Death In Dublin: A Peter Mcgarr Mystery (Paperback)

McGarr is superseded in the investigation by an officer of the Garda, a Tinity graduate, known as the communicator. This causes McGarr to mobilize his people to work all the harder. McGarr realizes that in one way he has been freed. He does not have to make himself available to the press. McGarr becomes involved with Kara Kennedy the assistant librarian notwithstanding the fact that she is technically a suspect until the investigation ends.

It turns out that the head librarian at Trinity is burdened with drugs and debts. McGarr gets into trouble with the Garda and is placed on administrative leave. The son of the murdered guard is involved in some fashion in the demands for ransom. The chief investigator from the Garda is compromised but with the chief librarian comatose he is not in much danger of having his corrupt conduct disclosed.

Gill was an American journalist and a graduate of Trinity College the book cover discloses. He died in 2002 and wrote this book in the McGarr series about five years earlier. This title has more violence in it than some of the other books in the series.

This novel takes place two years after Gill's previous novel, Death of an Irish Sinner, in which McGarr and his associates investigated Agnus Dei, an extremist Catholic group, and experienced profound changes in their personal lives as a result. Here we see how McGarr, Hugh Ward, and Ruthie Bresnahan have coped with their changed circumstances and how they have continued their lives. We also see the return of Charles Stewart Parnell Sweeney, an Agnus Dei supporter and tabloid owner whom McGarr believes is at the heart of much illegal activity in Dublin. Though this novel is fully able to stand on its own merits, those who have read "Sinner" first will more fully appreciate the intricacies and revelations in plot and character which this sequel provides.

Here McGarr and his squad are called to investigate the theft of the Book of Kells and two other illuminated manuscripts from their hermetically sealed cases at Trinity College. The manuscripts' importance in Irish Catholic culture, the history of the Celts before the arrival of Christian missionaries, and a growing political party called the New Druids, a gang of former IRA thugs involved in organized crime and the torching of churches, are well detailed and dramatically impact the exciting and unusual plot. Skinheads, the tabloid press and its excesses, the growing use of Oxycontin, and the political machinations of Irish politicians add contemporary complications to the efforts to retrieve the ancient manuscripts.

As always, McGarr remains a practical, no-nonsense investigator, willing to throw the niceties of procedure out the window, if necessary, to achieve justice. His loyal staff, familiar to McGarr fans, all appear here, and McGarr's obvious affection for them and for his daughter gives real warmth to this novel. As McGarr, wounded professionally, emotionally, and physically wraps up the case, the reader is left with the feeling that though the novels will not continue, that McGarr will continue to work his way out of difficulties, as always, and that, emotionally, he will be OK. After two years his nemesis has been destroyed, he has made some new friendships, and most tellingly, he has resumed work on his much-loved garden. Though I'm saddened that the series has ended, I'm confident that McGarr will endure. Mary Whipple

Chief Superintendent of Serious Crimes Unit Peter McGarr and his team work the murder investigation, but struggle with the interference of media darling Chief Superintendent Jack Sheard. The condescending Sheard provides news conferences that leave Peter in awkward situations. As the ransom becomes known, Peter believes that The New Druids, an anti Christianity group that blames that religion for destroying Ireland for over a millennium, is behind the theft and the murder. However, action must occur rather quickly as the group threatens to burn a page every day if they fail to receive the demanded cash.

This exciting police procedural works on several levels. First the obvious theft and murder investigation hooks the reader from the moment Raymond circumvents the security system. Second Peter's personal life is in shambles since the murder of his spouse two years ago seems on the verge of resuscitation due to a reporter and his daughter. Finally, the media comparison of darling Jack vs. pain in the butt Peter is quite a revelation as the former takes care of the press regardless of the impact on the victims while the latter considers the victims, his team, and the case over the journalists. Once again Bartholomew Gill humanizes his key cast so that sub-genre fans open the New Year with a triumph.

Harriet Klausner