From Amazon.com
Fifteen is a year of clarity; you're still one of the kids, but you're finally beginning to unlock the mysteries of adult behavior. In her luminous novel
Child of My Heart, Alice McDermott's narrator is a 15-year-old girl who has two qualities that give her access to the secret lives of adults: she's beautiful, and she looks after their children. Her beauty has already shaped her life. Her parents have moved the family to the east end of Long Island in hopes of finding her a wealthy husband, or at least a fancy crowd to run with. Here she babysits the children of the rich, whose fathers demonstrate their relative decency by making passes at her, or not. The novel spans a dreamy summer as our heroine spends her days with her various charges at the beach, happily leading her crew on home-grown, rather sweet adventures. Among the kids she looks after is a toddler whose father is a famous, aging artist. The narrator's preternatural acuity is apparent in this exchange with a new client: "Mrs. Richardson learned by direct inquiry that I lived in that sweet cottage with the dahlias (interested) and went to the academy (more interested) and babysat for this child of the famous artist (most interested) down the road."
Child of My Heart is a pretty straightforward coming-of-age novel, but it's marked throughout by this beautifully honed, wry, knowing tone. McDermott's narrator reminds us that our lost innocence might not have been so innocent after all.
--Claire Dederer
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
There is something almost too good to be true about Theresa, the introspective and unusually perceptive narrator who recalls the summer of her 15th year in this engaging, taut novel by McDermott (Charming Billy). Theresa's Irish-American "well-read but undereducated" parents have little money but plenty of foresight; when they see that their only daughter will be beautiful, they move to East Hampton, Long Island, summer playground of New York City's richest, in the hopes that Theresa's beauty will eventually win her a wealthy husband. Because she has a way with children and animals, her parents have long encouraged her to baby-sit and pet-sit as a way to meet and impress the right people. This particular summer, her favorite cousin, eight-year-old Daisy, tags along as Theresa cares for dogs, cats, neighbor kids and a toddler named Flora, the only child of a 70-year-old womanizing artist and his fourth trophy wife. Entirely self-involved, the artist does manage to look away from his canvas and mistress long enough to notice Theresa, who finds his attentions exciting. Early on, Theresa discovers a tragic secret of Daisy's that she decides to keep to herself, which gives the summer and the book a wistful, melancholy air. As the girls corral their charges, Theresa offers half-innocent, half-ironic comments on the vanities and topsy-turvy family lives of her employers. This is another charmer from McDermott; it's evocative, gently funny and resonant with a sense of impending loss, as all stories of youthful summers must be. There's a whisper of maudlin sentimentality throughout, but Theresa is so likable, and her observations so acute, that one easily forgives it.
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
