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So Long So Wrong
 
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So Long So Wrong

Alison and Union Statio Krauss Audio CD
4.8 out of 5 stars  See all reviews (48 customer reviews)
Price: CDN$ 19.03 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Product Details


1. So Long, So Wrong
2. No Place To Hide
3. Deeper Than Crying
4. I Can Let Go Now
5. The Road Is A Lover
6. Little Liza Jane
7. It Doesn't Matter
8. Find My Way Back To My Heart
9. I'll Remember You, Love, In My Prayers
10. Looking In The Eyes Of Love
11. Pain Of A Troubled Life
12. Happiness
13. Blue Trail Of Sorrow
14. There Is A Reason

Product Description

From Amazon.com

Many bluegrass musicians have incorporated contemporary elements into their work, Jim & Jesse, the Osborne Brothers, and Mac Wiseman among them., but Krauss's contemporary bluegrass contains particularly heavy doses of pop, folk, and modern country. Whatever style she chooses, her flawless voice and her crack Union Station cohorts usually maintain a high standard. The instrumental "Little Liza Jane" and the traditional "I'll Remember You, Love, In My Prayers" prove their instrumental chops, and songs like "No Place to Hide," with an impressive fiddle turn from Krauss herself, effectively mold modern elements into the bluegrass idiom. However, others such as "It Doesn't Matter" and "Deeper Than Crying" have very little to do with bluegrass at all. A mostly solid contemporary-bluegrass album, except when the contemporary drowns out the bluegrass. --Marc Greilsamer

Album Description

Limited, numbered edition. Half-speed production & mastering, 180 gram high definition vinyl, static free sleeves.

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Customer Reviews

Most helpful customer reviews
Alison stays true to Her Artistic Vision Jun 24 2004
Format:Audio CD
Ever since Elvis began his famed recording career with a Rockabilly cover of Bluegrass Bossman Bill Monroe's signature "Blue Moon of Kentucky" Bluegrass has been regarded by *some* as the poor barefoot hayseed step-child of Country Music. Acoustic Guitars and Banjos and Fiddles were overwhelmed and swallowed up by Electric Guitars and Peddle Steel Guitars. A successful Bluegrass album sold maybe 30,000. The "dirty little secret" in Nashville was that the Bluegrass musicians were the ones who could really PLAY, so talented bluegrassers who wanted to make a decent living became Nashville studio musicians. Bluegrass fans, who are often as fanatical about the music as a religious zealot is about their religion, considered such musicians to have "sold out", and so it was that artists like Ricky Skaggs, Bill Keith, Marty Stuart and Vince Gill were considered. Once big fish in the small Bluegrass pond, they were thought by Bluegrass Purists to have compromised their artistic integrity to become Country successes. (Was it ironic that Ricky Skagg's first Country Hit was a "countrified" version of Lester Flatt's "Don't Get Above Your Raisin'?")

The purpose of this review isn't to give even a thumbnail history lesson of the evolution of Bluegrass and a comparison to more popular and "mainstream" forms of music, but it is important in having a complete appreciation of this album to recognize the historical rarity of a "popular" or "breakout" Bluegrass artist or band or recording. In the past half-century before Alison Krauss the number of Bluegrass recordings which received any degree of popular airplay could be easily counted on one hand:
Flatt and Scruggs "Foggy Mountain Breakdown" - the music used as the musical theme to "Bonnie and Clyde".
Flatt and Scruggs "The Ballad of Jed Clampett" - the theme to "Beverly Hillbillies"
"Dueling Banjos" - from the soundtrack to "Deliverance"
"Rocky Top" - by the Osborne Brothers
"Fox on the Run" - by the Country Gentlemen

Then along came Alison Krauss, with her stunning crystalline voice that caught the attention of the Bluegrass community while she was still a teenager.

She recorded several albums which were among the most well-received in the Bluegrass community leading up to 1995 when her label, Rounder, persuaded her to put together a few new recordings with mostly previous releases, some as "guest star" on other CDs to come up with the compilation "Now That I've Found You"(It may have been called "Greatest Hits" for an artist that had HAD a "hit").

That CD stunned everyone, sold 6 million copies and suddenly Alison Krauss was the hottest female voice in Nashville - winning a handful of CMA awards.

Under the expectations of THAT success Ms. Krauss and her band, Union Station, went to the studio to record the follow-up album.

Many on either side of the "Bluegrass Purist" fence were expecting the next CD to be the "Sell-Out" CD - full of steel guitars and guest duets with Barbra Streisand.

What came instead was THIS CD, "So Long So Wrong", an album that celebrates the Bluegrass heritage that these musicians hail from in addition to showcasing the extraordinary contemporary talents of Alison and Union Station.

