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Yes Is More: An Archicomic on Architectural Evolution [Paperback]

Bjarke Ingels
3.7 out of 5 stars  See all reviews (3 customer reviews)
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Book Description

Nov 5 2009

 

YES IS MORE is the first monograph of its kind devoted exclusively to the trailblazing practice of BIG, a Copenhagenbased group of architects, designers and thinkers operating within the fields of architecture, urbanism, research and development.
 
Unlike a classic architectural monograph, this book is more of a manifesto of popular culture, in which BIG’s methods, means, processes and approach to the concept of architecture are revealed as being as unconventional, unexpected and result-producing as the world in which it exists, continually reaffirming its mission with a resounding “YES.”
 
In YES IS MORE BIG shows how its members respond to the polymorphous demands, complex rules and highly specialized knowledge of society, creating tangible solutions through artistic processes: solutions that time and again attract the interest of the population at large while earning the respect of aficionados across the globe.
 
 
YES IS MORE speaks the language of popular culture, allowing the sublime to shine through in the commonplace. It enables readers to gain insights into Big’s processes, methods and results through the most approachable and populist means of communication – the cartoon.
 
BIG has repeatedly attracted public attention and triggered political debate with projects such as a three-kilometerlong wall of social housing wrapped around a park of soccer fields in Copenhagen, the proposal to consolidate all of Denmark’s harbor activities in a star-shaped superharbor along the bridge between Denmark and Germany and recently by proposing to move Denmark’s national symbol, the Little Mermaid, to China for six months as part of the Danish Pavilion for the Shanghai World Expo in 2010 – and getting to do just that!

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Review

"Yes is more is a popular and easily accessible manifesto for architecture as one of the most relevant aggregates of the 21st century in which we may epitomise and answer many of the global agenda-setting questions. In the exhibition and in the book, B.I.G. shows how they conceptualise the polymorphous demands, complex rules and highly specialised knowledge of society, creating tangible solutions through artistic processes; solutions which time and again attract the interest of the population at large as well as the respect of global aficionados. Yes is more is a communication created in this very spirit - combing elite and popular elements - allowing the sublime to shone through in the commonplace. Thus audiences are invited into B.I.G.'s processes, methods and results using the most approachable and populist means of communication available - the cartoon. -Kent Martinussen, Architect, CEO, Danish Architecture Centre"

About the Author

Bjarke Ingels is a “yes man.” He rises to the challenge of just about any demand, be it reasonable or otherwise, with an unqualified “Yes.” This fuels his ambition to absorb all the political interests surrounding a project and to turn them into backbending forms that disarm the opposition.


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4 of 5 people found the following review helpful
5.0 out of 5 stars Yes Yes and More Yeses Nov 25 2009
By Joe
Format:Paperback
To be honest, judging by the cover, I was a little worried that the book will just be one of Koolhaaslike pop cultural diarrhea or a coffee table inspiration that's only supposed to be read sideways. Pleasant surprisingly, the book turned out to be a strong manifesto of solving the dilemma between urban economics and ecological development problems through architectural interventions.

A manifesto may be an overstatement since the book never pounds on the cover tag-line "Yes is More", it's rather a composition of visual essays that's consistently informative, funny, poetic at times, and most importantly logical. Ranging from diagrams to face pic of the contractor, the so-called archicomic is only a medium that transcends the content from dimensions of space, time and state. It's this inherent subtle intimacy and degree of detailing that set it apart from other architectural portfolio compilations, and really inspire architects to approach problems differently through the visor of pragmatic Utopian.

p.s. Bjarke Ingels' TED talk closely assembles the first three chapters from the book, so go watch it if you are not sure if this book is for you. Nevertheless, it is nice to see that the ambition in his speech was not subsided through the transfer of medium.
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5.0 out of 5 stars A great, easy read. May 15 2012
Format:Paperback|Amazon Verified Purchase
First things first, "yes is more" is a great book, one that should be put in everyone's hand; At least to give a perspective of what modern architecture aspire to be today. Real aspiration or opportunistic promotion, you'll be the judge but the ideas presented in this book deserves to be there and should be, in my opinion, in every architect's mouth...

Second hand, this book is a great essay on how to present and sell your ideas. Using an extensive range of schemes and perspectives the ideas flow in a logical way leading from the first reflection to what seems the obvious answer.

Finally I would say that the ideas in this books are not fresh and may need to be further explored but it's an increadbly entertaining introduction.

Totally worth it.
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2 of 3 people found the following review helpful
1.0 out of 5 stars This ... Is a Bore! Aug 19 2012
By Pierre Gauthier TOP 500 REVIEWER
Format:Paperback|Amazon Verified Purchase
Contrary to what its subtitle may imply, this work is not about architectural evolution in general. Rather, its purpose is to present a monograph of a specific Danish firm. With much originality, this is done in comic strip form.

The firm is called BIG which stands for Bjarke Ingels Group. It is named after its main partner and, some might add, the size of his ego. The book begins with a series of two-page spreads with quotations from Mies Van der Rohe, Robert Venturi, Philip Johnson, Rem Koolhaas, Barack Obama and ... Bjarke Ingels. Though this is perhaps a form of Danish humour, the necessity of Mr. Ingels' photograph appearing at least once on almost every single page that follows is more than questionable.

There is no doubt as to the firm's creativity. The fact that a very, very small percentage of its production has lead to actual buildings should however signal that it is perhaps poorly connected with reality.

It is clear that much labour and creativity have been required to produce this book. Sadly, that is not sufficient to make it worthwhile for the general public.
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