A new Joanna Newsom album - yes! Well actually, Ys. Pronounced ''ees.'' It's the title of an almost unspeakably incredible new Joanna Newsom album. Five songs, fifty-five minutes, one what-an-album! Ys is to Ms. Newsom a dream collaboration between her voice and harp and a full orchestra - a sound many of us fans have thought we were hearing when listening with closed eyes at her concert performances. Songs familiar to Joanna's following are a big part of Ys, having been performed in concert over the past year - but not with the arrangements you'll find on four of the five songs here. The wide-screen beauty of Ys is due to, among other things, a scrupulously all-analog production involving forty-odd tracks spread over two synched-up 24-track tape machines, mixed to tape and mastered at Abbey Road, home of the all-analog mastering path!
Joanna Newsom's voice--a piercing flutter that's pitched somewhere between Björk and a hand brake--is an acquired taste. But to the uninitiated, it's not nearly as impenetrable as her cosmic poetry or, for that matter, baroque music. The 24-year-old Californian harpist's second album is a five-track concept piece loosely based on its namesake, the mythological drowned city of the Bretons. We say "loosely" because she leaves plenty of room for digressions on meteoroids and birds flying into windows. While Ys
was recorded by minimalist Steve Albini (Nirvana, PJ Harvey), it includes lush string arrangements by Van Dyke Parks (Brian Wilson) and the final mix was done by sonic experimentalist Jim O'Rourke (Sonic Youth, Tortoise). The result is an album that sounds unlike anything else. And despite containing spectacularly beguiling songs that stretch out past 15 minutes, every second seems to drip with magic. You certainly don't get that with Ashlee Simpson. --Aidin Vaziri