CDN$ 5.75 + CDN$ 3.49 shipping
In Stock. Sold by BARGOONS
+ CDN$ 3.49 shipping
Used: Like New | Details
Condition: Used: Like New
Comment: CDs, DVDs, video games, vinyl, and more! Fast delivery! All items are guaranteed!
Compare Offers on Amazon
Add to Cart
CDN$ 5.75
+ CDN$ 3.49 shipping
Sold by: vidco
Add to Cart
CDN$ 8.02
+ CDN$ 3.49 shipping
Sold by: Round3CA
Have one to sell? Sell on Amazon

XX/XY [Import]

3.8 out of 5 stars 4 customer reviews

Price: CDN$ 5.75
Only 1 left in stock.
Ships from and sold by BARGOONS.
4 new from CDN$ 5.75 10 used from CDN$ 2.77
Unlimited FREE Two-Day Shipping for Six Months When You Try Amazon Student

Frequently Bought Together

  • XX/XY [Import]
  • +
  • In the Cut (Rated) (Bilingual) [Import]
Total price: CDN$ 20.70
Buy the selected items together

What Other Items Do Customers Buy After Viewing This Item?

Product Details

  • Actors: Mark Ruffalo, Kathleen Robertson, Maya Stange, Kel O'Neill, Ben Tolpin
  • Directors: Austin Chick
  • Writers: Austin Chick
  • Producers: Aimee Schoof, Allen Bain, Isen Robbins, Jesse Scolaro, John MacNeil
  • Format: Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Subtitled, Widescreen, NTSC, Import
  • Language: English
  • Subtitles: English, Spanish
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: MGM (Video & DVD)
  • Release Date: July 29 2003
  • Run Time: 91 minutes
  • Average Customer Review: 3.8 out of 5 stars 4 customer reviews
  • ASIN: B00009MEJ6
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description

Product Description


A sharply acted film that manages to be both sexy and thoughtful, XX/XY asks uncomfortable questions about the tricky business of passion. The opening half-hour details an immature college relationship between Mark Ruffalo and Maya Stange; cut to 10 years later, when the two meet again as "grown-ups" and have no idea what to do with their old feelings. Director Austin Chick bravely allows his characters to be messed-up and uncertain, and the actors respond with complex performances: Ruffalo confirms the promise of his You Can Count on Me breakthrough, Stange is a heartbreaking Australian discovery, and Petra Wright shines as Ruffalo's new girlfriend, who has more to her than we first suspect. This film was somewhat lost in the shuffle of 2002's indie releases, but it deserves a look for its clear-eyed embrace of all the gray areas that often get left out of movies. --Robert Horton

Customer Reviews

3.8 out of 5 stars
Share your thoughts with other customers

Top Customer Reviews

Format: DVD
This is an uneven movie about shallow self-centered people. Ruffalo does a repeat of his character in 'You can count on me' except this time he is practically irredeemable. He cheats on his lover and later his live-in girlfriend, and never has the guts to communicate honestly about it with either one. The highlight of the film is Petra Wright who plays Claire (The live-in girlfriend). She is vivid as a beautiful, smart, self-possessed, kind, and gentle woman. And this is where the movie lost me, right at the end. There is no way a woman like this is going to forgive a coward who cheats on her, lies about it repeatedly, and basically has no respect for her. In real life, she would just walk away and find someone much better! I guess the director didn't really have the guts to end this movie realistically, but chose instead to go for the 'happy' ending, wherein the woman forgives the cheating man (again), and the cowardly cheating man gets away with it (again).
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: DVD
I really, really disliked Austin Chick's XX/XY. Though Mark Ruffalo is in it and again proves that he's very talented and capable of exuding this sort of mumbling burnout sensuality, I did not think most of the main characters, with the exception of the live-in girlfriend Claire who was introduced in the second half of the film, were at all well-developed. I thought the plot lacked direction, that the ending was an extreme let-down and that the entire film lacked a point.
I left the theater annoyed, wishing that Ruffalo would find another vehicle for his talents like the wonderful YOU CAN COUNT ON ME.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
By A Customer on Sept. 16 2003
Format: DVD
XX/XY is compelling because it initially makes extraordinary situations seem strangely commonplace as we are drawn into the lives of three confused soulmates. Then, it leaps forward into the future and we watch the trio reunite unexpectedly, with tension, relief, and ultimately grief. Ruffalo is mesmerizing.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
By A Customer on Aug. 27 2003
Format: DVD
This is a fascinating movie about the specifics of relationships, the details that are usually lost in most films. It is a rare treat, well acted, beautifully shot and production designed, artfully directed. It is one of those films that you wish you could see for the first time over and over again,
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse

