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Yankee Hotel Foxtrot [ENHANCED] Enhanced
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Special Edition of the Critically Acclaimed 2002 Album from Jeff Tweedy and Company with a Special Bonus Disc with Six Exclusive Tracks from the Documentary Film 'i Am Trying to Break Your Heart'.
Named in honour of the three-word codes used by short-wave radio operators, Wilco's fourth album Yankee Hotel Foxtrot sounds like a late-night broadcast of some weirdly wonderful pop station punctuated by static and the sonic bleed of competing signals. Songs that begin with simple, elegiac grace--"Ashes of American Flags" and "Poor Places"--end in a cathartic squall of distortion. The results can be initially jarring, but it's these tracks more than the sturdy jangle pop of "Kamera" or "Heavy Metal Drummer" that demand, and reward, repeated listens.
Mixed by studio experimentalist Jim O'Rourke and produced by the band, Yankee Hotel Foxtrot harkens back to a time when the words "pop" and "sonic adventurism" weren't mutually exclusive. The Beatles and Kurt Cobain knew this, and clearly so do Jeff Tweedy and company. --Keith Moerer
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Top Customer Reviews
I do still -specially for those people reading this after listening to YFH's follow-up the also impressive "A Ghost Is Born- need to point to a couple of important things that this album show about Wilco's consistently surprising output.
This album clearly demonstrates that Jeff Tweedy's musical vision and commitment to shed songwriting skins is remarkable and an inspiration, specially in the current midst of so many Rock and Pop icons continuing to repeat themselves, who at best flavor their "butter" differently but go on churning the same formula, forgetting to take the kind of risks that made them important in the first place.
Now, unlike many people have mourned earlier, I don't think this album is an absolute departure from what Wilco has been hailed for before. Although this is not "Summerteeth" or "Being There," Tweedy's love for Pop has not been renounced, "Kamera," "Heavy Metal Drummer" and "Pot Kettle Black" proved that.
More than abandoning former song-glories, Tweedy has evolved, has taken all that he can do and pushed it further into a new atmosphere. Where Jay Bennet was so instrumental in what the albums that preceded this one sounded like, Jim O'Rourke is now Tweedy's full musical partner.
And O'Rourke is no Yoko breaking a great band -actually Yoko did not either!- but rather someone who helped Tweedy say well what he was already prepared to say. His production deepens and thrusts these songs to a higher level.Read more ›
Most of the songs on the album are really mellow. It seems pretty laid back, although some songs transform from subtle acoustic tunes to pure white noise, which isnt a bad thing. If you're used to standard verse-chorus-verse song styles and nothing out of the ordinary, you might not enjoy this album. It's definitely something different, which is fine with anyone who has listened to experimental music before. As I said before, the great part about this album is that although it is experimental, the songs are still good quality and you can enjoy them over and over.
Most recent customer reviews
This MUCH-hyped disc is in fact very good, and interesting sound-wise, but hardly the "classic" it is portrayed to be ... even here on Amazon.ca. Read morePublished on July 21 2007 by B. Keith
Ladies and Gentlemen, we have in our presence an album that breaks ground much the same way Pink Floyd's "Dark Side of The Moon" did. Read morePublished on July 2 2004 by Kristofer Basile
I'm not at all a fan of whatever genre Wilco were before this album. I've never heard any Uncle Tupelo, and I don't own any other Wilco alubms. Read morePublished on July 1 2004 by dudesimon
This album is possibly the best rock album since The Talking Heads masterpiece "remain in light". Jeff tweedy's song writing is not to be believed. Read morePublished on June 22 2004
AM - Wilco tries to be the Stones. They're not the stones, they're not Gram Parsons, but so what I've heard all the stones songs and all the Gram Parsons songs a million times. Read morePublished on June 21 2004
Everyone knows the drama behind this record. Their label refused it because they did not hear a "hit single" on it. Read morePublished on June 19 2004 by John J. Stewart
The music press has me convinced: I should like Wilco. Their roots go back further than any of their contemporaries, and they have a complex and deep history of their own. Read morePublished on June 19 2004 by .