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The Bee-Man of Orn
  

The Bee-Man of Orn (Hardcover)

by Frank Richard Stockton (Author) "In the ancient country of Orn, there lived an old man who was called the Bee-man, because his whole time was spent in the company..." (more)
4.0 out of 5 stars  See all reviews (1 customer review)

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From School Library Journal

Grade 1-5--An aged Bee-man lives contentedly among his insect friends, surviving on honey and the occasional piece of meat, until the day an itinerant Junior Sorcerer informs him he's been transformed and encourages him to discover his "original form." On hearing this disturbing news, the Bee-man sets off. On his quest for his true nature, he rescues a baby from a dragon. His powerful attraction to the infant convinces him that this may be his original form and with the help of senior sorcerers he returns to his babyhood. The final scene describes a now-mature sorcerer, arriving at a small hut swarming with bees and finding, to his amazement, the once-again adult Bee-man. This delightful story about destiny, which first appeared in print in 1883, is illustrated primarily in earth tones. Sweeping vistas suffused with a long-ago-and-faraway atmosphere alternate with expressive spot art set against white backgrounds. Lynch has a talent for creating mysterious landscapes and capturing character: the befuddled, ragamuffin of a Bee-man and the "languid youth" he encounters in his travels, as well as the puerile sorcerer. The story has also been illustrated by Maurice Sendak (HarperCollins, 2003). His art, done in pastel colors and featuring a portly, heavily jowled Bee-man, highlights the humor of the tale. While readers with a philosophical bent may prefer Lynch's version, there is room on library shelves for both.--Daryl Grabarek, School Library Journal
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.


From Booklist

*Starred Review* Gr. 1-3. Stockton's classic story, memorably and rather comically illustrated by Maurice Sendak in 1964, now appears in a large-format picture book with Lynch's dramatic illustrations. The unlikely hero is Bee-man, an old, "ugly, untidy, shriveled, and sun-burnt" figure who is contented with his life as a beekeeper until a young sorcerer informs him that he has been "transformed from something else." Seized with a determination to discover and recover his previous form, the Bee-man goes on a quest that takes him to a stately palace where he learns that noblemen sometimes act ignobly, into a cavern where he rescues a baby from a monstrous dragon, and to a village where he restores the infant to its mother and decides upon his own future. Lynch's spirited artwork, richly detailed and darkly atmospheric, provides a series of imaginative settings and creates a romantic and broadly appealing vision of this original fairy tale. Large in scale and epically cinematic in effect, the beautiful watercolor-and-gouache paintings create a mysterious "otherworld" that will remain part of children's imaginations long after they have graduated to novel-length fantasies. With pictures large enough for sharing with groups, this edition is a read-aloud treasure for good listeners. A DVD giving a behind-the-scenes look at the artist at work is included in the book. Carolyn Phelan
Copyright © American Library Association. All rights reserved --This text refers to an alternate Hardcover edition.

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In the ancient country of Orn, there lived an old man who was called the Bee-man, because his whole time was spent in the company of bees. Read the first page
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4.0 out of 5 stars "Do you know that You have been Transformed?", Mar 16 2004
By R. M. Fisher "Raye" (New Zealand = Middle Earth!) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: The Bee-Man of Orn (Hardcover)
Frank R. Stockton first wrote "The Bee-Man of Orn", a strange blend of folktale and original fairy story back in 1964, with illustrations by Maurice Sendak. Although good, Sendak's illustrations were bright and kooky, high-lighting the comic aspects of the story, rather than the deeper more thoughtful elements. On the whole, I prefer this new edition, with new illustrations by P. J. Lynch that create a more realistic and folktale-like setting.

The Bee-Man lives in a small hut in the countryside that has been so covered over by the honeycomb of his friends the bees that it resembles more of a hive. He's happy there, but is instantly alarmed by the arrival of a young Sorcerer, who informs him that his strange way of living has come about due to the fact that he's been *transformed*. Transformed from what? The Sorcerer doesn't know, but now the Bee-Man is determined to find out. Gathering a small hive of bees that he wears on his back, he begins his journey to find out what he once was, eventually coming to the mountains that hold the caves of dragons...

Meeting up with a Languid Youth who wants to be more energetic, the two enter the caves and find something there that will solve *both* their problems. The story ends on not one but two notes of the laughable actions of Fate and inevitabilty, leaving the story with a satisfying ending and a topic open for more discussion. How many children's books do you know that do *that*?

The story is charming and P. J. Lynch's illustrations are fantastic. His watercolours brilliantly convey the glorious green world of Orn and the expressive lined faces of the people within it. The pages of the book are large and glossy - giving his work their best chance to shine, and do so to their full effect in the scenes of open country and lofty caverns. If anyone has seen his illustrations in "Catkin", they'll know how good he is at underground scenes, and here they're even better: misty depths, fiery walls and rocky textures all seen real enough to touch.

Although the Languid Youth looks a bit too droopy to me, the Bee-Man is perfect in both his incarnations, and on the whole, Lynch's work better matches the text. Together, the story and the illustrations have an almost Tolkien flavour to them: the story could easily belong to "Tales from the Perilous Realm" or one of Middle-Earth's folktales, and I always recommend people to P. J. Lynch if they like the art of Alan Lee and John Howe. A big, beautiful book that has pictures that match the text perfectly - what more could you want?

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