From Publishers Weekly
Lee's third novel (after
Native Speaker and
A Gesture Life) approaches the problems of race and belonging in America from a new angle—the perspective of Jerry Battle, the semiretired patriarch of a well-off (and mostly white) Long Island family. Sensitive but emotionally detached, Jerry escapes by flying solo in his small plane even as he ponders his responsibilities to his loved ones: his irascible father, Hank, stewing in a retirement home; his son, Jack, rashly expanding the family landscaping business; Jerry's graduate student daughter, Theresa, engaged to Asian-American writer Paul and pregnant but ominously secretive; and Jerry's long-time Puerto Rican girlfriend, Rita, who has grown tired of two decades of aloofness and left him for a wealthy lawyer. Jack and Theresa's mother was Jerry's Korean-American wife, Daisy, who drowned in the swimming pool after a struggle with mental illness when Jack and Theresa were children, and Theresa's angry postcolonial take on ethnicity and exploitation is met by Jerry's slightly bewildered efforts to understand his place in a new America. Jerry's efforts to win back Rita, Theresa's failing health and Hank's rebellion against his confinement push the meandering narrative along, but the novel's real substance comes from the rich, circuitous paths of Jerry's thoughts—about family history and contemporary culture—as his family draws closer in a period of escalating crisis. Lee's poetic prose sits well in the mouth of this aging Italian-American whose sentences turn unexpected corners. Though it sometimes seems that Lee may be trying to embody too many aspects of 21st-century American life in these individuals, Jerry's humble and skeptical voice and Lee's genuine compassion for his compromised characters makes for a truly moving story about a modern family.
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Chang-Rae Lee is in Updike territory here, the Rabbit Angstrom beat. His Jerry Battle is a suburban guy who has skimmed over full comprehension of just about everything important in life: the death of his wife, his distance from his children, his longtime girlfriend's defection to a cruder, richer man, his father's raging against the night in his nursing place. Don Leslie has trouble with the long rhythm of Lee's sentences and can't find a likable voice for Jerry, choosing heaviness and anger when puzzlement or self-deprecation would have helped. Also, throughout, Leslie calls Jerry's daughter-in-law "Your-niece," which is seriously confusing until you understand it's "Eunice," and seriously distracting thereafter. A wonderful book, it deserves a less earth-bound interpretation. B.G. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.
