From Amazon.co.uk
The Birth of Venus is all the more fascinating a historical novel for the author's inability to make up her mind what it is about. Is it a novel about the limited choices available to a woman with talent in Renaissance Florence--marriage or the convent? Or is it a novel about the choices you make to survive in a totalitarian society? As Savonarola takes Florence closer and closer to being an ascetic theocracy, Alessandra, her gay brother and his lover whom she has married for mutual protection find themselves in more and more peril. It could also be a detective story--Allesandra is in love with a painter whose religious mania and fascination with the body makes him a plausible suspect for a series of killings and dismemberments. Some historical novels wear their research too heavily--Dunant's is light, fluent and pacy, but her fascination with the possibilities revealed by research leaves her failing to make choices.
The Birth of Venus is a highly intelligent novel kept from incoherence mostly by the intensely imagined Alessandra, through whose eyes we see the tragic end of a key moment in human culture and whose lively sensibility constantly sparks ideas about art and her time. --Roz Kaveney
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Publishers Weekly
In this arresting tale of art, love and betrayal in 15th-century Florence, the daughter of a wealthy cloth merchant seeks the freedom of marriage in order to paint, but finds that she may have bought her liberty at the cost of love and true fulfillment. Alessandra, 16, is tall, sharp-tongued and dauntingly clever. At first reluctant to agree to an arranged marriage, she changes her mind when she meets elegant 48-year-old Cristoforo, who is well-versed in art and literature. He promises to give her all the freedom she wants-and she finds out why on her wedding night. Her disappointment and frustration are soon overshadowed by the growing cloud of madness and violence hanging over Florence, nourished by the sermons of the fanatically pious Savonarola. As the wealthy purge their palazzos of "low" art and luxuries, Alessandra gives in to the dangerous attraction that draws her to a tormented young artist commissioned to paint her family's chapel. With details as rich as the brocade textiles that built Alessandra's family fortune, Dunant (Mapping the Edge; Transgressions; etc.) masterfully recreates Florence in the age of the original bonfire of the vanities. The novel moves to its climax as Savonarola's reign draws to a bloody close, with the final few chapters describing Alessandra's fate and hinting at the identity of her artist lover. While the story is rushed at the end, the author has a genius for peppering her narrative with little-known facts, and the deadpan dialogue lends a staccato verve to the swift-moving plot. Forget Baedecker and Vasari's Lives of the Artists. Dunant's vivid, gripping novel gives fresh life to a captivating age of glorious art and political turmoil.
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--Ce texte provient de la
Hardcover
édition.
de Sarah Dunant
de Sarah Dunant
de Sarah Dunant
de Sarah Dunant
de Jeanne Kalogridis
