A wedding and a grandmother's illness reveal fault lines in the lives of one Taipei family in Edward Yang's extraordinary film. Yi Yi
is built from deceptively simple elements that together create a complex, warm, and utterly convincing portrait of family life. NJ Jian is a businessman facing bankruptcy, but he has to juggle his financial problems with family strife when his mother-in-law falls into a coma. NJ's wife, Min-Min, brings her mother home, and each family member--including daughter Ting-Ting and her delightful little brother Yang-Yang--spends hours talking to the old lady. These conversations become confessionals and the characters gradually re-evaluate their relationships. There are no catastrophic conflicts, only the ordinary, sometimes troubled, unfolding of lives. Yang enhances the film's sense of reality by frequently holding the camera back from the action. The use of long shots and unexpected angles makes it seem like the audience is eavesdropping, catching glimpses of lives passing by. Yi Yi
is almost three hours long, but it flies by. Yang is both a consummate, restrained technician and a subtle director of actors. The combination is a magical one. --Simon Leake
Edward Yang's award-winning masterpiece follows the lives of NJ Nian, his wife, Min-Min and their 2 children who share their Taipei apartment with Min-Min's elderly mother. Now in his mid-40's NJ is a partner in a computer hardware firm which made big profits last year but which will soon go bankrupt if it doesn't change direction. Things start to go wrong for the Jians on the day that Min-Min's brother A-Di gets married. That's the day when Min-Min's mother suffers a stoke and is rushed to the hospital in a coma. It's also the day when NH bumps into his childhood sweetheart (married to an American) who he hasn't seen for 20 years. In the following weeks the family will have to reevaluate who they are and what their lives have become.