Believe it or not, some readers find Zodiac
even more fun than Neal Stephenson's defining 1990s cyberpunk novel, Snow Crash
is set in Boston, and hero Sangamon Taylor (S. T.) ironically describes his hilarious exploits in the first person. S. T. is a modern superhero, a self-proclaimed Toxic Spiderman. With stealth, spunk, and the backing of GEE (a non-profit environmental group) as his weapons, S. T. chases down the bad guys with James Bond-like Zen.
Cruising Boston Harbor with lab tests and scuba gear, S. T. rides in with the ecosystem cavalry on his 40-horsepower Zodiac raft. His job of tracking down poisonous runoff and embarrassing the powerful corporations who caused them becomes more sticky than usual; run-ins with a gang of satanic rock fans, a deranged geneticist, and a mysterious PCB contamination that may or may not be man-made--plus a falling-out with his competent ("I adore stress") girlfriend--all complicate his mission.
Stephenson/S. T.'s irreverent, facetious, esprit-filled voice make this near-future tale a joy to read.
--This text refers to an alternate
From Publishers Weekly
Stephenson's (The Big U) improbable hero is Sangamon Taylor, a high-tech jack-of-all-trades who inhales nitrous oxide for kicks and scouts environmental hazards for GEE, the Group of Environmental Extremists. Taylor particularly wants to nab the polluters of Boston Harbor, whose toxic sludge he monitors by zipping from illegal pipeline to illegal pipeline in his inflatable Zodiac raft. His work is slow-going and boring until the concentration of deadly PCBs rises inexplicably and then mysteriously drops to nothing. And then the "eco-thriller" begins: the bad guys are everywhere as Taylor ferrets out the connections between his bizarre landlord, a nerdy friend from college who's at work on a top-secret genetic-engineering project for a high-tech company, an industrialist-turned-Presidential-candidate and the crazed fans of Poyzen Boyzen, a heavy-metal band. In creating this all-too-conceivable story of industry and science running amok, Stephenson puts his technological knowledge elegantly to use, but never lets gadgets and gizmos take over the story. The characters are entertaining, if broadly drawn, and the rip-roaring conclusion will make a dandy denouement in the movie rendition. Film rights to Warner Brothers.
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.