Most Helpful Customer Reviews on (beta) HASH(0xa333db4c) out of 5 stars 41 reviews
28 of 30 people found the following review helpful
HASH(0xa3374138) out of 5 stars A Ruffalo showpiece Oct. 26 2004
By Nicholas Carroll - Published on
Format: DVD
This film is worth having in one's collection if you happen to like quirky independent films and appreciate acting performances that are worth watching more than once. Make no mistake, this film is Mark Ruffalo's showcase for the brilliant actor that he is. He is absolutely perfect in this film, as a man in a serious relationship that hasn't gotten to the engagement step quite yet, and whose life is thrown for a loop by an accidental encounter with a former flame he knew a decade ago. His facial expressions alone, in attempting to hide his duplicitous nature, marks him as an actor to watch out for. The best scene I've ever seen in any film is the bathroom sequence, when Mark and his girlfriend are brushing their teeth and discussing his friends they had just met for dinner earlier. The playfulness and the visual tricks in that scene really enhanced this film for me. The songs used in the film (though a couple of them are not on the soundtrack) are also an added plus for the film...especially the karaoke scene with "Don't You Want Me" by the Human League. The characters are real to me, the same generation as me, so I feel like they could possibly be people I know. I love seeing how Mark's character gets his comeuppance by his girlfriend, who suspects something going on and calls him on it, even though he tries to deny or hide his interest in his former flame. The acting by the cast is first rate. The reason why I give it four stars instead of five is because I did not like the first part of the film when the characters were in their 20s. I almost gave up on the film, but am glad I stuck with it, because once it focuses on them at 30, the film is flawless to the very end. I expect Mark Ruffalo to become one of the best actors of our generation and I look forward to seeing his other work in the near future.
20 of 21 people found the following review helpful
HASH(0xa3374204) out of 5 stars Redefining Healthy Aug. 14 2004
By M. Bledsoe - Published on
Format: DVD
"There is no honesty in a healthy relationship." Director Chick seems to sum up his film nicely with this poignantly tragic statement. This movie comprises many themes, but the dominant one I see centers around the contradictions that we humans practice daily in our lives, as individuals and as a race. It is not that hard to visualize the life that we want, but to take action requires real courage, and Chick depicts vividly how little courage we do have. The main character is Coles, played beautifully by Ruffalo, who portrays discomfort, guilt, and fear perfectly. In the beginning of his relationship with Sammy they both claim that they want honesty and no games, and they do just the opposite. Ten years later Coles is much the same. He is the romantic waiting for externalities to change his life, to force him into decisions that may or may not be what he wants. He loves two women but lacks the courage to make a stand for either. They make it for him, which is sad, because I think his character is doomed to simply repeat himself. At first I believed that it was the women in this film who were the strong ones, but even Sammy and Claire lack the courage to claim themselves completely. They need someone to rescue or someone to rescue them. Claire catches Coles with Sammy, and she silently walks away, giving him the chance to make a choice, and he of course does not. Sammy makes a different choice all together. Only Thea seems to come full circle after ten years. She knows who she is, and she makes no apologies for it. She grew up, and she doesn't take sides and brings some much needed honesty and insight to her friends. This movie is about the life we want and the life we settle for. It makes you think, and that's a good thing. And if it makes you take action, well then, that's a great thing. There is honesty in a healthy relationship, but we have to define healthy for ourselves. No one can do it for us.
