 8/1/05 Chang's self-effacing, mannered prose and power for observing visual designs and social manners shine when she writes of fashion, the family, her past, and film and drama. Choice 10/1/05 Chinese Communist Correctness has long since receded, changing Eileen Chang's writing from being a guilty pleasure to simply a pleasure. -- Lucas Klein Rain Taxi Fall 2005 Always perceptive, imaginative, outspoken, and capable of the most sensitive empathy and sympathy. -- David E. Pollard Renditions #64 2005
--This text refers to the
Paperback
edition.