From Library Journal
Eighteenth- and 20th-century London merge as Nicholas Hawksmoor, C.I.D., investigates a series of murders whose only connection is locale18th-century churches constructed by Nicholas Dyer. Resisting modern, more systematic methods of detection, Hawksmoor interprets the historic connection between these places, old murders and new, slayers and slain, murderers and pursuers, defying time, religion, and reason itself. Despite exacting re-creation of Dyer's London and careful mirroring of 18th-century people and places in the 20th century, the novel lacks a focus that would make a point behind the wealth of detail. As it is, tantalizing symmetries, provocative discussions of architecture, debates on ancient and modern lead nowhere and frustrate the reader. Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.
Copyright 1986 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
This is a moody tale of ancient superstition and the modern havoc it spawns. There's no one better to read it than Sir Derek Jacobi, whose sepulchral voice seems to echo from the story's eighteenth-century beginning. Two hundred and fifty years ago, architect Nicholas Dyer designed devilry into the churches he built after the great fire of London. Now those churches are the sites of macabre murders; it's up to CID Detective Nicholas Hawksmoor to resolve this spooky and involving tale of evil-once-done. A.C.S. (c) AudioFile, Portland, Maine
