From Publishers Weekly
In this odd and moving second novel from Azzopardi, whose first novel, The Hiding, was a Booker finalist, a thief makes off with a small case containing some useless relics belonging to an elderly homeless woman—variously called Patricia, Lillian and Winifred, depending on the people who "care" for her. Patricia's search for the thief and her belongings becomes an excavation of her past, beginning with her prewar girlhood in the English town of Chapelfield; it's a haunting evocation of neglect, abuse and mental illness. Born with a head of spiky red locks that her dad refers to as "telltale" hair, the "feeble-minded" Patricia is passed off to her grandfather (after her depressed, delusional mother dies), then, during WWII, sent to live with a bitter, lonely aunt on a scraggly farm. But when 15-year-old Patricia gets pregnant, she's shuttled back to Chapelfield, only to discover that all her relatives have disappeared. It's a harrowing, painful story, saved from melodrama by the unsentimental first-person perspective and a challenging, elliptical narrative. The backstory, revolving around the telltale hair, is slow to emerge, but as the pieces of the plot begin to fall into place, the book gains sweep and power, building to an unexpected (and unexpectedly horrifying) climax. The prose has flashes of brilliance—"the rain is a river of silver coins"—and while some readers won't respond to the fatalistic acquiescence of Patricia/Lillian/Winnie, they can't fail to be moved by the sadness that shrouds this largely lost life.
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--This text refers to an alternate
Paperback
edition.
Corrie James reads this tale of remembrance and abandonment with an odd mix of cynicism and wonder, an appropriate blend to set the tone as main character Winnie looks back on her difficult life. As homeless Winnie attempts to track down the fate of her few stolen belongings, she recounts how each item came into her possession. James alters her voice subtly, giving the young Winnie an optimistic wistfulness, while making the older Winnie sound as wizened and bitter as she has become. The inflections are so subtle, however, and the flashbacks so frequent, that it's easy confuse timing in the book. The novel itself gets off to a slow start, also matched by James's reading, but as the story line picks up, so does James's performance, making the surprise ending worth waiting for. H.L.S. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.
