Book Description
Harry the poisonous centipede and his friend, George, are captured by the dreaded Hoo-Mins. How on earth can they escape from their hard-air prisons? Glass jars are too hard to climb, theyre too slippery, and the holes in the top are small. But when the Not-So-Big-Hoo-Mins Mother accidentally knocks over two glass jars that happen to be holding a scorpion and a tarantula, all hell breaks loose
Harry and George seize the opportunity to escape but just as they make for home, they are dived on by the biggest flying-swooper theyve ever seen and dumped in the ocean
how will they survive? This is just the start of Harrys adventures as he encounters the marine centipedes who turn out to be very unpleasant little creatures indeed!
About the Author
LYNNE REID BANKS was born in London in 1929, the only child of a Scottish doctor and an Irish actress.
Her education before World War II included two years in a Catholic convent. When war came, Lynne was evacuated to the Canadian prairies. On her return to London in 1945 she studied for the stage, and after five years in Repertory spent several years as a freelance journalist and playwright. She joined ITN as the first British woman TV news reporter in 1955, remaining there until 1962. Her first novel, the ground-breaking, post-war, feminist novel THE L-SHAPED ROOM, was published in 1960, and made into a film the following year.
In 1962 Lynne emigrated to Israel, where she met Liverpool-born sculptor Chaim Stephenson, whom she later married. Altogether she spent nearly nine years living in a kibbutz in Galilee, where their three sons were born. She describes these years as perhaps the most fulfilling of her life, all her previous careers proving useful to her new one as a teacher.
In 1971 she returned to England with her family. For fourteen years they lived in London, and Lynne wrote full-time, producing books and plays, short stories and articles. In 1985 Lynne and her husband moved to the country, in Dorset, keeping a small house in London, so as not to be ‘out of the swim’.