You Can't Go Home Again and over one million other books are available for Amazon Kindle. Learn more
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

You Can't Go Home Again Paperback – Jan 1 1998


See all 28 formats and editions Hide other formats and editions
Amazon Price New from Used from
Kindle Edition
"Please retry"
Paperback, Jan 1 1998
CDN$ 39.96 CDN$ 0.11
Audio Cassette
"Please retry"
Unknown Binding
"Please retry"

Join Amazon Student in Canada



Customers Who Viewed This Item Also Viewed

NO_CONTENT_IN_FEATURE

Product Details

  • Paperback
  • Publisher: Harper Perennial Modern Classics (1998)
  • Language: English
  • ISBN-10: 0060930055
  • ISBN-13: 978-0060930059
  • Product Dimensions: 4.2 x 13.1 x 21.3 cm
  • Shipping Weight: 522 g
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Bestsellers Rank: #550,660 in Books (See Top 100 in Books)


Inside This Book (Learn More)
First Sentence
It was the hour of twilight on a soft spring day toward the end of April in the year of Our Lord 1929, and George Webber leaned his elbows on the sill of his back window and looked out at what he could see of New York. Read the first page
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Search inside this book:

What Other Items Do Customers Buy After Viewing This Item?

Customer Reviews

3.4 out of 5 stars
Share your thoughts with other customers

Most helpful customer reviews

1 of 1 people found the following review helpful By Jon Linden on Sept. 27 2003
Format: Hardcover
Thomas Wolfe's book "You Can't Go Home Again" is undeniably an immortal American classic. What is truly impressive and unique about Wolfe's writing is not only the intuitive incisiveness with which he articulates human thought and emotion; but just as astonishing, is his ability to articulate these things with utter and precise clarity.
There is not one sentence in his book that does not make total sense upon first reading. If it seems not to, it is only because the reader has skipped a line. With a vocabulary that is vast, but which he uses with unique precision, Wolfe tells the story of George Webber, a writer, who is in essence, Thomas Wolfe, the writer. Wolfe ultimately sees himself as an artist that is an observer of human thought and action. But in addition, one that has an obligation to do what one can, to stamp out ugliness, violence, injustice, inhumanity, and so many other wrongs that rear their heads in society from time to time.
Yet, even with this extraordinary brilliance, clarity, and understanding of the human condition, like all great writers and great artists, he leaves the reader with a question. If clearly, it is his understanding of his personal duty, his personal philosophy to work to do what one can do, to end injustice, then why, is he, personally, always running away? As the book is a picture of one always on the move, always observing people, always changing venue, but wisely with great proficiency and efficacy, storing these experiences away as he seeks his understanding of the human condition; he is constantly yet on the move. And so, how does one work to stamp out injustice, if one is always running from the place he is at, and believes "He can't go home again?" This then becomes the challenge to the reader as well.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
Format: Paperback
There's little doubt that Thomas Wolfe was a good writer, but he wasn't a good storyteller, a fact made abundantly clear through the long, winding, often pointless tangents he embarks upon in You Can't Go Home Again. There are times when Wolfe covers years in a couple of pages and others where he spends six chapters describing one evening in New York, which gives the whole story the jarring motion of riding in a car with someone who's never driven before. Some of the tangents, like detailing the lives of Esther Jack's servants or describing the mythical C. Green who jumps off a building, have little meaning to the story and could have been left out entirely without damaging the piece.
This is what I mean by Wolfe is a good writer, but not a good storyteller. There's no technical fault with his writing, but it lacks the focus, the cohesion of a good story; it attempts to tackle everything instead of focusing on one or two key issues. I suppose part of this problem was that by the time the book was published, Wolfe was dead from TB--the book was assembled by his editor from tons of notebooks--and the editor did the best he could to create a unifying thread by trying to make it about George Webber's journey to enlightenment. Although the problem is that the story ends up being a gigantic "come to realize story" because it isn't clear what, if anything, Webber is going to do now that he's unlocked the secrets of the universe.
The learning and changing occurs within Wolfe's own mind, spewed out in the last 5 chapters as a letter to his former editor. As I said, though, what action he plans to take is unclear.
There were parts of this book that were interesting, flashes of brilliance.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
Format: Paperback
'You can't go home again' is a mammoth sized book covering the span of the depths of the Depression, from the Stock Market crash to the dawn of Nazi Germany. In each case, Wolfe presents as historical moment as irreversable, as a moment in time when as Bob Dylan says, "Our footsteps hang suspended."
Beginning with the success as a budding writer, Wolfe tells his story through the eyes of George Webber, as he returns to his home ground, is rejected, and is cut loose to wander through New York, Paris and Germany - in each case closing the door on an era, and reliving the home town experience that he 'can't go home again.'
One falls in love with Wolfe's use of detail as he takes you on this whirlwind tour of impressions and feelings about the Depression, what it meant to the people who lived it, to him and to society at large. A true gem of historical vengette's it reflects the world on brink of globalization that was the story of the later 20th century.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
Format: Paperback
"You Can't Go Home, Again" is really not so much a work of fiction as an autobiography in which the names of characters have been changed. Wolfe seemed unapologetic about the baldly autobiographical nature of his work. However, some may perceive his autobiography as evidence of a certain lack of creative reach and an aversion to creative risk-taking on his part. Wolfe's life was so deeply and richly lived in a relatively short period and so lyrically written that his autobiography reads as vibrantly as fiction. There are moments when Wolfe is brilliant and dazzling in describing moments of almost biblical epiphany. I suppose it's a good thing for Wolfe that he dove so deeply into his own life as it was tragically brief but intensely experienced and elegantly articulated: he managed to cram a great deal into his short lifespan. Wolfe reads quite a bit like Proust and in this novel the sentences in some places are nearly as long as the syntax of Proust. Wolfe could well be considered the Proust of the American South. Writers will especially value this work and it pays to read to the end as Wolfe's last novel is particularly revealing in its power and optimism and lyricism at its close: "What befalls man is a tragic lot. There is no denying this in the final end. But we must deny it all along the way. Mankind was fashioned for eternity." In the end Wolfe finds a comfortable home upon a promontory point in America's literary landscape. To understand the life of the writer in America at the outset of the 20th century during a Golden Age for the novel I recommend this worthy and enduring gem of that era.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.

Product Images from Customers

Most recent customer reviews

Search


Feedback