7 of 7 people found the following review helpful
HASH(0xa337463c) out of 5 stars Interesting character study May 14 2003
By Mark Twain - Published on
An intriguing premise and a great cast are the high point of XX/XY. Unfortunately, neither the story nor the cast manages to reach their full potential, and a lot of what could have been is quickly lost. Despite its flaws, however, XX/XY still manages to entertain. It's a light and fluffy attempt at serious drama, bogged down by numerous scenes of our love triangle engaging in a threesome. Overall, it manages to succeed.
Kathleen Robertson gives her usual performance (playing a similar character she portrayed in another film about a threesome, Greg Arakki's far superior SPLENDOR) but she's pretty darn good. There is definitely something about her that manages to brighten up a scene. She has such charisma and a charming personality, but unfortunately, her character is lost underneath the drama of the other two in love. I would have loved to have seen more done with her character.
Mark Ruffallo is Coles, a former director with only one film to his credit, who is now a commercial artist. Maya Stange is Sam, the woman in the threesome he ultimately falls for. The three form an inseparable social group, doomed perhaps by their omnipresent sexual tension. Of course, things don't go as planned and their relationship quickly spirals out of control until its destruction.
But 10 years later, with Coles now engaged, a chance encounter with Sam ignites old feelings and changes everything.
XX/XY is that rare film where we grow to genuinely care about the characters. Their romantic troubles are portrayed with a refreshing, open honesty missing from most Hollywood films. The incisive acting of Ruffalo, Robertson and Stange convincingly makes the point that these still-young males and females are just as stunted and confused as the rest of us.
XX/XY starts in the comfortingly familiar territory of out of control college kids, but writer/director Austin Chick has the confidence to push on and navigate the uncharted waters of reaching middle age. It all works well, aside from the fact that ten years later, these characters still look the same, maybe even better! However, the film itself is a great diversion from all the horrible films Hollywood throws our way, but definitely not for all tastes. This is a true independent film--dark, dreary, and slow, but fascinating and intriguing at the same time. There are better films out there, but hell, there have been a lot worse.
5 of 6 people found the following review helpful
HASH(0xa33745b8) out of 5 stars Fans of Petra Wright Will Enjoy It Dec 11 2005
By Only-A-Child - Published on
Format: DVD Verified Purchase
The first half of "XX/XY" is a labeled as a flashback to 1993, the second half is labeled a flash-forward a few years to the present. The transition between the two time periods is immediately proceeded by a confusingly contrived match cut from bedroom to subway. The subway scene is brief and unnecessary, a less than zero addition that must have looked like a good idea on paper. Unfortunately, once they staged it they felt compelled to use it.

