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The main drama in Bronte's novel happens in a long narrative told by an elderly housekeeper to a convalescing new tenant. This story-within-a-story setup makes it well suited for audio adaptation, as Scales takes the housekeeper's part and relates the past, while West performs as the tenant and describes the present. Scales primarily uses a folksy lower-class accent, but she also makes her voice harsh and threatening when speaking as Heathcliff, the surly man at the novel's heart. West, as the bewildered tenant, manages to sound both nervous and pretentious, but his part is fairly small, especially with this abridgment, so he mostly serves to provide transitions for the housekeeper's story. The extensive abridgment generally deletes sentences and phrases rather than entire paragraphs or sections. One drawback for the audio format is the difficulty of clarifying the novel's convoluted plot and family tree, since it's harder to search back through long CD tracks than through earlier chapters of the paperback. While a little of the depth of Bronte's writing is lost in abridgment, the novel's emotional core remains intact and wrenching, and the actors' heartfelt interpretations make it easy to imagine being curled up by a warm fire listening to an absorbing tale. In June, Penguin Audio remastered and released on CD for the first time nine other Penguin Classics: Crime and Punishment, Dracula, Frankenstein, Great Expectations, Jane Eyre, Moby Dick, Pride and Prejudice, Sense and Sensibility and Tale of Two Cities.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.
Grade 8 Up-British actor Martin Shaw reads this shortened version of the classic Emily Bronte novel. His easily-understood accent is appropriate and helps to set the mood. Shaw reads at a very steady pace, pausing effectively for emphasis or when his character might be thinking. Usually calm and gentle, his voice can resonate with anger or other emotion when necessary. There is some differentiation in pitch to emphasize male vs. female speech, but it is not exaggerated or overdone. The abridgement retains Bronte's words linking speech or narration sometimes from one page to another. It provides students with an easier way to become familiar with the story and get a feel for her style. Teachers could use this presentation to introduce the novel or to entice students to read it on their own.
Claudia Moore, W.T. Woodson High School, Fairfax, VA
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
What can I say about this book that hasn't already been said? It tells a wonderful story, frightening at times because of its intensity. Read morePublished 5 months ago by Daffy Bibliophile
I think it would be too presumptuous on my part to write a rewiew of this classic of English literature, about which several volumes have already been written by scholars. Read morePublished 8 months ago by Giusy Oddo
Voila un gros coup coeur !!!pour cette édition magnifique que j'ajoute a ma collection ...colis recu tres rapidement dans les délais indiqué merci!!!Published 11 months ago by Francoise Pitre
Like most books written before 1940, and especially those written in the 1800's and below, Wuthering Heights is a bit difficult to read, and there are several boring parts. Read morePublished 17 months ago by Sofie
I would firstly like to apologize for my delayed review, I thought I had sent one in prior. It was in great shape when it arrived and met all of my expectations. Read morePublished on Sept. 17 2013 by Tasha Mizrahi