Newcomers to Bluegrass expecting a recording with nothing but Alison's voice were likely put out a little that some GUY was singing the lead vocal on several of these cuts. Alison knew that Dan Tyminsky was an extraordinary vocalist YEARS before Dan was chosen to do the singing voiceover for George Clooney in "O Brother Where Art Thou?"

The CD is one of the prominent ones that Alison jokes about in which her lead vocals are predominantly on beautiful but sorrowful ballads like "Deeper Than Crying" and "Find My Way Back to my Heart." These tracks are beautiful and they're NOT "straight bluegrass" for you purists - Ron Block trades in his trusty 5-string for some tasty acoustic guitar work and these are closer to folk or even just "unplugged pop" than to bluegrass. The Dan Tyminski tracks are rollicking rip-roaring bluegrass monsters like "I'll Remember You, Love in my Prayers" and "The Road is a Lover".

This CD is one of the very best by Alison Krauss and Union Station, and that is saying something. If you're a fan of Alison, or maybe you just heard something about "those musicians on the O Brother soundtrack" this is a recording you just have to add to your collection.

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A+: Excellent Songs, Singing, Musicianship May 1 2004
Format:Audio CD
If you like New Grass or folk, spirited American acoustic, banjo and fiddle, you'll like Alison Krauss. If you don't have anything by her yet, So Long So Wrong is the album to get. I've listened extensively to her albums, and I rate this one the best so far. Excellent selection of melodic numbers. She's never sung better. Her musicians are in very top form.

An outstanding set.

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Great bluegrass and folk sound Mar 15 2004
By Ken
Format:Audio CD
Alison Krauss and her Union Station bandmates do a fine job on So Long, So Wrong. Alison's singing and fiddle playing dominate, especially on the ballads "Looking In The Eyes Of Love", "I Can Let Go Now", "Deeper Than Crying", "It Doesn't Matter", "Happiness" and "There Is A Reason". However, Union Station's guitarist, Dan Tyminski, who sings lead on "No Place To Hide", "The Road Is A Lover", and "Blue Trail Of Sorrow", also is a strong singer. Furthermore, Adam Steffey(mandolin), Ron Block(banjo and guitar), and Barry Bales(acoustic bass), the remaining Union Station members, really shine on this one. The instrumental "Little Liza Jane", on which all the band members get into the act, is a driving bluegrass tune. There's no percussion anywhere on the record, but thanks to Barry's thumping bass lines, the songs have a rhythmic, flowing feel to them, which more than makes up for the lack of a drumbeat. There aren't any musical gimmicks here, but there is a great bluegrass and folk sound. So Long, So Wrong is a fine collection of songs from a truly talented group of singers and musicians.
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Most recent customer reviews
Amazing voice
Alison Krauss is my new favortie artist. She voice is so captivating, I want to listen to it over and over.
Published on July 28 2003 by Carol Scheidelman
Wish I could give it a lot more
This CD is fantastic! Both vocals and instrumentals shine. Its probably oversaid but you won't regret buying this one. Believe me.
Published on Jun 7 2003
What exactly was I expecting?
Firstly, I need to say that Im new to bluegrass and its not something we are exposed to in Ireland very often (although it originates from our music). Read more
Published on April 29 2003 by Declan
One of the best CDs I have ever heard!
Argue all you want about genres and "keep faithful to bluegrass" - I don't care about any of that. Diana Krall gets critized all the time for "crossing over". Read more
Published on Feb 17 2003 by Ed E. Morawski
Get it now
I own it. Overall, it's one of my favorite discs (I have a few hundred). I've played the hell out of it. Read more
Published on Feb 5 2003 by UFC3
Excellent Album by Alison Krauss & Union Station!!!!!!!!!!!!
This was the first album I ever heard of thiers and when I heard it I imediately fell in love. I really recommend this alot!!!
Published on Jan 23 2003 by "dave20"
Outstanding stuff!
So Long, So Wrong is a very special CD featuring the best bluegrass vocals to be heard anywhere. The voices of Dan Tyminski (the "Man of Constant Sorrow" singer) and... Read more
Published on Jan 3 2003 by "rednet44"
A REAL Country Album
This is the real thing folks - real singers and real musicians making real music. Blow off Shania and Faith and BUY THIS AND EVERY OTHER Alison Krauss + Union Station CD... Read more
Published on Nov 20 2002 by Kenneth A Smith
Like a haven safe from harm
I made myself a compilation CD of Alison Krauss songs ranging from her first album through New Favorite. Read more
Published on Nov 8 2002 by E. Lambeth
If This CD Cost $1,000, I'd Still Buy It
As I've gotten older, my musical tastes have broadened considerably. I would never even have given this CD a listen when it came out five years ago. Country? No thanks. Read more
Published on Nov 4 2002 by Rick Snyder
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