Although "XX/XY" is told as a linear story, during post-production they realized that it was too choppy and confusing for straight viewing and elected to label the scene transitions with a lot of on-screen titles. Although viewers will thank them for this last-minute fix, it is like making an explicit admission of writer/director Austin Chick's limitations and/or pre-production laziness. The final cut gives the impression that it wasn't until the actual assembly of this film that Chick gave any thought to the sequence for many of the scenes.

The bleak colors, inadequate lighting, and bland production design are depressingly consistent with the tone of the story. Don't expect to find anything uplifting except the Taco ads and the advertising agency parody.

Those expecting a script on the intelligence level of "Closer" (a similar premise) will be disappointed despite decent performances from the entire cast. I initially watched from the perspective of a Kathleen Robertson fan and was disappointed with her quite ancillary position in the story relative to Mark Ruffalo and Maya Strange. Although promoted as the story of a "carefree threesome", Robertson's Thea is just a third wheel in the Coles (Ruffalo)-Sam (Stange) relationship. Chick briefly gives Robertson something to do as she breaks Sid (Kel O'Neill), a shy puppy dog boy who she teasingly sleeps with once. But he goes nowhere with this, apparently it is just there to insure viewers dislike all members of the threesome, not just the principal two.

If you can manage to tough it out for a while, things get much better in the second half. The "Gatsby" ending is actually very good. Mostly this is because each member of the threesome has paired up in monogamist relationships with very likable people. By this point Coles has become the principal character as Chick begins to explore the mysteries of male discontent. The Coles' characterization is hard to buy into, there is just too much inconsistency as Chick tries to make him both a wimp and a "stick it to the man" rebel (I assume that this inconsistency is supposed to be the whole point for the movie). Although Ruffalo can adequately play either character he cannot perform the impossible and weave these disparate traits into a believable person.

The second half shows Coles involved in a long-term relationship with Claire (Petra Wright). Once her character is introduced, Wright proceeds to steal the remainder of the film, not just because she is the film's first well-adjusted character (and arguably most talented performer), but because her part is written so much better than the others. Claire's scene on the pier is the film's best moment and the one thing here that you will want to go back and view multiple times.

Then again, what do I know? I'm only a child.
1 of 1 people found the following review helpful
HASH(0xa33749b4) out of 5 stars XX/XY - Better Than Advertised Sept. 27 2008
By Mark - Published on
Format: DVD
XX/XY is really two movies in one. Though the characters are the same, they are at very different points in their lives. Perhaps this dual portrayal is part of the reason why this movie has gotten bashed when I think it should have been praised. The character acting and expert portrayals by a wonderful ensemble cast really cover over a story that has perhaps a few weaknesses in the plot and writing.

This is one of those character study movies where the most important lines are left unspoken. That is probably the second biggest reason for the wide disappointment with this movie. Still, this is one movie where peeling beneath the surface yields a lot of great finds.

The Story and the Script

Mark Ruffalo's character is your run of the mill non-committal guy. Here they make his non-committal nature out to be a sin greater than infidelity or domestic violence. While the writer's value judgments are a stretch, Ruffalo's performance as Coles really carries this movie. Is it fun to watch his wishy washy portrayal for everybody? Probably not. But those who love acting and love getting inside the mind of actors will really enjoy seeing the incredible portrayal he has here that has completely flown under the radar.

The first half of the movie is your typical young jerk and needy girls type of relationship fare. There are several scenes and sequences that are clearly left out of place, most likely by supporting sequences that have since been edited out or were never filmed. Still, there is a lot of foundation here. We see his relationship with the girl he chooses, Sam played by Maya Stange, and Thea, the one he keeps as a friend. Thea's character is also somewhat underdeveloped here.

When things end, they end badly. Granted that ending scene is done in a way to seem pointless or at least confusing. Yet they get their point across with it.

The second half of the movie is really what shines. We see his emotional neediness emerge as the women from his past return to his life. He tries to maintain *friendships* with them but the obvious friction creates the drama of the movie. The girlfriend he has been dating but not yet married is artfully portrayed by Petra Wright. While her total lines are few, she makes up for it by subtly building up her mood and a great fiery monologue.

Mark Ruffalo is very impressive. All the characters seem to have been written in a way that required understated portrayals. Perhaps that is why some will feel this moves *slowly*.

The four way (or in this case 5 way) relationship dynamics are bound to be compared to Closer, but they are really completely different movies. There is none of the extreme drama and exaggerated time elapsed emotion of Closer. Here we get to see these characters at two points in time, partly different and partly still the same.

Once again, there are several scenes that seem to have been included for self indulgence (Such as the one with the passerby who recognizes him and berates him for his work). And there were a few story elements that are also silly (I don't want to give a spoiler, but at the end of the movie look who's closing the door as Ruffalo goes back in the apartment.

Yet the resolution of the movie, while contrived, is made powerful by the strength of the actors really showing you the baseness of their characters.


While I can't rate this film much higher than 3 or 4, I highly recommend it to actors and lovers of independent film. If you can look past the slow moving parts, like me you will find yourself returning to this one to study the intricacies of the portrayal. Perhaps not the greatest choice for the general movie watcher, but students of acting can learn a lot from this one. Definitely check it out.