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Afterwards
 
 

Afterwards (Paperback)

by Rachel Seiffert (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)
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Product Description

From Publishers Weekly

Britain's ongoing involvement in Northern Ireland threatens the budding romance between Londoners Alice, a physical therapist, and Joseph, a decorator and house painter, in Seiffert's psychologically acute, relentlessly grim second novel (following the Booker shortlisted The Dark Room). Almost a decade has passed since Joseph, then a soldier, killed a suspected IRA terrorist at a military checkpoint. The incident haunts him, sometimes makes him violent and prevents him from forming serious attachments. Alice resents that Joseph is essentially shutting her out of his life. Her frustration is compounded by the birth father who's rejected her, and by the recent death of her maternal grandmother. Alice tenuously cares for her grandfather, David, whose emotional remoteness may be linked to his stint with the RAF in 1950s Kenya. When Joseph good-naturedly offers to do some free decorating at David's house, an easy rapport develops between the two reticent men, until things go wrong. Although the characters' politics are simplistic, Seiffert masterfully chronicles the trajectory, and the causes, of Alice and Joseph's damaged relationship. Her beautifully understated, pointed exploration of the emotional toll of guerrilla war shines with clarity and vision. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.


From Booklist

*Starred Review* The hidden consequences of bloodshed have been London-based Seiffert's focus since her prizewinning debut, The Dark Room (2001). In her third exquisitely choreographed book, this fluently psychological writer portrays a sensitive nurse contending with two men of different generations deeply scarred by their military service. The daughter of a single mother who has never met her father, Alice is grieving for her recently deceased grandmother when she meets Joseph, a plasterer. Much as she enjoys his company, she is leery of his fierce privacy, which echoes her grandfather's frustrating silence about his time in Kenya during the Mau Mau uprising. Seiffert, adept at conveying the significance of the simplest of daily routines, writes with equal conviction from both Alice's and Joseph's points of view, so the reader is privy to Joseph's suffering over a killing in Northern Ireland and Alice's grandfather's haunting confessions to the younger man. Each scene of tenderness, conflict, or surrender is a marvel of narrative delicacy as each character slowly traverses a minefield of emotions, seeking understanding of his and her own pain as well as the anguish of others. Seiffert has written an unusually beautiful, restrained, and trenchant novel of the invisible yet lasting traumas of war. Seaman, Donna --This text refers to the Hardcover edition.

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3.0 out of 5 stars A Story that lacks a Defining Moment!, Nov 20 2008
By Ian Gordon Malcomson (Smithers, Canada) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
This review is from: Afterwards: A Novel (Hardcover)
While this novel about the post-traumatic effects of war on the lives of two different generations was a fairly easy-to-follow plot, it did lack some intensity when it came to defining the roles of the individual characters. Alice, the young woman in the story, has both a maternal grandfather, Dave, who silently lives with the troubling memories of his service with the African Rifles in Kenya during the Mau Mau rebellion and a boyfriend, Joseph, who has seen active duty with the British Army in Ulster. Both men come together in the story in a way that causes both to respond to their uniquely harrowing pasts. David finds in Joseph, a part-time plasterer and Alice's beau, somebody he can share little bits and pieces of his past with. Since his wife, Alice's gran, has just died, Dave needs to reconnect with those years out in Africa when he first met her and began a relationship. Joseph turns up at his flat on a number of occasions to help the old guy and eventually allows himself to be befriended by him. For a good portion of the novel the tone is rather low-key until Joseph decides to share the awful truth of his past with Alice. While on patrol in South Armagh, he was forced to kill an armed provos. It is this perturbing experience that has caused Joseph a great sense of unhappiness and moodiness about ever reaching out and truly loving another human. The explosive moment in the story comes when Joseph, after fixing up Dave's apartment, goes into a rage and wrecks the place. While Joe is a morally-complex individual, who truly anguishes over his past misfortunes, there is no sense that Alice will be able to get close enough to help him overcome this crippling burden of guilt. Unlike Dave, who has found a way to make an ugly past work for him, Joseph remains forever trapped in the dungeon of his memories so that any attempt to release him only makes him more determined to stay there. This book sort of ends on a down note where Joseph is seen as a person who needs the help that Alice is unable to give because of her own personal dilemmas. Seiffert offers a very controlled, matter-of-fact view of how emotions affect people in different ways with little latitude for change. This book is worth reading for its heavy dose of realism: The reader should be under no illusion that out of this turmoil, nothing really changes.
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3.0 out of 5 stars Foreseeable Read, Aug 16 2007
This review is from: Afterwards (Hardcover)
The story consists of a young woman who falls in love with an ex British military guy. He suffers from guilt over shooting a family at a checkpoint and she suffers from the inability to really express her feelings.

Thus we have Seiffert's low-grade version of Brit-Sex-In-The-City where the main character spends the majority of her time, and our time, in pubs drinking and talking about her pseuo-relationship, or in her apartment discussing same, or in someone else's apartment discussing it ad infinitum. We wonder how long the character will stall, before any real plot will take place. But when you've built an entire book on the question whether or not they will really get together and work out their insecurities, when all we want to know are the exact details of the shooting, then of course it seems logical that the plot will fall by the wayside.

Why this was recently reviewed in the New York Times is one of life's great mysteries. It perhaps highlights the inadequacies of our publishing system. After all, 'shouldn't' they review an ex-Booker shortlister? Do they owe the publisher a favor? Let's be clear. Seiffert plays a strategic game by writing about post-war stress and I'm guessing she hopes that by topicalizing her subject that she will soon be invited to Oprah. The problem is the topic just doesn't make up for the rambling nature of these constant conversations where the main character rehashes the same stuff with different friends.
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