Amazon.ca
Fiction is overrun with dysfunctional families, most far more twisted than those portrayed in Ruth Ozeki's
All Over Creation. But Ozeki's second novel consistently compels, because her sharply drawn characters feel absolutely three-dimensional. They suck us in early, and their woes ring true. The three clans at once enabling and torturing each other in
All Over Creation--the central Fuller family, the neighbouring Quinns, and the rag-tag activist found-family known as the "Seeds"--lift a basic morality play about forgiveness to a higher level. But what really gives
All Over Creation its steam and sends it off in unexpected directions is the supporting story of modern mankind's crucial but tenuous connection to nature, set in this case on a potato farm in sleepy Idaho.
Lloyd Fuller and his war-bride wife Momoko struggle to make their massive farm thrive. Teenage daughter Yumi, on the other hand, has no trouble blooming. She's a wild child, but a series of bad decisions lead to a protracted estrangement from her puritanical father. When, years later, the adult Yumi reluctantly returns to the farm with her three children to care for her ailing parents, she must confront the wreckage she left behind (and the wreckage she's made of her own life), while forging an uneasy peace with childhood friend Cass Quinn. Before long, the Fullers and the Quinns must also confront the radical environmentalist Seeds, who are convinced that dying Lloyd and delusional Momoko hold the key to propagating plant life on earth--and sidetracking the schemes of evil corporations--through smart farming. And they may be right. The abundant children on hand reinforce this theme of proper husbandry; they are, like nature, both a tremendous gift and a daunting responsibility. And while not every character--Yumi in particular--is likable, Ozeki, whose first novel was the funny and polemical My Year of Meats, provokes empathy through plain old humanity. Indeed, Ozeki's ability to make us care deeply about the fate of these strangers is the book's most abiding grace. The story's conclusion takes some convenient outs, but the ride to the end is touching and terrific, thanks to Ozeki's spare but elegant prose and, especially, her kaleidoscopic cast. --Kim Hughes
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Publishers Weekly
"Every seed has a story," says Geek, an environmental activist in Ruth Ozeki's new novel (after My Year of Meats), which is all about seeds-real and metaphorical ones. The Seeds of Resistance is a small anti-biotech group targeting Nu-Life potato, a laboratory-designed tuber produced by agribusiness company Cyanco. Heading for the heart of potato country, the ragged activists end up in Liberty Falls, Idaho, encamped at the home of Lloyd and Momoko Fuller, elderly purveyors of natural seeds. Though they're hardly radicals, the Fullers are also opposed to genetic modification of plants. Against the odds, the hippie Seeds and the conservative Fullers become friends. It is the other adult in the Fuller household, their only daughter, Yumi, who is suspicious of the Seeds. Yumi is an ex-hippie living in Hawaii, but she's returned home to care for her parents (her father is recovering from his last heart attack; her mother has Alzheimer's). Emotionally, Yumi is rather a mess. She has a bit of a problem with alcohol, and is unable to resist inappropriate guys, having three kids with as many men (Phoenix, 14; Ocean, 6; and baby Poo). A classic "bad seed," Yumi ran away from home at 14, after having an affair with her history teacher, Elliot Rhodes; back in Liberty Falls, she runs into Elliot and is again attracted. He is working for Cyanco's PR firm, spying on the Seeds. When the Seeds hold a Fourth of July potato protest on the Fullers' property, Elliot arranges for them to be arrested, with dire consequences for Lloyd. Apart from some awkward dialogue (the Seeds invariably intersperse their sentences with "dude"), this quirky novel is bewitching. Yumi's bumpy relationship with Lloyd and Lloyd's unexpected fondness for the Seeds are especially well rendered. Ozeki's story splices a bit of Edward Abbey into an Anne Tyler plot. The fruits of this mix are definitely worth tasting.
Copyright 2003 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
